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Bomberman itself is still a classic, and works very well on the Switch, but the insanely high price makes this impossible to recommend.
The best Zelda there’s ever been, and very possibly the best video game ever made.
There are a lot of fun ideas, and the general concept of a portable party game works well, but there are just too few mini-games and too little reason to keep playing them.
It often feels more like a visual novel than a true role-player, but like Planescape: Torment before it this has some of the best writing in gaming.
An astonishingly shallow and repetitive game even by Dynasty Warriors standards, and one that’s unlike to satisfy even the most hardcore fan.
Another impressive PlayStation VR tech demo, but as a game, and the long-awaited return of a beloved franchise, the experience fails to satisfy.
One of the best new fighting games of the last several years, and all the more exciting because of its originality and accessibility.
A knowing tribute to some of the greats of action gaming, and a highly competent 2D shooter in its own right.
State-of-the-art visuals help create one of gaming’s most entertaining open worlds, even if the gameplay doesn’t quite reach the same standards.
Easily the best real-time strategy on a console, and a fast-paced, accessible wargame that every Xbox owner should try and experience.
A disappointment given the quality of the first volume, and although the new Mercenaries-eque mode is fun the two story missions are not.
A significant improvement on previous entries, with better stealth and AI making the sport of Nazi-hunting more enjoyable than ever.
One of the best offline multiplayer games for years and yet more proof that the bow and arrow is gaming's most entertaining weapon of choice.
It’s not the fact that you’re controlling a perambulatory candle that’s the oddest thing about this game, but that its story is so oddly affecting despite its absurdity.
A perfect accompaniment to the SoulsBorne series, with plenty of unique ideas of its own and some of the best combat of the generation.
A perfectly competent platformer, perhaps Yoshi’s best since Super Mario World 2, but one that is far less unique than its visuals suggest.
The ‘80s nostalgia is laid on so thick you could almost choke from it, in this joyless proof that too much nostalgia can be a bad thing.
In an ideal world it all would’ve been included in the main game, but if you can get past that this is a great set of DLC extras.
A loving homage to PS one era JRPGs, but its small innovations are suffocated beneath a dead weight of clichés and conventions that in most cases were better off left to the past.
An excellent reinvention of the Hitman formula that gives existing fans almost everything they want and makes itself highly accessible for newcomers.