EntreMandos

This is the perfect game for both those new to tower defense and those experienced in the genre. With gameplay and a concept that’s accessible to everyone and a fun loop, it has everything it takes to earn a spot in your game collections. The strategic element of choosing perks before each match—deciding what to upgrade and how to defend against the waves each night—combined with its visual style and sound design, makes you want to spend hours not only completing the game but also aiming for the highest score on every level.

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It's a really weird game. But it's a lot of fun. Playing it feels like your balls are left behind in the past and end up floating off into space. It's a really strange sensation, but one that leaves you with a great sense of satisfaction. The game is coming to Nintendo Switch 2 with much more precise controls and portability that lets you play even from the bathroom. Which, by the way, fits the game perfectly.

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“Observer System Redux” is short but packs a punch, with an atmosphere that engages all your senses. The story doesn't break any new ground, but thanks to its graphics, music, and very mature dialogue, it had me hooked from start to finish. That's why I highly recommend it, especially if you're into cyberpunk.

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Theos: Cities of Myth is a game that has really won me over. As something of a spiritual successor to Lord of Olympus: Zeus, it revives a formula I've always liked and expands upon it with new possibilities. The building paths are a good example of how small changes can offer greater control over our city and make optimizing it even more satisfying.

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I recommend The Transference if you enjoy escape rooms and good puzzles. It may not offer anything groundbreaking in the genre, but it manages to be good enough in its strongest areas to show you that sometimes you don't need a lot of resources to create a game with its own soul.

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Switch Sports Resort is a game that aims to bring back the excitement that millions of players experienced with the legendary Wii Sports. To that end, it features beautiful graphics, 12 playable sports, and even an online mode. However, I can’t help but feel that this is a title that could have been so much more than what it ended up being. Don’t get me wrong—it’s a super fun game and a perfect experience for the whole family. However, I think that among those 12 activities, some add practically nothing to the experience. I would have preferred not to have the option to explore the island but to have new sports as interesting as thumb wars.

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Chivalware is the perfect game both for those moments when you’re bored and don’t know what to play, and for playing with friends as you pass the controller around one afternoon to see who can get the farthest in each game. With its retro, pixelated style and genre, it will remind us of the afternoons many of us spent at the arcades. Plus, the use of different characters, each with their own unique traits, makes every game different and forces us to approach it in a new way.

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This is an arena-style fighting game with a retro feel. It’s true that it’s a far cry from the more technical fighting games out there. In other words, it’s a far cry from the *Street Fighter* or *Mortal Kombat* series. But for anyone who enjoyed the original game, this remaster will be a real treat, since the game looks better than ever.

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“Thank You Bus Driver” is one of those small games that takes a quirky idea and runs with it to its logical conclusion. The driving mechanics are satisfying, the character designs are charming, and managing passengers leads to some pretty funny situations. However, the lack of variety and shallow progression mean that the novelty wears off sooner than one would like.

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“Virtue and a Sledgehammer” proves that you don't need complex mechanics to create a memorable experience. Its three-hour runtime combines destruction and exploration to tell a story about the wounds of the past, family ties, and identity. Although its simple combat may not appeal to everyone, Deconstructeam and Selkie Harbour have crafted a short, intense adventure with a personality all its own—one capable of hiding much more behind every swing of the sledgehammer than meets the eye. Without a doubt, a highly recommended experience.

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If you were worried about what they might have in store for us this year, you have nothing to fear. MW4 not only features one of the most interesting Campaign narratives and missions in the series, but also a Multiplayer mode that’s fun at its core (though it could use some improvements in certain areas) and a DMZ that, while not the revolution it seemed to be, manages to be a good complement to the rest of the game. Personally, though, I miss the legendary Special Operations, since we don’t have Zombies either.

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Mycopunk really shines when you play with others, because obviously the chaos and the game's personality are more fun with four players. On the downside, the missions get repetitive, grinding drags on, and the technical glitches are still there. It's fine for killing time with three friends, but honestly, when playing solo, it loses a lot of its appeal.

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This is a very interesting compilation that brings together the first three games in the series. If you were a fan of the original arcade game, classic games, or owned one of the home versions as a kid, this compilation is truly made for you. All three games feature their own borders, save and rewind options, a CRT filter, and more. The collection also includes a bit of history about the games’ development, presented through sketches and designs of the original boxes and cartridges. The option for local co-op further enhances the experience. However, on the downside, I have to point out that there’s no option for online co-op.

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Clive Barker’s Hellraiser: Revival is an excellent horror game. By blending survival horror, shooter elements, a bit of platforming, and a work simulator, Saber Interactive has achieved what until now seemed impossible: the perfect Hellraiser game. This is a series beloved by horror fans that had never had its own video game and seemed almost impossible to adapt into a video game. While it’s true that the pacing may feel slow to fans of certain types of games, the game is a delight to savor for fans of the series and classic horror in general. We should also note the game’s graphic nature. It doesn’t shy away from depicting all kinds of mutilations, blood, dismemberments, and extremely graphic sexual acts. That’s why it’s not for all audiences.

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I haven't found *Fire and Ashes* to be a game I can easily recommend, especially given its high price (considering what it offers) on PS5. The reason I'm giving it a low score isn't its quality; it's its inconsistent performance, its short playtime, and its odd combat mechanics. And the only reason it doesn't get an even lower score is because I did find the story and setting to be well-crafted and interesting.

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We Were Here Tomorrow is a small step for cooperative games, but a giant leap for the series. The new theme and setting offer a wealth of possibilities—if you’ll pardon the pun—when it comes to designing levels and puzzles. And it really shows, because both aspects are by far the best in the series. All of this is combined, of course, with more polished sound, graphics, and storytelling.

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Castlevania: Belmont’s Curse is a much-needed return, updated yet retaining that classic charm that will delight both fans of the genre and those venturing through the gates of Count Dracula’s Castle for the first time.

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I didn’t play this game back in the day, so I haven’t felt that little twinge in my heart that those who did must feel. I get it, and it must be amazing, but I’ve enjoyed it from a different perspective: that of a first-time player. My favorite is still Symphonia, the GameCube version, but I’ve already made room for Eternia on the list of games I’d recommend without hesitation—especially with about 30 hours of adventure that fly by without feeling overwhelming, and even more so knowing all the quality-of-life improvements.

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Village in the Shade is a farm that’s fun during the day and captivating at night. Its hand-painted aesthetic and music really carry the game, and the dialogue feels a bit heavy-handed, though not to the point of being annoying. The horror is mild, so anyone who shies away from scares can dive in without fear, and those who want zero jump scares can play in Sunshine mode. As for me—I’m not really a “cozy” kind of person—I’ve played for a few hours now, and I prefer the nighttime: that’s when the village stops feeling like a postcard and starts getting interesting.

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Dragon’s Dogma 2: Dark Arisen isn’t perfect, but it is the kind of DLC that manages to transform a familiar game into a new experience. It’s a must-play adventure for anyone who enjoyed the original game and a fantastic reason to step back into the shoes of the Arisen. Capcom continues to prove that it’s on a roll.

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