I’m happy that Outriders tries to be something different and more self-contained. It might limit its longevity, but it was nice to play something that was an adventure and not a treadmill covered in bad loot and battle passes.
This year is only barely two months old, but I can confidently say Persona 5 Strikers will be on my game of the year list. I didn’t expect a musou spin-off to be a competent sequel to one of my favorite games of the last five years. It’s almost unfair to call Strikers a musou game, as it doesn’t feel like a Dynasty Warriors game at all. For as much as I love Koei Tecmo’s tentpole action series, Strikers’ combat is too slick and too varied, and too stylistically Persona to be called a typical musou. And I think it’s that combat that saves an otherwise sparsely appointed game.
Super Mario 3D World + Bowser’s Fury is essentially the same game on Switch that some of you may have experienced on Wii U. While there’s no denying that the new hardware can’t keep up with the game’s ambitions at times, this bundle is at its core another fantastic Mario experience.
In a different reality, I could see this game being something special. And it might, like so many other horror games and movies, go on to become a cult classic. But in this realm, for me, it just doesn’t come together.
Narratively and structurally, Hitman 3 strips its own make believe away, leaving the series’ core darkness on display.
My favorite ending in Cyberpunk is the one a lot of players call the “bad” ending. I wouldn’t have been satisfied if it were my only choice, but its sad but uncompromising tone felt right for my playthrough. In every ending, characters you forged relationships with message you during the credits. In this ending, they have different opinions on your choice, and some wish things came out differently. This ending felt most like my time inside Cyberpunk and in the discussion around it: a lot of conflicting emotions and no definitive answer.
I absolutely loved my time with Like a Dragon. Ichiban was just too charming, Isezaki Ijincho too interesting and its story too irresistible (in its own pulpy way), proving once again that the strength of Yakuza’s heart can easily overcome any of its gameplay shortcomings. Every time I got mad at its RPG failings, I couldn’t stay mad, because every time I got frustrated at the grind Ichiban would do something beautiful, or I’d fight a man holding a giant smoked turkey leg.
Immortals impressed me. It’s an unexpected success, blending comedy and condensed open-world gameplay into one of the most entertaining games I’ve played this year. Even if the combat lacks some variety and the main quests are a bit stale, the rest of Immortals is fantastic.
But it’s also undeniable that much of the rest of the game outside that experience is in shambles or has disappeared entirely. At the end of last season Destiny 2 told me to go to Europa to find an ancient power, and I have. The only problem now is that I don’t know where else to go with it.
Not even my ardent love for these characters was enough to sustain my interest over the entire, artificially padded game