KonsoliFIN

Four years after its original release, God of War is finally on PC. The story is as great as ever, and the gameplay feels just as dated as before. It's still a worthwhile adventure, but here's hoping the sequel proves more inventive.

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The Gunk is a visually pleasant but ultimately repetitive 3D debut for Image & Form. Cleaning up the alien sludge is satisfying at first, yet the simple mechanics and limited variety make the short adventure lose steam halfway through, even if the strong audio and world design keep it likable.

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Like the Springsteen song "Glory Days", Mario Party Superstars is more interested in remembering how good things used to be without ever taking a step forward into something different. It's a fun revisit to past glories, but there are better parties to attend.

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Age of Empires is one of the great strategy sims of our time, yet its fourth part feels aimless and unsure of itself. There are snippets of momentous ideas in the mix, yet it never reaches the heights of its predecessors. It's still fun, and maybe that's all we can ask from this franchise at this point.

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Halo Infinite shines in its semi-open world, offering fun combat, vehicle use, and exploration, much like Far Cry. Master Chief, with his new AI ally Weapon, battles the Banished on Zeta Halo. While open-world gameplay is engaging, linear story missions feel outdated and frustrating. Strong gunplay and gear variety keep things exciting, but the uneven mix of open and linear design holds the game back. This review covers only the single-player mode.

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Chorus is a stylish space combat adventure combining fast-paced dogfights with a strong narrative. Players control Nara, a repentant former cultist, and her sentient ship Forsaken as they battle the cult she once served. The game features open-world exploration, intuitive controls (best with a controller), and visually stunning environments. Its story adds emotional depth, and the mix of action and storytelling offers great value for its lower price point.

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Hammerting is a promising but overly micromanaged dwarf colony builder. While its concept—crafting a mountain fortress to fuel wartime trade—is intriguing, the game struggles with clunky AI, overcomplicated systems, and overwhelming micromanagement. Despite charm and clever ideas, it lacks the polish or balance to fully deliver on its potential.

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Nickelodeon All-Star Brawl brings together beloved cartoon characters in a Smash‑style brawler, but despite solid core mechanics and a fun roster, the game feels unfinished and oddly lifeless. Sparse modes, weak presentation, missing voice acting, and inconsistent stage design keep it from delivering the chaotic charm its theme promises, even if it works as a simple party brawler with friends.

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The story is great, the voice acting superb, and the gameplay is a tedious chore that drags it all down.

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Now here we have a solid Poirot-style mystery, but the experience is dragged down by shallow gameplay, frustrating deduction boards, limited exploration, and uneven presentation. Despite a good story and decent voice acting, the game’s restrictive design and awkward logic puzzles leave it feeling more tedious than clever.

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A long‑awaited return to classic side‑scrolling exploration delivers a fast, polished, and cleverly guided adventure where tense E.M.M.I. encounters, sharp boss fights, and smooth progression keep the momentum high. A few rough edges, like repetitive environments, forgettable music, and occasionally clumsy controls, don’t stop the experience from feeling like a triumphant and fitting finale to a decades‑long saga.

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Witty, charming, and full of charm, The Great Ace Attorney Chronicles is a winner for both fans and newcomers alike.

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Sable is a serene, open-world coming-of-age adventure with no combat, where exploration and self-discovery are key. Its breathtaking visuals, atmospheric soundtrack, and freeform structure shine despite frustrating controls, poor performance, and usability quirks. A beautiful, meditative experience—if you're patient with its flaws.

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Smart, weird, and cooky, Alan Wake Remastered is just as baffling and fun as ever. The combat gets tedious well before the end, but this inventive love letter to Stephen King and David Lynch is such a delight that it doesn't even matter.

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What starts as a quirky, colorful firefighting romp quickly reveals itself to be repetitive, clumsy, and far more fun in concept than execution. With friends online it can offer brief chaotic fun, but solo play fizzles out fast

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A soothing, goal‑free building toy that lets you create charming island towns one click at a time. Its smart underlying algorithm turns simple inputs into believable architecture, making the experience relaxing, beautiful, and endlessly pleasant. Even if player control over details is intentionally limited.

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A stylish detective adventure that blends sharp storytelling, energetic combat, and a huge variety of side activities into one of the series’ most engaging experiences. A slow, school‑focused opening and a few familiar rough edges hold it back slightly, but once the plot gains momentum, the game becomes a rich, entertaining ride that stands among the studio’s best work.

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This minor miracle proves once again that it's in indie titles where we can find the most precious gems in gaming.

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A slow, minimal walking sim built around metal‑detecting and quiet conversations, offering little actual gameplay and a story that never becomes as engaging or mysterious as it promises. Strong voice acting can’t compensate for repetitive mechanics, weak visuals on Switch, and a two‑hour experience that feels more like a slight novella than a compelling game.

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Yes, it's packed with star power, and yes, it's got an M. Night Shyamalan-level idea behind it, but all that is irrelevant because 12 Minutes is a chore to play. It's a game that hates being a game and should have been a short film instead.

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