Rob Kershaw
- Planescape Torment
- Shining Force 2
- Landstalker
Rob Kershaw's Reviews
A disappointing finale to an underwhelming series.
A sparkling new take on an old formula, with enough innovation to keep things interesting.
An utterly beguiling journey from beginning to end: surprising, moving, and accompanied by a near-perfect soundtrack.
Telltale's poor fourth episode run continues, but delivers the potential of a solid series ending.
The brevity of Silence doesn't detract from the emotional rollercoaster of its story, nor its truly gorgeous world.
Whilst new and familiar, plodding and rushed in turn, Obsidian are proudly wearing the mantle left by Black Isle and have crafted another enjoyable story for fans of isometric CRPGs.
A low point for the series, both in gameplay and narrative cohesion.
A colourful, often hilarious RPG-lite adventure, crippled by a tedious and frustrating combat system.
A step back for the series, but still an enjoyable couple of hours despite the flaws.
A sleek, shiny FPS puzzler that overcomes the limitations of its gameplay with some accessible conundrums and an interesting tale.
A polished continuation of an intriguing narrative, Mankind Divided is a familiar, yet enjoyable thirty hours of tech noir.
A slow but solid first chapter which offsets ponderous exposition with some thrilling fight scenes, and introduces much-needed new mechanics to a now familiar template.
It has a few too many flaws to be considered a classic, but I Am Setsuna does enough right to make it worth a play through - especially for fans of old-school RPGs.
Not good but not awful, The Technomancer serves more as a showcase for the future potential of Spiders than a game worth playing on its own merit.
There is potential here, but Murder is too brief to be satisfying.
A short, sharp, back-to-basics roguelike which will amuse for a couple of hours.
The narrative is delightfully disturbing, but Masochisia needed more meat to its gameplay.
An engaging diversion for newcomers, but Pillars veterans will lament the lack of tangible story.
An emotionless take on the genre, with little but its reliance on nostalgia to sustain its brief running time.
Splatoon is an inventive new IP, hampered by a lack of content and almost desperate need to appeal to kids despite having enough depth for all but the most hardened players.