EntreMandos

All in all, Warcraft III Reforged: Forsaken Kingdom has been a particularly pleasant surprise. Getting to enjoy this universe again so many years later, with a new story, is something I didn’t expect. Maybe my fondness for the game is influencing my perception, but it’s been a long time since I’ve enjoyed it this much. After more than twenty years, Warcraft III still has stories to tell, and for someone who discovered video games thanks to it, being able to experience them is something very special.

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I conclude this review of Kalanoro with the firm impression that this is a small-scale adventure with plenty of personality. It doesn’t set out to revolutionize the genre, but rather to offer a simple and fun experience. Its greatest strength lies in the combination of platforming, combat, music, and humor—elements that feel accessible right from the very first minutes. Some aspects could be more in-depth, and certain moments feel a bit too simple, but Kalanoro knows exactly what it wants to offer. It’s a colorful, lighthearted, and unique adventure that stands out for its personality and its quirky atmosphere.

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Gears of War: E-Day not only revives one of Xbox's greatest franchises, but also manages to restore much of the identity that seemed to have been lost in its last two installments. The Coalition understands what made the original trilogy special: the brutality of war, the depth of its characters, an oppressive atmosphere, and spectacular action that doesn't have to sacrifice emotion

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Sniper Dan is, in short, a small, simple, and unique game. It hasn't changed my life, but it has provided me with some pretty fun moments and, above all, something that's a bit out of the ordinary. If you like hidden-object games, laid-back titles, or are simply looking for something different to play a few rounds of, it's worth giving it a try.

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In short, I conclude my review of NASCAR 26 by recommending the game only to the biggest fans of this motorsport. Not only because it’s a somewhat niche competition in our part of the world (which is part of it), but also because, while it features a very interesting improvement in Career Mode, the truth is that this is the only significant new feature compared to last year. Furthermore, since the text hasn’t even been translated into our language, we might miss out on many important details needed to know how to approach the races.

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Moonlighter 2: The Endless Vault is one of those games that seem much simpler during the first few hours than they actually turn out to be. At first, it all seems to boil down to entering a dungeon, defeating enemies, collecting items, and then selling them, but little by little, perks, new weapons, upgrades, potions, patches, relics with different properties, furniture, trading systems, new routes, and multiple progression options begin to appear.

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A much-needed leap in quality for the series. It’s no longer just a Hot Wheels game—it’s now a key title to watch in the genre. It still has a long way to go; there are aspects that need improvement, such as the impact sensation, the sound of the vehicles, and a more distinct personality… On the other hand, behind the wheel, it feels like a complete experience—one that no longer requires as many “buts” as it used to. The sense of speed is very well done, and a large number of events and challenges have been introduced across its four islands, which you can now explore freely.

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It’s a full-fledged “more and better” compared to the original, as one of my colleagues noted in his impressions from Gamescom 2026, transforming its “level-based” premise into a vast open world where we have everything at our disposal to tackle it however and whenever we want, within established limits. In addition, the combat and equipment systems—following in the footsteps of the original—have improved upon small details that refine a formula that, while simple, is quite satisfying. Playing it in co-op remains the most fun way to enjoy it throughout the more than 40 hours it can last.

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One of the best strategy games of recent years. Intelligent Systems has created a massive adventure, brimming with possibilities and featuring a story that keeps players engaged thanks to its many protagonists and a very well-crafted narrative.

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FEROCIOUS isn't a triple-A game, or even a double-A one. But the skill of its small team of developers results in a fun game that blends shooting with crafting and puzzle-solving. While the graphics hold their own, the sound design is very lacking. Despite all its flaws, FEROCIOUS has managed to keep us glued to the controller, making us enjoy ourselves and want to get lost on this strange island in search of all its secrets.

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I think it's one of those games that's hard to recommend in general because it sticks to a very specific formula. Its open world, archery, mythological creatures, stealth, exploration, and great soundtrack are a combination unlike anything else out there. And in an industry that tends to copy ideas, that’s worth mentioning. But it also has its flaws. Navigation can be confusing, the AI is inconsistent, and there are several technical issues. Plus, the combat doesn’t always live up to the standard set by the game’s best ideas.

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Unremarkable. It isn’t a flawless game, nor does it set out to be. But to be honest, it could have been so much better. It fulfils the basic function of entertaining without any great fanfare, but it falls a bit short in terms of depth and, above all, in its gameplay. The gameplay feels clunky, awkward and unsatisfying. This is almost a fatal flaw in a game where the emphasis on action is practically absolute. There’s no better news on the graphics or audiovisual front either, as these are also fairly basic and don’t quite hit the mark. In short, if you’re a fan of the series, you’ve got an excuse to play it; otherwise, I wouldn’t recommend this title, even as a fan of the genre

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Fun. It’s an old-school video game, and not just because of its art style. It features that kind of level design where you go from here to there, completing objectives and tackling whatever comes your way. The way the weapons work means you’re constantly switching to new ones and moving around the level. It could do with a greater variety of enemies and less repetitive locations, but in the end, that’s beside the point. Because this game throws some cracking music at you so you don’t stop to think for too long – you just shoot at anything that moves.

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Silent Hill: Townfall takes the series in a different direction without losing its identity. Its focus on stealth, oppressive atmosphere and constant tension makes St. Amelia a genuinely unsettling place to explore. 2.

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Fun. Especially since it delivers on that front in both its single-player and—above all—co-op modes. It’s a video game that builds on the franchise’s foundations, featuring good level design, a distinctive art style, and a well-paced gameplay experience. However, its fate is uncertain, and the current release schedule may have overshadowed this title too much. The lack of players in its early days is a sign that something isn’t right, and—as unfair as it may seem—it’s almost a death sentence for a title that’s so much more enjoyable when played with others, especially on the higher difficulty levels. In any case, Sam Stone is back in his most retro form, taking down anyone who stands in his way.

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Brokenlore Don’t Lie follows in the footsteps of the studio’s previous works and delivers a very short indie game that relies primarily on atmosphere and visuals. With sparse gameplay and a lack of new ideas, anyone interested should give it a try for its story and message—and because what they’ve seen in the trailers has caught their attention. If you’re looking for gameplay that will hook you, you won’t find it here. But if you’re someone who enjoys a great atmosphere and decent horror, you should give Brokenlore Don’t Lie a try.

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Tough. But within that toughness, we can even find a refuge. This major expansion, which comes packed with plenty of content, takes us through two distinct areas: the Iron Forest and the Chernobyl Nuclear Power Plant. An original story, choices, side missions, new mutants, artifacts, anomalies… it’s everything a stalker could want. The base game has been refined and polished since my last playthrough; performance issues have been resolved, and we can now “enjoy” the Zone in all its glory. Choose your supplies and weapons wisely, gather and take care of your gear—I’ll be waiting for you in the Exclusion Zone, stalker.

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It’s worth buying, if only to discover or replay MGS 4 (which can be purchased separately, by the way). Don’t expect major additions or changes to the titles it includes, because there aren’t any. There are enough of them to enjoy in good quality on our current platforms and screens, but nothing beyond that. Obviously, these are the best versions of each game you can play, but they’re not going to blow your mind.

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Its vague open world in no way detracts from a spectacular combat system, a more-than-interesting story, magnificent and varied boss battles, dreamlike graphics and optimization, and much more. Don’t miss the chance to revisit one of the most important hack-and-slash franchises in history—one that even served as inspiration for the first *God of War* on the PS2—in what is likely a once-in-a-lifetime year for the great Capcom.

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I’m left with the feeling that this is a game with good ideas, but one that fails to realise its full potential. Its setting is one of its greatest strengths, particularly the design of the villa, the soundscape and the reinterpretation of Dante’s Inferno. I also think it’s a good move for ONE-O-ONE GAMES to focus on psychological horror rather than combat and cheap scares. On the other hand, however, the gameplay feels far too limited. As well as issues with pacing, the puzzles are uneven

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