KonsoliFIN

It's just as good as the first one, and that's both a good and bad thing.

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Humankind has grand, sweeping ideas and it almost pulls them off. The scope is understandably limited compared to Civilization, but this is the kind of ambitious game design that deserves praise for trying, even if it doesn't always succeed.

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Road 96 is a dynamic, episodic road-trip adventure set in a dystopian country on the brink of revolution. Blending light survival mechanics, procedural storytelling, and branching choices, the game follows six teens escaping to the border by any means necessary. With memorable characters, meaningful decisions, and replayable structure, it offers a unique take on narrative gaming—despite its simplicity and occasional repetition.

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A stylish, time‑bending homage to classic JRPGs that shines with its clever temporal mechanics and charming world, yet stumbles with slow combat, intrusive random encounters, and pacing issues. The inventive ideas keep it engaging, but the old‑school frustrations make the experience feel both delightful and frustrating at once.

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Last Stop is a supernatural narrative adventure set in modern-day London, told through the interwoven stories of three distinct characters. While its dialogue and voice acting shine, the limited player agency, excessive walking segments, and lack of meaningful consequences dull the impact. Despite its compelling mystery and strong atmosphere, the game ultimately feels more like an interactive drama than a truly interactive experience.

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A flashy, fast‑paced Musou brawler that delivers exactly what the genre promises: thousands of enemies defeated, over‑the‑top action, and a satisfying power fantasy. While the story presentation is uneven, the roster smaller than before, and the lack of English dubbing may frustrate some players, the combat variety, stylish visuals, and strong soundtrack make the experience an enjoyable, if familiar, battlefield romp.

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A dire and unfun attempt at sprucing up one of the worst "sports" ever invented.

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Skyward Sword is one of those Zelda titles that has aged the worst, yet it's still a part of a franchise that I love to bits, and that counts for something. The story is grand and ambitious, and that makes up for a flawed gameplay experience. At least a little.

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It's the first two classics perfectly remastered, now in the palm of your hand. What more could you want?

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Final Fantasy VII was a masterpiece when it was first released. Its remake is an ambitious attempt at recontextualizing the classic dieselpunk adventure for modern audiences, and it's a roaring success. It's one of the great games of a generation.

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I give Dark Alliance points for getting the visuals and the mood exactly right. It's just a shame they got everything else wrong.

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Necromunda is a budget title, and as long as you remember that, you'll have fun with this Doom-clone set in the Warhammer 40k universe.

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A charming and accessible creation tool that teaches game‑making through guided lessons and playful logic blocks, Game Builder Garage succeeds as an approachable introduction to development. Its Nodons, visual scripting, and well‑structured tutorials make experimentation fun, though limitations in asset variety, slow lesson pacing, and the awkward code‑sharing system hold it back from being a fully flexible creation suite. Still, for beginners and young creators, it’s a surprisingly powerful and delightful sandbox.

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Cloudpunk: City of Ghosts is a strong narrative-driven expansion that builds on the neon-lit, dystopian world of Cloudpunk, offering more of what fans loved. While it doesn’t introduce new areas or mechanics, it excels in atmosphere, character development, and story depth, making it a worthy continuation. The occasional grind and repetitive delivery loops may wear thin, but the rich storytelling and immersive cityscape keep the experience compelling throughout its 20-hour runtime.

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A clever, compact visual novel where you play the murderer rather than the detective, Overboard! turns a classic whodunit upside down. With its tight time loop, witty writing, and multiple routes to escape justice, it’s a charming and stylish experience even though some players may crack the “perfect” solution a bit too quickly. Still, its replayability, atmosphere, and smart design make it a delightful surprise from a small team.

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If we have to spend this long with characters we hate, at least make the exploration and biking mechanics fun. Instead, we get tedious busywork in fixing a bike that never feels like the real thing and a world full of fetch quests and very few scares.

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I Sherwouldn't recommend this one to anyone.

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A playful, chaotic puzzle‑toy hybrid where you control a mischievous little cloud causing trouble across dozens of short, humorous levels. Its varied objectives, pop‑culture parodies, and unlockable cosmetic silliness keep the experience lively, even if not every idea lands perfectly. Light, goofy, and easy to enjoy, it’s a breezy few hours of creative mayhem.

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Forgotten Fields attempts a heartfelt dual narrative about a struggling writer and his fantasy story but falters due to clunky controls, technical issues, and outdated design. While its warm, introspective tone and soundtrack offer some charm, the gameplay is bogged down by bugs, stiff animation, and lackluster visuals. Despite a decent ending and short runtime, the overall experience struggles to stay immersive or engaging, making it suitable mostly for achievement hunters or the most forgiving narrative game fans.

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A surreal, dialogue‑driven road trip where you piece together a stranger’s past from the passenger seat, Hitchhiker – A Mystery Game relies heavily on atmosphere and conversation rather than gameplay. Best suited for fans of minimalist narrative games.

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