An almighty step-up in presentation, execution and systems-heavy design, Warhorse's follow-up to their cult medieval-era RPG is a sandbox of splendor.
Quintessentially "more of the same" it may be, Sniper Elite: Resistance's intricate level design proves that's anything but a detriment.
While notable absentees and a glaring lack of 21st century representation are hard to miss, Digital Eclipse's third entry in the Gold Master Series with Tetris Forever still stands as a welcome, at times eye-opening, look-back on the legacy of one of gaming's greatest IPs. A staunch reminder as to the simplicity, addiction and clever, mechanical wit at the heart of the falling-block premise. A premise whose game selection, while flawed, still carries with it an interesting look back on the many ways, good and bad, Tetris aimed to evolve and refine itself over the many years. Though it may retread old ground in parts, it's the wealth of material as much the care for the smaller details, where Digital Eclipse's reverence is most strongly felt. Not as complete or as comprehensive as one might've liked, Tetris Forever is still nonetheless a pleasant, worthwhile look back on one of gaming's and indeed all of culture's most-prized creations.
A promising start makes way for an RPG of ample qualities but one too many critical set-back's.
Mechanically-engaging and technically impressive when it wants to be, CYGNI: All Guns Blazing goes all in on spectacle with mixed results. Where its core energy-management system is an anxious-but-delightful thing to manage, it's most of what surrounds the gameplay that KeelWorks sadly don't fair as well on. Putting its immediate and dense introduction to one side, its lack of a stand-out musical or artistic identity, while not the end of the world, does mitigate a hefty chunk of how much enjoyment one can find. Particularly in such a visually-busy take on shmups as CYGNI is. Even so, a sufficient level of joy remains via those classically shmup-like moments of holding on to take down a boss or battling through an endless wave of hostiles and still coming out the other side unscathed. Its supposed unique standing doesn't always feel adequate, but CYGNI: All Guns Blazing still presides over an interesting-enough, modern-day take on the genre.
Ticking all the right boxes to keep one engaged, yet doing little else to stand out even in the confines of its own series, Cat Quest III provides a competent, at times charmingly so, quest for better loot and better opportunities to use it all on. How well you fair on that latter objective will depend on how detrimental you rate a kind of simplistic combat, whose only true barrier to entry are the gear numbers the game ends up dictated by. Yet even with this reliance on player levels and hidden numbers to deducw, what it may lack (or deliberately ignore) in depth, it makes up for with a sufficient loop of activities to hunt down and well-implemented visuals on top. Whether a fan of the series prior or entirely new to what The Gentlebros usually cook up, Cat Quest III still manages to make its island-hopping adventure, a curious one all the same.
An easy-to-grasp premise coupled with a campaign with an abundance of clever twists and turns, Kunitsu-Gami: Path of the Goddess stands as one of Capcom's most interesting ventures into smaller-scale experiences yet. A game that doesn't shy away from its smaller stature, yet never feels like it's sacrificing the quality of production we've come to expect and praise Capcom for. Some great artistic use of color and lighting on top, only emboldening further a game that feels miniature yet grand at the same time. The surprise isn't that Capcom can excel just as well on newer, smaller-scale projects. It's that for a premise revolving around a combination of combat, real-time tactics, overhead management and tower defense-style adaptation, Capcom and Kunitsu-Gami: Path of the Goddess have found a way to make such anxieties of the Strategy genre a still-perilous but altogether more exciting and interesting path worth taking.
Nihon Falcom needn't have gone about overhauling things as radically as they have. But with a newfound energy and purpose to its real-time/turn-based hybrid of a premise, as well as a bountiful amount of new and returning mechanics to experiment with, Trails Through Daybreak is nothing less than another fantastic reinvention for what was already some of if not the best turn-based combat in any JRPG series. Aided on top by that familiar dedication to player customization, intriguing world-building and that ongoing desire to spend a bit longer in getting the most out of the systems on show. Countless entries later, Trails continues to prove itself as one of the most satisfying and engaging role-playing experiences available. It wasn't exactly begging for such reinvention, but with The Legend of Heroes: Trails Through Daybreak, Nihon Falcom's opener to the Calvard arc is as close to perfect a new chapter, as you can possibly get.
Even with its slightly unintuitive interface and occasionally-tedious boss encounters, V Rising does what so many survival-sandbox and loot-based RPGs alike get horribly wrong from the word go: having the base gameplay start from a point of enjoyment. While the task to build one's self up and survive the ongoing perils remain crucial to one's progression, it's thanks to the game's reframing of key genre pillars like gear score and meters to manage that make the experience far from the slog it may initially imply. While its introduction may lead many to suspect the same mounting tedium is coming, a host of well-integrated mechanics alongside that consistent balancing of the risks one may be willing to take make V Rising -- and now, its subsequent release onto PS5 -- a noteworthy accomplishment.
While its lacking narrative and world-building comes off a missed opportunity that, despite momentary hints, never properly materializes, Hauntii and Moonloop Games' admiration and understanding of collectathon-styled adventures is what keeps this latest journey through the afterlife feeling anything but lifeless. The two-tone aesthetic and use of light-and-dark contrast, specifically in the context of level design, is where the game is at its most cleverly-orchestrated. Despite its minimalist appearance, this is a game whose subtle suggestions to maybe venture off the beaten path now and again is never too far away. Complimented along the way by a possession-based mechanic that plays host to challenges, mini-games and even a couple of set-pieces providing just the right amount of variety. It may not go down as the most memorable or indeed the most fulfilling example of its genre or indeed this style of game, but Hauntii still proves that even flawed creations can still bear a welcome level of enjoyment.
A masterfully-orchestrated series of puzzles that are both stand-alone and interconnected alike, a brilliant use of a more-restricted color palette emboldening its art-style and aesthetic. And best of all: one of the most curious, perplexing but ultimately satisfying mysteries to see fully unraveled and revealed in its truest form. Combined, Lorelei and the Laser Eyes stands as Simogo's best work to date. Even with a portfolio as creative as theirs, a release deserving of that most lofty of titles: magnum opus.
Nearly two decades on, Braid still refuses to show its age. A game whose varied ideas and smart execution remain one of the puzzle genre's finest showings. The Anniversary Edition doesn't so much attempt to fix what was never broken to begin with, but instead adds a rich assortment of visual and audible enhancements, on top of what is surprisingly as in-depth and varied a commentary on the game as you can get. Those who may not have clicked with its gameplay at first go might not find much to entice them back in for a second try. But for everybody else -- not least those fascinated with the development, construction and inevitable design -- Braid, Anniversary Edition offers a compelling insight into what remains a classic of great puzzle design.
While a feeling of déjà vu and retreading familiar ground may spring up, The Forgotten Kingdom still musters enough originality and welcome content to hunt down to make Remnant II's second DLC outing a satisfying if not spectacular addition. What it may lack in true environmental and level design variety, it more than makes up for with new enemy types and testing boss fights alike. As divisive as its perilous puzzle and platforming segments may wind up being, The Forgotten Kingdom still makes sure to pepper such moments with the worthwhile gear and weapons we've come to expect. A case of more of the same, which in itself is no bad thing, The Forgotten Kingdom while not the most substantial or stand-out of efforts, is still very much a fitting reflection of Remnant II's greatest strengths.
While many will feel it's one or two chapters short of a truly fleshed-out and fully-realized vision, Children of the Sun's short but lavish flair for the hyper-violent is one of both visual and audible delight throughout. With what might be one of the most interesting and quick-to-convince takes on shooter mechanics in many a year, developer Rene Rother's knack for the look and feel of such an onslaught allows both art-style and gameplay alike to boldly glisten. As divisive the in-game graphics and general presentation might wind up being. But it's in no small part thanks to composer Aidan Baker's treatment of sound on top that only emboldens Rother's vision more so as one of both depth and replayability. An easy-to-understand pitch that comes with just as easy a recommendation, Children of the Sun is a blistering but brilliant take on shooting as a puzzle to be solved.
Clocking in at around three to four hours to roll credits, Pepper Grinder while not the lengthiest of platforming titles thanks to its prime drilling mechanic, makes said run-time a thoroughly satisfying one. A core premise that's aided on top by a thoughtful approach to level design, not to mention a knack for continually chopping and changing the formula with one interesting new element or introduction of a neat gimmick after another. Developer Ahr Ech's ability to conjure so much from out so little a detail as how a character moves should not go unnoticed. Serviceable, bordering on unnecessary, its secondary content might feel, Pepper Grinder's ability to be just as satisfying to control, as much to work out and eventually beat, grants this particular drill-powered adventure a well-deserved identity all its own.
Wielding enough creativity and originality in its approach, Penny's Big Breakaway is a classic case of the good of its premise outmatching the occasional bad of its execution. As annoying the technical state in parts is, let alone some of the misjudged application of additional, incentivizing challenge runs a greater risk of putting players off entirely. Even so, flawed and lacking a touch of polish it may be, Evening Star have done well establishing a new IP that is not only reminiscent of past years, but eagerly wants to build something new out of it. What it ends up creating may not be the most fluid or immediately-enticing take on traversal, but Penny's Big Breakaway is a small, but promising start crammed full of fresh ideas and endearing style alike.
Wielding nothing more than a deck of cards and a poker-themed twist on proceedings, developer LocalThunk has conjured something incredible and awe-inspiring with Balatro. What starts as a relatively-novel twist on the deckbuilding format quickly blossoms into an experience that's equal parts methodical, experimental, chaotic but satisfying all the same. A game that rewards clever thinking, mathematical meddling and having the courage to be just that bit braver in uncovering just how far one can push its systems at play. Wherein success and failure alike stand as equally memorable moments to build off. A paradigm for what roguelikes and deckbuilders should aspire towards, Balatro is addictive, expertly-crafted and the new front-runner for what is easily the best gaming experience of 2024.
As promising a foundation there may be here, Foamstars sadly finds itself buried beneath a malaise of lackluster content and an underdeveloped world alike. Occasionally enjoyable and suggestive of greater potential the foam-centric mechanics can be, as both an offensive and defensive tool alike, it's everything going on in and around the core gameplay, that ultimately makes the experience feel hollow and at worst, jarring to deal with. From its all-too-cheery presentation, to its laughably one-dimensional attempt at instilling personality into its world and characters. Right down to the horrid monetization practices at the very start of its life-cycle. A commitment to further updates and new content may stave off a small amount of concern, but it's hard to see where Foamstars' longevity will land. By no means the worst attempt at a multiplayer-centric experience by way of its handful of hopeful, admirable elements here and there, but still one that could've been far better given the promise.
A game that's celebratory not just of the characters and the world it's focused on, but too the fanbase that's helped build it up to this point. Even a terrible voice casting choice and handful of other small nitpicks aren't enough to hamper too much of the experience. Like A Dragon: Infinite Wealth bets big -- in both gameplay and narrative alike -- and unsurprisingly, has won big once again.
Though its turn-based combat may end up doing most of the heavy-lifting, that Noname Studios have cleverly crafted something that's both fleshed out and as appealing as it is, means Worldless still winds up a delightful studio debut.