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Overall, Twelve Minutes is an excellent game, with an interesting concept and story. But, it is let down by rigid and stale gameplay, which hold it back from being a must-play...
Cris Tales is a beautiful indie RPG that is held back by various issues, keeping it from being one of the greats. Incredible story, filled with exciting characters, areas and interesting time powers, makes it worth the play. However, held back by an uninteresting battle system that becomes stale and too easy, a horrible third act of the game slows it down to a crawl. You'll find something to love with Cris Tales if you can look over some of its flaws.
Backbone presents the player with an intriguinging world, populated by interesting characters that drive it's often depressing and strange story home to what feels like an eventually inevitable conclusion. It's just a pity that the minute-to-minute gameplay is not only uninspired, but it's also rather boring.
With a wicked sense of humour, loads of visual flair, and a surprising amount of cerebral satisfaction packed into its deceit-filled race against the clock, Overboard! is a delight. It's one to keep within arm's reach when you're in the mood for short bursts of frantic, but low-effort, fun.
Guilty Gear's latest chapter is its most accessible one yet, a righteous display of power and attitude that unleashes the sickest of heavy metal guitar licks and unrelenting style. Its online matchmaking may still need some work before it's ready for the main event, but Arc System Works has delivered a captivating display of coolness and action.
DC Super Hero Girls: Teen Power succeeds in not feeling like a simple cash-grab. Much like its source material, it has genuine heart, plenty of activities to take part in, and a cast of characters who are simply adorable. Some of its more social open-world gameplay may feel a touch slapdash, but its colourful and explosive action more than makes up for it by being a blast of addictive and easy-to-grasp fun.
Ninja Gaiden: The Master Collection is a fascinatingly violent time capsule that shows off the best and the worst of Koei Tecmo's fan favourite shinobi. It's as barebones a collection as can be, packing all three games together with a sprinkling of DLC, but it's still a fine showcase of brutal difficulty and white-knuckle thrill power that is inimitable by anything else on the market. Just don't expect anything more than that.
Boring narrative aside, Sniper Elite Ghost Warrior Contracts 2 is superb at delivering its bread and ballistics gameplay. Focused purely on the art of the kill, CI Games has crafted numerous detailed sandboxes to become the ultimate long-distance predator inside of, resulting in a game that forges ahead and doubles down on its own unique brand of hold-your-breath gunplay. Pure cathartic and exhilarating action with every squeeze of the trigger.
I think it's impossible to put down your controller once you finish Rift Apart for the first time, and not have a smile on your face. It's a game that's chicken soup for the soul, nourishing and positive content that's just incredibly wholesome to consume. Loud with its setpiece moments and surprisingly introspective with its emotional haymakers, all of its style and substance comes together to create not only a colourful, and wonderfully mad showcase for the PS5, but also the definitive Ratchet and Clank adventure for the next generation of gaming.
It's beautiful, it's charming and its insights are given greater punch by exceptional voice acting. Yet, despite ticking so many boxes, The Magnificent Trufflepigs never manages to find the sweet spot of player satisfaction due to some odd, clashing design choices.
Knockout City is both easy to pick up and deviously simple in its design, hiding a layer of complexity behind more casual gameplay that fans will discover the more they become invested in it. There's some standard launch-month polishing left to be done still, but Knockout City lands more hits than misses with its high-stakes gameplay and cunning combat, resulting in a multiplayer experience that's both fun and intense at any given moment.
Ghosts 'n Goblins Resurrection is exactly what you'd expect a remake of Capcom's classic: It's painfully difficult to the point of parody, but it also features gorgeous visuals and imaginatively punishing design to create a beautiful knightmare.
Almost three dozen games, a trip into a bygone era, and plenty of reasons to have a pocket full of coins jangling away as you peruse the offerings. Depending on your fondness for the past, Capcom Arcade Stadium has a divisive collection of charming cult classic titles and time-wasting distractions, but it's all presented in a package that lures you in with bright lights, loud sounds, and plenty of nostalgia.
Miitopia still retains its charm as it hops from 3DS to Switch, as well as a decent upgrade in the visual department. It's no 100-hour epic, but it's a cute and quirky little RPG that makes for an adorable distraction when you need to let your brain rest for a bit.
FMV games aren't to every taste, to be fair, but for a change of pace, and an opportunity to jump into the genre, Erica is the best of its class. A dark, gory thriller, Erica comes across like a compelling mix of Broadchurch and The Wicker Man, elevated by surprisingly strong performances and polished production values. Pity about the restricted, rigid control options that have carried through to the PC release.
Biomutant juggles a ton of balls at any given time, and while it might not be able to keep all of them in the air, it's still an ambitious open-world adventure that's hard to not fall in love with. Maybe it's coming at the right time as well, as its generally laid-back approach to storytelling, wonderfully silly crafting, and deep character customization more than makes up for the rough combat that could do with some more polish.
BioWare's finest hour, Mass Effect Legendary Edition is a package of passionate remasters and tweaking to create the definitive take on one of the best sci-fi adventures in gaming. I'm Commander Shepard, and this is my favourite remaster on the Citadel.
Subnautica: Below Zero presents the player not only with a harsh tundra to live in but the icy depths underneath it all. It’s tense, challenging, and always engaging, pushed on by a surprisingly in-depth narrative and characters that make eventually leaving behind all those magnificent alien animals all the more challenging when you eventually roll credits.
So what is this interactive story that I've been throwing my thumbs at, attempting to guide its fate while being exposed to cracks in the wall that separates its reality from mine? Is it an absurdly smart commentary of video games, a bonkers adventure to watch unfold, a slice of creativity rarely seen in the industry? Is it an experience that has to be felt to be understood, thanks to its talkative AI and whimsical approach? Whatever it is, one thing is for certain: There is no game.
Ireland is beautiful beyond words, the hidden secrets make exploring the Emerald Isle more fascinating than the paint by numbers main campaign, and if you're looking for plenty of familiar bang for your Hiberno-Norse coinage, Wrath of the Druids certainly has all that and more.