Digital Spy
HomepageDigital Spy's Reviews
UFO 50 may be inspired by an era that's several generations ago, but an incredible amount of imagination and work went into making this collection of games more than just about evoking nostalgia. The collection also manages to feel fresh and innovative, delivering thrills and the feeling of discovery at nearly every turn. It's unlike anything I've played, and represents a passion and love for the medium in such a special way.
Indiana Jones and the Great Circle isn’t just a masterful execution of a licensed game. It takes everything that MachineGames has learned from the Wolfenstein series and The Chronicles of Riddick: Escape from Butcher Bay to create a deeply fun cinematic experience that explores Indiana Jones as a character and will really have you hooked as you take up the call to adventure.
There are things I could nitpick, but they're easy to forgive as this is the most engaged I've been playing the game in a long time.
Double Exposure may fall a little short when compared to some of the previous games in the series, but Max Caulfield's return is still a riveting (and wild) ride. Max is as caring and likeable as ever. We loved spending time with her again – from her adorably awkward attempts at flirting at the start through to the dramatic if slightly uneven climax – and would more than welcome further stories with her.
If you've never played Until Dawn, the remake is a good time to experience this cult classic. It's as fun and thrilling as it was in 2015. However, while the remake improves upon the original in some ways, the overall improvement isn't vast enough to the point where this version is a must for those who've played through the game once before.
It's an evocative story that is beautifully told and has plenty of heart, and one that feels increasingly relevant in the context of the world that we live in.
"There was a hole here. It's gone now." And just like that, we're ready to be hurt again.
Metaphor borrows defining features of Persona yet executes these ideas in a less meaningful way, and in taking much from the beloved series, it takes a long time for Atlus' latest to carve out its own identity.
Every moment and action is meticulously thought-out, the art style is beautifully tactile as you can almost feel the pores of each page of the book, and with characters like Moonbeard always a joy to interact with, The Plucky Squire is a classic we can only hope to see more of.
Everything about Astro Bot has been painstakingly crafted to make it fun to experience, whether it's the fluid gameplay, unrivaled creativity or every interaction being a kaleidoscope of satisfying particle effects and sounds. Astro Bot is one of the best platformers in years and is a must-play title you shouldn't miss.
Space Marine 2 is a brutally fun action game that will be best experienced with friends in multiplayer, and while the gameplay and story itself are serviceable and don't do much to innovate the series or genre, fans of Warhammer or anyone looking for an old-school shooter will have a good time turning tyranid swarms into puddles of blood.
Outlaws is a Star Wars story worth experiencing. There’s a fun story with some engrossing world-building and stealth exploration to be had if you give it a chance, and I really hope the team at Ubisoft Massive gets a chance at fleshing things out even more with a sequel.
While I would argue that Lovestruck is guilty of some missed opportunities, it is an expansion that both deepens and freshens up romance-based gameplay and I did find plenty of enjoyment playing out my Sims' romantic (mis)adventures. It's a cohesive (and pretty saucy by the game's standards) expansion that doesn't quite nail all of its ideas.
Dungeons of Hinterberg is an absolute delight to experience. It's challenging enough to keep you on your toes, but never so frustrating that it drops the ball on its cosy core. We were hooked from start to finish and can't wait to jump back in for another holiday in Hinterberg.
Overall, Road to Elysium is more of what makes The Talos Principle 2 great, giving players new fun and challenging puzzles, more lore to uncover and lots of Easter eggs to find, with plenty of creative innovations across its three chapters that make it a worthwhile expansion to the base game.
It isn't perfect and whether or not it surpasses its predecessor is up for debate – this is a story that is different in scope – but Hellblade 2 is one of the standout experiences of the year so far and has been worth the wait.
The struggle to portray a vivid world and a sense of place results in the game failing to make much of an emotive impact. Once the credits rolled, there was very little about the experience that stuck with us.
Crow Country is one of the best experiences of the year so far, and we think it will be talked about in the same tones as last year's Signalis for its sheer creativity and efforts to reignite passion for the survival-horror genre.
Stellar Blade is a hard game to pin down in the end. The combat really sings in its moments and the boss fights are some of the most memorable you’ll encounter in this genre, but it’s bogged down by a bland story, uninteresting characters and the need to make boobs wobble in every second of every cutscene.
Tales of Kenzera: Zau is a stunning, impactful and exciting first outing for Surgent Studios and, for us, a classic in the Metroidvania space that could go toe-to-toe with recent big hitters like Prince of Persia: The Lost Crown and Blasphemous 2. Surgent Studios has delivered a beautiful story that resonated with us as we explored the world of Kenzera, and we couldn’t recommend it more highly.