KonsoliFIN

As a Hellraiser story, Revival is great and visually stunning, but I find it lacking as a survival horror experience.

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Hello Kitty Party Land is clearly aimed at a younger fanbase, but it also offers a great deal of fun for adult players. The sheer cuteness and charm radiating from the game can banish a bad mood in seconds. There is more than enough content, and the price – around 50 euros – doesn't seem bad at all. Hello Kitty Party Land can be unreservedly recommended to children and Sanrio fans; for others, it’s a great choice if you’re looking for some lighthearted, playful fun to enjoy with friends.

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Mouthwashing, developed by a Swedish studio Wrong Organ, was published by Critical Reflex for PC in 2024. It was an instant viral hit, and now the story can be experienced on consoles.

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I was almost certain that a game bringing together so many different elements and styles wouldn’t manage to hold together until the very end — but I stand corrected! The mystery of Curse of Resthaven is absolutely worth unraveling!

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On one hand, Dune: Awakening is a mind numbing grind where you repeat the same loop of collecting resources to build better equipment to collect better resources. On the other hand, it is an excellent proof of the strength of Frank Herbert's world building. While the single player mode is adequate, the game might be better enjoyed with friends.

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A good idea means little if it fails to come together as an enjoyable experience. Beyond the Dark: Nightwatch is a perfect example of that.

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Gears of War: E-Day is a prequel, which doesn't feel like the next big chapter in GoW universe. Still, nimbler movement, weapon mods and excellent Horde Siege mode freshen up the familiar formula a bit.

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I’m simultaneously thoroughly impressed and mildly disappointed. Thekla's mammoth epic delivers exactly what I hoped for, yet despite its variety, I still find myself wanting more of one thing: variety.

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Fire Emblem: Fortune’s Weave is an exceptionally polished and absolutely massive adventure that offers dozens, if not well over a hundred hours of entertainment. At times, its ambition might prove a little overwhelming for some, and its story occasionally reaches such lofty heights that it gets in the way of the tactical battles themselves. For the most part the game feels like a masterpiece – Its world is fascinating and populated by a colorful cast of characters, while its brilliantly challenging battles had me thoroughly hooked. The impressive visuals, magnificent soundtrack and incredibly addictive gameplay loop have turned me into a full-fledged fan of the series.

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A lively mix of light platforming and open‑ended Toy Box tinkering returns in a cleaner, smoother package. Ideal for younger players and nostalgic adults alike.

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A varied mix of 90s movie tie‑ins becomes far more appealing thanks to excellent extras, smart quality‑of‑life features and Digital Eclipse’s polished presentation. Even if not every game shines, the collection as a whole offers a warm, nostalgic and surprisingly generous trip back to the toy box.

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There is no need for a team or a crew when rockets propel the ships at breakneck speed.

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Zero Company is easily the best Star Wars experience since Knights of the Old Republic.

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Silent Hill: Townfall is a very mixed experience. I like its protagonists, its Scottish setting steeped in brutalist architecture, and the changes Screen Burn has made to the series. The first-person perspective and the art direction and urban design in particular deserve a lot of praise. However, the decision to take the action underground, into dark corridors, completely destroys the otherwise excellent pacing and flow of the story. Without one particular enemy type, Townfall would probably be one of the best Silent Hill games I’ve ever played. Now, hanging over all the great moments and agonizingly tense sequences is one big toxic cloud that ruins the atmosphere. It’s a shame that one single element spoils what is otherwise a highly successful and genuinely atmospheric horror adventure. Or at least part of it.

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The dark visual style, the Lynchian atmosphere, the clever puzzles, and the map that slowly opens up and rewards exploration. Silver Pines is one of the big surprises of the fall, and in many ways I enjoyed it even more than Silent Hill: Townfall – despite the considerable differences in the size and budgets of the teams behind them. For its price point, Wych Elm’s debut is a highly recommendable thriller for fans of the genre, and it certainly doesn’t lack atmosphere.

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The Wings of Theve campaign is definitely better than its predecessor. Also the online side has been taken to new heights. Combined with improved technical aspects, Namco takes this long running series to a new level.

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A playful conducting game built around motion‑based gestures rather than traditional rhythm‑game timing, Maestro adapts surprisingly well to the Switch 2 despite its VR origins. Its great soundtrack, playful presentation and satisfying progression make it an engaging experience even with occasional tracking quirks and dated character models.

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Minecraft Dungeons II is a solid, if safe, sequel that fans of the series are sure to enjoy. Unfortunately, its mission structure is dull, offering predictable excuses to hack through hundreds of enemies, but on the other hand, the action feels responsive and smooth throughout. On top of that, collecting and upgrading gear is undeniably addictive.

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The best puzzles make you feel smart. He Who Watches, however, often manages to make you feel quite the opposite. More than once, I found myself stumbling upon the solution almost by accident after several failed attempts. I understood what the game wanted me to do, but figuring out how to get there in its three-dimensional world was another matter entirely. The result is a distinctive, polished, and ingenious collection of puzzles that plays cleverly with perspective and gravity, but occasionally falls short when it comes to balancing the difficulty. I’d recommend it to anyone looking for a genuine challenge, though others may want to approach it with a little caution.

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A gentle, black‑and‑white adventure returns with familiar charm, light puzzle‑solving and a relaxed pace. While the experience closely mirrors its predecessor and offers little challenge, it remains a delightful, good‑natured excursion that rewards curiosity and invites players to enjoy the ride.

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