Kotaku's Reviews
The latest entry in Activision's long-running skateboarding franchise is (mostly) fantastic
This expensive, oddball game from a former GTA producer commits the ultimate sin: It's boring
A bigger, zanier, but not always better sequel to Kojima's bizarre open-world infrastructure simulator
Id Software's prequel is a big, heavy metal adventure with a few too many cutscenes
Sandfall Interactive's debut RPG signals a hopefully bright future for the studio
The Beekeeper's Picnic is set during Holmes' retirement, where he's finally ready to face his feelings for Watson
This new action-platformer on Xbox Game Pass is fantastic despite repetitive combat
Ubisoft's latest open-world RPG overcomes forgettable quests thanks to standout characters and improved stealth action
Hazelight's latest co-op adventure is an excellent victory lap
The action-RPG series is as beautiful and refined as ever, but more familiar than
Afterlove EP is sympathetic to the fact that none of us handle grief in a way that is easy to swallow for everyone around us, but its best moments come when it’s willing to slap you across the face and tell you to do better.
Lost Records: Bloom & Rage captures how hard it is to make and maintain friendships no matter how old you are
Xbox's latest RPG streamlines the worst parts of bloated open-world games into something special
Cowboy Bebop and Firefly influence an even bigger, more ambitious cyberpunk noir RPG
MachineGames' latest is one of the best of 2024 and Indy's finest adventure in decades
NetEase's take on the hero shooter is unapologetic about its inspirations, but it should learn from Overwatch's mistakes instead of repeating them
It's an odd experiment, but charming humor and engaging gameplay make this blocky parody of Aloy's story a successful one, too
Almost ten years after her terrific debut, Max Caulfield returns in a worthy if uneven sequel
The long-awaited fourth entry in BioWare's fantasy series isn't just good, it's some of the studio's best work
While this new Quiet Place game isn’t the most innovative or scariest game I’ve played, it’s a very well-made and tense adventure that had me more terrified of metal cans and broken glass than any random zombie I’ve encountered in Resident Evil. Who knew trash could be so scary?