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Running Fable has taken the concept of kart racing games but made it slower and shorter. With children being the targeted audience, it does not really have a difficulty setting and can be finished quickly, but it feels like there is no reward for winning – you just unlock a decorative item, but it’s something everyone gets. If you were able to change the colour of them, atleast you would be able to stand out a bit more.
Trials of the Dragon King gave a great boost in difficulty that will challenge the end game players, but as a whole, it felt empty and seeing how the DLC can not be bought separately, it did feel like a bit of a letdown for the story driver players as they would’ve bought the season pass to find that the new content is locked behind a massive grind before they can even start it. I personally don’t mind a grind in games but the lack of new bosses and areas is a big letdown in my opinion, but hey, at least we got a summoner job, so there has been some hope from this for all players to enjoy.
LEGO Brawls was initially designed as a mobile game and can be an enjoyable way to kill some time playing online matches. As a console game that doesn’t add anything new to the gameplay, it’s just a generic platform fighter with little to no excitement. This wouldn’t be a bad thing if the game was cheap or just free, but it’s shockingly priced at $60 AUD which makes it impossible to justify. There are tons of indie games out there that offer so much more at a cheaper price. Even with some interesting ideas, LEGO Brawls offers very little and is probably more fun to watch than play, but the novelty wears off really quickly. The biggest letdown overall is its generic gameplay that just isn’t much fun at all. Non-fighting game players often describe the genre as button mashers, and this game accurately fits that description and is a poor representation of the genre. Even stepping on a LEGO piece is more entertaining than this.
While the environments do give off a retro eeriness to them, the sound design and general graphics are dated with awkward polygons and jarring instrumentals. The run animation in itself is comical not a feeling wanted from a survival horror title but here we are. The inspiration is clear but an over-reliance on nostalgic gameplay such as a fixed camera and tank controls doesn’t necessarily add to the fun factor. While the throwbacks to classic horror games start strong, it isn’t strong enough to survive among more modern mechanics. SENSEs: Midnight shows promise in theory, but in practice, it doesn’t stand up to its spiritual predecessors.
The main draw that will keep players invested and are most likely the reason most even picked up the game – collectible lewd images. Keeping with the modern pixel art style, there will be collectible images that progress the story as Sofiya discovers herself and offers herself in increasingly more provocative poses. It was innocent enough for the most part and offered tongue-in-cheek humour at the same time. The overall play time meant that you could burn through the game quickly, and if you put in a bit of exploration, you would be able to fill the galley for your viewing pleasure with ease.
Both the French and English voice cast from the show reprise their iconic roles in the game, meaning fans can choose to listen to their favourite characters in either language, and everyone sounds just like they do in the show. A lot of work was clearly put into the dialogue during the cutscenes and character conversations, and every character stays true to how they are in the show. Unfortunately, this only applied to the cutscenes, and any conversations during the game are text-based, leaving this feeling like a missed opportunity.
There are not too many games that can have fart sounds on demand and be so accepted but in true South Park form there are farts but that is the smallest part of the audio in this title. The audio of this game was spot on and felt like I was watching an episode of the TV Show. It was weird that I loved that your character “New Kid” never spoke once but everyone knew what was going on. The fact that the group of fellas would always break the fourth wall of the game, mentioning previous titles and the fact it’s a game was great. If you wanted to find one excuse to play the game the audio would be by far the greatest excuse and is a perfect tribute to animation and cartoon production.
Garfield’s Lasagna Party can be a fun little game to enjoy with the young ones in your family, although I might recommend waiting for it to go on special. It would most likely be a game you only pick up once in a while because it can be very repetitive, so you’ll possibly find yourself putting it down after an hour or 2.
For what it is, it is a fun game, especially for people with a sillier style of humor. It’s not a game I could play constantly but could jump on every now and then. Some frustrating solutions are included for the sake of comedy, which did not outweigh the answer to the puzzle.
Harvestella gets close but doesn’t quite strike a balance between JRPG elements and farming sim, but feels focused on having more done adequately than less done better. For players looking for a fairly casual JRPG experience, Harvestella is a palatable taster, but combat or farming fans may feel hungry for more or become bored with chores. I have enjoyed my time in the world so far, and I’m curious to see how the story continues and whether I run out of stamina in the 50 or so hours to reach the endgame.
Playing through I never really fully understood what was happening, or why I was the last human alive. There were diaries around with information but most of them seemed like nonsense to me. Eventually, I found myself at the end of the game with questions and feeling inconclusive. The gameplay itself was enjoyable and the world was fun to explore even without a map most of the time, the challenge will keep you on your toes.
Outriders: Worldslayer is great for the end game as the rewards are worth the grind, though the story is short and to the point with no side quests at all to confuse the end goal. Still having some bugs and issues that were there at the launch of the core game is still a slight disappointment as they have had plenty of time to iron these niggling issues out already since the first time around these issues outright made me stop playing it and was the reason a monitor was destroyed by a coworker. I do hope they are still working towards fixing the issues that have plagued the game. The price tag of the DLC is a bit high in my personal opinion, I would’ve expected the amount of content given for half the price asked for.
Dead Man’s Diary does not disappoint in its execution in creating a detailed world that gives a sense of a world taken back by nature and decay. Those creepy sounds in the night or the game’s background music all help create a post-apocalyptic world that drives the world’s atmosphere, and these are combined with beautifully generated areas to explore.
Sure, it’s fun to see some new characters get behind the wheel, and it’s great if you want a change from the usual “Ya-Hooo! I doubt many people would have considered the Smurfs for this kind of thing, but Smurfs Kart doesn’t bring anything new that will set it apart from existing Nintendo Karting games. It’s great to see them stick with the Smurfs art style, but the sound effects are rather lacking, particularly when it comes to the karts.
Battle Kid: Fortress of Peril is a game out of its era but that does not mean it is to be seen as a bad thing. #8Bit Legit is a group that wants to keep the retro games alive and I look forward to seeing what games they work on next. As mad as I got with the game, particularly regarding hitboxes, it did keep me driving to want to beat sections for my own personal satisfaction, but it does feel harder than it should be.
While I don’t play too many horror games I did like this one, but being a little impatient getting stuck on some puzzles sort of ruined the emersions and pacing of the game. I felt like when there was urgency that’s when the game truly shines. There are two endings to unlock which makes it replayable which is good as it can take seven to ten hours to get through it. Worth a look if you are a horror fan and at a reasonable price to boot I think give it a shot if you have the chance.
The Cosmic Wheel Sisterhood has a lot of things going for it. For me, it was a mixed bag but ultimately not delivering to my expectations. With beautiful music, pleasant graphics, an interesting story, and my fondness for Abramar it just wasn’t enough. The emotional impact I was preparing myself for never arrived, either that or I’m just dead inside.
There isn’t really anything new in the latest entry of Let’s Sing, it’s mainly the same game with different songs, and the 30 new tracks by the various popular artists definitely give the game plenty of variety, but it would be more convenient if the new songs came as a DLC pack rather than be in their own game. Overall, Let’s Sing 2023 is another fun and enjoyable karaoke game to sing your heart out as a solo or with friends and family.
Despite shortfalls, attempting to save my people from collapse became something I was determined to do, and I sunk quite a few long sessions to do so. While wading through trials and tribulations was a lot of pressure, I was curious to see if I could overcome all obstacles. The motivation to be the best leader possible became the ultimate endgame for me, but sometimes the pacing got in the way of my experience.
I feel like this title would be best suited to controllers and not PC as there is too much going on in the game whilst you are fighting off the hordes of random fighters from the other Dojo trying to mess you up. If you don’t like how the game has its controller scheme set up, you do have the option to change things to how you like them. The tutorial in the first scene teaches you all the basics and makes you do them several times so you get used to the combat and movement system.