EGM's Reviews
It's easy for me to understand how Zone of the Enders: The 2nd Runner captured the attention of players back in the PlayStation 2 era, as it offered, and continues to offer, some gameplay ideas and experiences that still don't exist in abundance to this day. Even back then, however, some of what it does would have been inexcusable to me—and playing the remastered Zone of the Enders: The 2nd Runner – M∀RS in our modern era, those weaknesses are just too hard to ignore.
NHL 19 is one of the best-playing hockey games I can remember, thanks to an overhauled animation system and the best body checking money can buy. World of CHEL is cool, too, at least as a foundation for future editions. Unfortunately, as it is right now, unless you like player-locked multiplayer experiences, this banner addition won't have much more to offer other than a few challenges and a new parka. Still, if you've skipped the last few years of NHL games, you could do a lot worse than NHL 19.
Yo-Kai Watch Blasters never manages to shake off that minigame feel, but its core gameplay, though shallow, is fun. Don't go in expecting anything too deep (or expecting to go anywhere beyond the town of Yo-Kai Watch 2), and Blasters is an enjoyable enough way to pass the time.
NBA Live 19 fully expands on its The One mode while adding a little more weight and momentum to its actual gameplay. While its in-game presentation and distinct style of gameplay might turn off players looking for a strict basketball sim, NBA Live 19 consistently rewards players for actually playing without trying to gouge them for more money.
NBA 2K19 had a real opportunity to learn from last year's mistakes, and in some ways it did. The Neighborhood is more convenient, the Prelude is way more interesting, and the gameplay has seen some subtle but important improvements. Unfortunately, all this is marred yet again by the game's predatory microtransaction system, which turns the MyCareer stuff into a grind-heavy, pay-to-skip farce.
As what may be the last hoorah for this particular story arc, Shadow of the Tomb Raider is a stereotypical stealth-action game, but one which manages to separate itself from the pack by excelling in everything that makes this genre what it is.
Mini Metro was a surprise hit for me when I first played it on computers four years ago, and I was really excited to finally see the game hit a proper console. While the controls aren't quite as good as I was hoping they'd be, the game itself still remains enjoyable and engrossing, offering a more-than-worthwhile experience for anyone who hasn't played Mini Metro on other platforms.
Donut County isn't really bad at what it sets out to do, but its ambitions are so meager that you can't help but feel the concept hasn't been explored to the fullest extent. This is indie game design at its most disposable. I'd be shocked if anyone is still talking about—or even remembers—Donut County a year or two from now.
Marvel's Spider-Man mixes the prestige ambitions of a Sony exclusive with the hyperkinetic fun of a great superhero game. It's not a pairing you'd expect to work, but it mostly does here, though some aspects of the open-world design, like repetitive side content, let down the overall package.
Firewall Zero Hour is one of the most precise and tactical VR shooters out there. Too bad the systems surrounding it are so wanting.
In an era when so many other wrestling games continue to focus on style over substance, a legendary Japanese franchise returns to remind its rivals of how things should be done. While Fire Pro Wrestling World isn't without room for fixes or improvements, it's still by far the best video game wrestling experience to arrive in recent memory. It's been 12 years since the last proper Fire Pro game, but it was absolutely worth the wait.
Dragon Quest XI brings the legendary Japanese RPG franchise to consoles (properly) for the first time in 13 years, and it's a mostly fantastic new chapter of the series. Its story, gameplay, characters, and visuals all work to blend timeless series elements with newer-era genre refinements, and most of the time, the results are great. Unfortunately, there are a few times when honoring tradition is a weakness, not a strength—most specifically in the case of the game's protagonist.
Sabotage Studio's debut title, The Messenger, is an impressive evolution for the platforming genre. It takes risks that at times work in its favor but also create frustrating mechanics for players to look past. The melding of 8-bit and 16-bit aesthetics into a love letter for the NES era of platformers is nothing short of genius, but the style outweighs the gameplay in some areas, including the difficulty level.
Drinkbox Studios' Guacamelee! 2 brings back the colorful lands of the living and the dead, but this time around, there's more of a focus on challenging platforming. It's all about Juan's new Pollo powers, which provide new ways to obliterate enemies or traverse around them. It doesn't revolutionize the series or knock other recent platformers out of the water, but Gucamelee!'s sequel is a tight, well-constructed adventure that knows how to crack a joke.
Compulsion Games transformed its randomly-generated, survival game into the dystopian narrative everyone asked for, but those randomized elements are still holding We Happy Few back from reaching its full potential. The twisted tale of a society addicted to its own Joy is lost underneath an endless hunt for bobby pins and scraps of cloth.
Madden NFL 19 is, in pretty much every way, less exciting than its predecessor, at least on a conceptual level. Last year's game had a new engine and a completely new mode to boast. This year's biggest selling point—Real Player Motion—definitely makes running a more viable offensive option. Otherwise, all you're getting is part two of what's becoming an unnecessary trend in EA's sports-related telenovelas and a whole lot of advertising for Madden Ultimate Team. If that doesn't sound good enough for you, then you probably should just skip Madden this year.
At first glance, Dead Cells might seem like another overhyped Metroidvania-style platformer trying to break into the stuffed platformer genre, but it's actually worthy of all its praise. Motion Twin's impeccable implementation of roguelike elements into a classic 2D exploration game is the key ingredient that makes it all work, and the impressive controls don't hurt either. The enemy variety and story might not be groundbreaking, but the positives eclipse any of the game's small negative aspects. Dead Cells is a standout in the genre.
Mega Man X Legacy Collection 1 + 2 are the perfect way for returning fans to revisit the entire X franchise. The classic 2D and 3D platforming games are just as addictive as ever, and the new X Challenges bring a new set of trials for seasoned players to tackle. Newcomers are also welcome with the Rookie Hunter mode, making these collections the definitive way to experience the franchise.
Mega Man X Legacy Collection 1 + 2 are the perfect way for returning fans to revisit the entire X franchise. The classic 2D and 3D platforming games are just as addictive as ever, and the new X Challenges bring a new set of trials for seasoned players to tackle. Newcomers are also welcome with the Rookie Hunter mode, making these collections the definitive way to experience the franchise.
Bomb Chicken is a classic indie puzzle-platformer that wears its developer's history and influence on its sleeve. From its Super Nintendo-inspired, colorful pixel art to its one unique platforming mechanic, Bomb Chicken is truly an education in how to put together a satisfying gaming experience—though players hoping that the length and narrative of a game like Celeste or the ability progression of a Shovel Knight might make their way into a game about a chicken that lays bombs will be a little disappointed.