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Despite some of its shortcomings in pacing and lack of new content, Thousand-Year Door does a lot of things right and showcases how good this 20-year old game still is. From its classic turn-based system, complex yet lighthearted themes, and beautifully recreated worlds that make the most out of its papery aesthetic, there is plenty to love about this remake.
Senua’s Saga: Hellblade 2 is a fantastic game, but probably not for everyone. It appears to be a next-generation title in every aspect; impressive with its ever-changing Icelandic landscapes, realistic photogrammetry, lighting, particle effects, character movement animations, acting, and intriguing storyline. The combat is brutal, and the voices constantly heard by Senua sound as if we are hearing them in our own heads.
Hades 2 from Supergiant Games is an excellent roguelike and a worthy successor to Hades. It provides hours of great fun. Early Access is scheduled to last until the end of 2024, and I'm already looking forward to seeing what the final version of this game, which has already managed to win praise from fans of the first installment, will look like.
Heading Out seems like a great start to a game or a series that could continue to expand and get better. It lays the groundwork for some impressive ideas and concepts that racing games don’t usually tackle and offers you a chance to reflect on your own life in a surprising way.
Indika is more than a game. It’s a fascinating, one-of-a-kind experience, playing with conventions and instilling disturbing thoughts in our heads. If only developers didn’t desperately try to avoid sticking a “walking sim” label to their work…
Stellar Blade is an above-average title. Well-developed, with a captivating story from the first moment, and most importantly engaging due to thoroughly well-planned and competently executed gameplay. The South Korean studio Shift Up performed exceptionally well, and despite my initial skepticism, I ultimately saw it as one of the top games of 2024.
Ultimately, we can talk about a flop. I'm playing an underdeveloped and thoughtless game, requiring boring, time-consuming tasks. Messy, both in terms of the script and gameplay, which multiplies problems.
Princess Peach Showtime! only lasts around six hours and a couple more if you want to collect everything. It’s a breeze to get through and doesn’t offer much difficulty beyond collecting pesky gems, but it manages to give us a sampling of Peach’s potential as the star of future games.
While may stumble at times with balancing the amount of mini-games it throws your way, Final Fantasy VII Rebirth excels in all other areas and feels magnificent when all its pieces click into place.
Dragon’s Dogma 2 will belong to a fairly specific audience. The game requires a significant amount of time to truly enjoy it. You can't simply play it for a moment because you'll feel like you haven't made any progress. At the same time, it's great that such a title appeared – in times when AAA titles are bland and safe a different approach is needed. We needed a game to demonstrate that things can be done differently.
The new Alone in the Dark is just the right game for fans of games full of suspense, who are tired of annoying jump-scares. So if you value the captivating atmosphere over adrenaline jumps in similar titles, you will really enjoy this reboot.
While there are things that work in its favor, Outcast: A New Beginning ultimately feels like any other open-world game you could play this year or have played years ago. It retains the charm of the original and further explores the world of the Talan in unique and odd ways, but how you go about doing that doesn’t feel as revolutionary as it did back in 1999.
All in all, The Thaumaturge is a game I won’t forget anytime soon. I even intend to play it again from the beginning as soon as Polish VO is added – and that’s something I didn’t declare for any title in a very, very long time.
Mario vs. Donkey Kong is still a game that kids can easily gravitate to, but its added levels, co-op mode, and revamped presentation makes it a no-brainer even for older gamers looking for a relaxing, not-too-difficult good time.
I didn't wait for Banishers, and I didn't expect the game to be such a pleasant surprise for me. It's a wonderful and quite long adventure, filled with side stories. Banishers is a game haunted by the ghost of satisfaction – satisfaction from good gameplay and a great story. I want more.
From its music to the new battle enhancements to even how certain characters convey more empathy in their line delivery – Reload is a labor of love that modernizes Persona 3 while still retaining the alluring charm of the original.
There really is a lot to love about Tekken 8, and the great thing is how familiar the game still feels while constantly impressing you with everything that’s new and shiny. This is a new generation of Tekken that is sure to keep you hooked for a very long time.
Ultimately, it's hard for me to believe not only that I just played a Ubisoft game. It's also hard for me to believe just how much I liked Prince of Persia: The Lost Crown. This is not a good game. This is an excellent title, one of the best in its genre, and if it's not a candidate for the game of the year, it should certainly be nominated as one of the biggest surprises, but from the pleasant category.
Avatar: Frontiers of Pandora feels powerful when it lets you connect with nature as it offers you something unique only the world of Avatar can show. Once you leave the warmth of its natural beauty behind, what you are left with is just another open-world game with an overworked story of saving the world.
It may not shake things up too much, but the shining force behind Super Mario RPG is that it showcases all the great aspects of the original and now lets a whole new audience enjoy it for themselves.