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Despite the awkwardly linear path through Pokémon Sun and Moon's sumptuous tropical setting, the breadth of content, refreshed design and breezy humour make this sunny Alolan holiday one to remember. With Switch on the horizon, the latest set of Poké-adventures would make a tremendous swansong for Nintendo's dual-screened handheld, with Game Freak proving you can always teach on old Rockruff new tricks.
Horizon: Zero Dawn is a stellar open world game. Guerrilla has crafted a magnificent and utterly gorgeous adventure game with surprising depth that rewards player skill and will more than likely prove to be PS4's next major action franchise. It's just a shame the game's open world is so desperate to validate its own existence that it never lets you truly enjoy the thrill of the hunt.
Reigns is a Python-esque text adventure rougelike played out with the swipe-mechanics of Tinder. If that sounds at all appealing, then Reigns is absolutely worth the small investment. Light and undemanding, it offers short, great bursts of play perfect for the mobile platform.
Technical niggles aside, Bangkok is a confident return to form for Hitman's first season – after the characterless trudge through Marrakesh and the fun, but throwaway mid-season summer special episode. While Sapienza is still the undisputed highlight, Club 27's tight, multi-tiered design and wonderfully vile pair of targets show that IO Interactive isn't ready to rest on its laurels.
Virginia is astounding in many ways. The way it conveys its meaning through visuals, character tics, a few hundred written words and one incredible score without uttering a single line of dialogue is remarkable. Confident and measured use of editing lends a sense of style, but Variable State's swagger turns to over-confidence in the final stretch and leaves Virginia on a befuddling rather than satisfying note.
If this review appears overly-critical, it's only because Pro Evolution Soccer is so close to being a complete product on and off the pitch. With the base gameplay seemingly nailed down, Konami should be capitalising by improving other elements of its beautiful game: chiefly its presentation, style, and game modes. Whatever shortcomings it has before and after the whistle blows however, the pure footballing experience of PES remains second-to-none.
Jenga meets Tetris
Sniper Elite 4 is a good game by many metrics, and is the best in the series so far. It's a good shooter, a good stealth game and has exceptional shooting mechanics, but as a whole it's rarely exceptional. It's one of the better stealth games of the last few years, with several distinctive ideas combined to create a tense game that, while not all that much bigger in scope than its predecessor, feels bolder and more interesting.
Prey's greatest success is its approach to choice and exploration. For players looking for a direct and focused single player shooter experience, this will undoubtedly disappoint and perhaps even frustrate, but for players looking for a smart and immersive world rife with intrigue and tension, Prey is a quality companion for some true classics.
Little Nightmares is the kind of horror game we don't see often enough, one that doesn't shock with fountains of viscera but crawls under the skin. Its flavour of terror is unnerving, burrowing its way deep inside you to nest and feed. Its story is one of hope, innocence and corruption that plays, often sadly, to contemporary fears. Issues with its presentation rob it of the same classic status as Inside, but if you're in the market for a slice of horror rich in artistry and carnal dread, Tarsier Studios have crafted a must-have.
What Arms lacks in personality and content it makes up for in raw joy and a best-in-class motion control set-up that feels both comfortable and natural. Arms showcases once again that Nintendo is peerless when ti comes to subverting genres without sacrificing what makes them great. Time will tell if Arms has legs to match Splatoon, but the early round scoreboards are certainly swinging in its favour.
Nothing about Mario Rabbids should work. It's enough of a shock that Ubisoft Milan managed to bring together these two worlds so well, then it successfully makes its cast the stars of a genre none of them has ever been near. Robust in how it plays and confident in its presentation, Kingdom Battle is exactly the kind of bold and fun exclusive Switch needed in its first year.
MercurySteam takes no time at all proving it is the perfect fit for a series overdue a resurgence. Another studio may have recreated Metroid as it was, but the Castlevania veterans modernise the Nintendo franchise with new abilities, freer movement, quality animations and lush alien design brimming with mystery and the unknown.If this remake was a test to see if there's life yet in the franchise, it passes with flying colours, only let down by a lack of the memorable boss encounters the series is known for. Maybe in a sequel the MercurySteam team could address this. They've certainly earned the right to try.
A colourful, energetic driving game which suffers from an uneven tone and an abundance of ideas
Playing as Batman has never felt better, but Rocksteady's kitchen sink approach gets in the way. A textbook example of why less is more.
Fallout 4 is a good game, no doubt, but it's hard not to feel let down after six months of solid hype, and high expectations on the side of the players. It hasn't learned any lessons from predecessor New Vegas, and aside from smaller tweaks and decent gunplay, there's very little to the core game that wasn't in Fallout 3. Building your settlements is fun and the main campaign missions (after a time) are engaging and entertaining. However, for a near-20-year-old series to take two huge steps forward in 2008 and 2010, only to hardly make any progress in 2015, is galling. Go in with that in mind and you'll have a lot of fun. Expect a nuclear revolution and you'll be left wanting.
Considering its development history, it's unsurprising that Final Fantasy 15 lacks crucial focus and depth when it comes to its largely stodgy tale of Oracles and Crystals or its unspectacular combat, with both found particularly at fault during the game's dour concluding chapters. Yet like Prompto's incessant nagging to go ride Chocobos, it's easy to give in to the breezy charm of the game's luscious open-world and the whimsical antics of its Tumblr-baiting bro-tagonists.
Everything that would make the game a beautiful and unique classic to match or even surpass its predecessors is here, but like its captivating star the game doesn't always perform as you'd hope.
If you loved the original Mirror's Edge, or enjoy the concept of free-running around a beautiful city without the fear of falling off a skyscraper or crotching yourself on a railing, Catalyst is most definitely right up your alley. As an open world adventure game however, it has some way to go. There are too many elements in the mix, and not all of them pan out.
Street Fighter 5 has a great, newbie-friendly fighting system that retains the depth of its classic predecessors for players to master. In many ways it's the best Street Fighter yet, but launching with the netcode in such a state can't go unnoticed, especially when it impacts such an important part of the multiplayer. The core of Street Fighter is still there, and is as good as ever, but unfortunately these problems - plus lacking options in single player - mean there's not a lot else.