PSX Extreme
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Watch Dogs has the guts of a masterpiece. This ambitious project had the foundation to be one of the most amazing interactive experiences in history. Therefore, it's with a somewhat dejected heart that I must deduct points for falling short in several areas.
All in all, the stellar concept and artistic style of Transistor is nigh-on unparalleled. The mystical aura surrounding and permeating the entire game is original and attractive, the blending of real-time and turn-based gameplay is inspired (and yeah, it works exceedingly well), and there's a surprising amount of humanity injected into this otherwise sci-fi presentation. I don't like some of the stumbling blocks they purposely throw in your way, as they speak more to the action side of the game (and I prefer the strategic side), and above all else, the potential of the game is just so much…more.
Wolfenstein: The New Order didn't just surprise me. It shocked me. My expectations for this one were decidedly low but within the first hour, I was chastising myself for having doubted MachineGames.
MLB 14: The Show on PlayStation 4 is certainly the version you'll want if you're a hardcore baseball fan. It's achingly pretty (with only a few minor drawbacks), it sounds great, and the gameplay is top-notch. There isn't a lot to complain about, unless you don't really care about the quick count feature, and online multiplayer isn't your thing.
It really just boils down to one question: Can you ignore the missteps and missed opportunities and simply focus on the entertaining gameplay, or will you be unable to get past those flaws? That's the key. This is why you're seeing such a discrepancy of scores. Some people can get past the flaws and enjoy themselves; others can't.
Trials Fusion can be addictive and wonderfully intoxicating at times. At other times, it will make you burn with a frustrated rage others might find frightening. The good news is that you spend a lot more time smiling than frowning, as you'll love the zany courses and enticing backdrops, as well as the various challenges available for each track.
Daylight tries to offer horror fanatics a unique, dynamic experience by giving them a procedurally generated environment and an intriguing system of "social" integration. However, just about all of it falls well short of the intended goal. The gameplay is uninspired and repetitive, the story is a mess, nobody will care about the protagonist, and the challenge is minimal.
Child of Light shines in a sea of dark, gritty, often ugly imagery. That shine isn't especially bright or piercing; in fact, it's softer, muted. It lures us with its softhearted coo, rather than blasting our senses with extraordinary strength and brilliance.
inFamous: Second Son is a blast. It shoots from the hip and revels in its spontaneous, visceral display of power vs. power.
Metal Gear Solid V: Ground Zeroes is a highly accomplished, technically impressive introduction to a brave new world. Even the most legendary franchises have to adapt and assimilate eventually, and Ground Zeroes is an example of a long-running, established IP embracing new technology and trends while still retaining its core. The story's construction is a little concerning, the length will be a definite issue for some, and I have to say, the AI could use some tweaking.
There's no matchmaking to speak of, and progression is ridiculous. You have to win a match outright; placing second will get you nowhere. You do have an online rank but that's about it.
Thief was one of my most anticipated games of 2014. I have to say, I'm disappointed in its lack of cohesiveness in terms of story, its lack of stability and solidarity in terms of technical stuff, and the missed opportunities. At the same time, I never seem to tire of looting the most difficult-to-approach treasure caches, and Garrett is a suitably entertaining character.
Strider successfully reinvents a classic. With its tight, super-fluid control, engaging and dynamic 2.5D presentation, and excellent balancing throughout, the game is destined to hook you from the outset.
Other than these small gripes, though, Outlast remains a memorable and incredibly effective survival/horror quest. There are so many moments that will make you feel legitimate fear, and that's no easy feat. It's also worth noting that despite the game's constant desire to make you jump, none of them feel cheap or contrived.
OlliOlli is great fun, provided you've got the requisite patience and diligence. I'm still not convinced that the landing mechanic was the correct design decision, and some of the later levels seem overly taxing, but it's still a solid accomplishment. No, I didn't really care for Tony Hawk and I never understood the skateboarding obsession in the first place.
Tomb Raider: Definitive Edition is indeed "definitive." It's a definite step up and that's undeniable. We can argue all day long about whether or not it's "worth it.
Terraria is a micromanager's dream come true. It's the perfect representation of addictive, in-depth gaming with a simplified visage. There's a boatload of content and from the first moment you stumble upon a glorious treasure trove, you're determined to do it all.
Rainbow Moon for the Vita is everything you expect it to be and maybe a touch more. There isn't much different when compared to the PS3 version, with the exception of the cross-save feature and the better menu presentation. But of course, this means you can now take your addictive adventuring on the go, and that's reason to celebrate.
That's about all we've got, though. NBA Live is a colossal disappointment in more ways then one; the technical aspects are well below average, the physics and animations are some of the worst we've seen this year, the AI is mentally deficient, and worst of all, nothing about this feels real. There are a few positives to which to cling, if you're a die-hard basketball fanatic.
FIFA 14 is a rip-roaring success on the PlayStation 4. The older version is great, too; it's just an understated greatness when compared to the upgraded version. For the record, I'd probably give the PS3 iteration an 8.