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While CD Projekt Red has lost some credibility following the disastrous launch of CyberPunk 2077 two years ago, The Witcher 3’s free next-gen upgrade should go a long way in regaining gamers’ trust and helping to restore some of the lost faith in the developer’s name. One can only hope that other studios will begin to follow CD Projekt Red’s example for future remasters.
The game works nicely and gets a little better as you get further in. The only real issue is that I, like many other old-school NFS fans, had high expectations from it, but in the end, we got a mediocre Need for Speed game and hands-down what I feel is the worst racing game Criterion made so far.
Dragon Quest Treasures is not the console Monsters sequel of my dreams, but it does an excellent job carving its own identity out of this historied IP. It runs great for a Nintendo Switch exclusive, and is absolutely dripping with personality quirks and a whimsically romantic view of treasure hunting.
At the end of the day, Warhammer 40K: Darktide is a thoroughly enjoyable experience (especially when you can run it).
Choo-Choo Charles is a brilliant proof of concept and a unique twist on the horror market. It tapped into the Thomas the Tank Engine horror games and creepypastas fairly decently, got something good out of it, and molded it into a standalone game with a (technically) original villain.
I enjoyed my time with the game but felt like I walked away with very little to chew on. The work done to bring this game to life is tremendous. Reworked music, visuals, and combat make it the definitive way to experience Crisis Core. Do you need to experience Crisis Core? Your mileage may vary.
Buy the game for you and everyone you know, move away to a remote, off-the-grid cottage in the mountains, and don’t go back to the city until you master Dwarf Fortress. You will find that the madness of this game is more appealing than the madness of the real world most of the time.
If you like anime, John Wick-like gunplay and have a certain tolerance for jagged edges, Gungrave G.O.R.E. is a fantastic use of your gaming time. If you’ve been around since Gungrave on the PS2 and Madhouse’s weirdly brilliant anime adaptation, I’m surprised you’re even reading this.
Bayonetta 3 makes me question its existence at every turn. For as much fun as it can be in a classic Platinum Games character action sense, there’s so much bs you have to wade through to get there.
The Devil in Me is easily the best installment of The Dark Pictures Anthology. Its character arcs, tension, momentum, and story are all phenomenal. And as a person who believes that story and characters are the heart and soul of a game, The Devil In Me is my pick for best horror game of 2022.
At any rate, the game is an ironic, satiric, comical masterpiece, and it’s apparent that the developers have invested a lot of time and resources into this project to have it function seriously from a technical standpoint.
While this game is unlikely to appeal to people who prefer a fast-paced plot with more interactive elements, those who enjoy a narrative-driven story with a truly tangled mystery at its heart will find so much to love.
The game has oodles of vision and ambition but not enough polish to make it truly inviting, especially when released into a stacked calendar.
From the way the storytelling really takes advantage of its genre hybrid to the distinct and action-packed combat system, this is an excellent JRPG that hits its targets far more often than it misses.
You will find yourself devising new ways to turn this game into an AFK gold farmer, losing sleep over the most effective builds, and chasing every achievement like never before. You have been warned – the grind can and will consume you. You will like it. You will definitely get your money’s worth and then some more.
Sure there are technical snaggles and pitfalls here and there. Some of them deeper than others. But I’m so glad Gotham Knights cares enough to take that home run swing in the first place.
It’s hard to tell what exactly I’m getting out of this game sometimes, but it’s so fluffy and silly it’s equally as hard to care about scrutiny.
A Plague Tale: Requiem is, for the most part, a textbook example of how a videogame sequel should be made.
Potionomics isn’t a “chill vibes” kind of management sim. It’s a “survive misery by being ironically miserable yourself” kind of management sim. It’s like when you work at Walmart and everything about it is terrible, but you find relief in commiserating with your coworkers. But instead of having fun talking trash and doing dangerous things like mishandling equipment or flirting, you’re doing reckless magical chemistry and trading ribs with a talking owl. And flirting.
Within Overwatch 2 lies the framework of what made its predecessor so special – a game bursting at the seams with personality, eclecticism, and undeniable charm that its competition can’t seem to match. A game that, after some thoughtful changes by Blizzard, could shape up to continue its monumental legacy for many, many years to come.