Despite being late to the war-torn party, the Nintendo Switch version of Warhammer Quest 2: The End Times is still a robust and enjoyable turn-based dungeon crawler that benefits from having its roots in mobile gaming. Years of updates mean new players have access to a lot of content, but tactically it becomes a little stale once you learn to exploit its easily-manipulated levelling system. Still, if you're a fan of the Warhammer universe then this game does manage to tickle an itch that only dungeon-based loot drops can scratch.
Translating a set of revered gamebooks from the '80s into video game form was always going to be something of a challenge, and while the version that's made the jump to Nintendo Switch under a new name doesn't bring anything particularly different to the tabletop party, developer Asmodee has retained the evocative world-building of Ian Livingstone's books while adding in some helpful features. It's a little lacking in the looks department, but if you fancy taking a trip back in time to RPG questing of old, Deathtrap Dungeon Trilogy certainly offers plenty of retro adventures of its own.
Overall, Valfaris is a much better game than its predecessor, introducing new systems and ideas to help keep its action-platformer formula engaging and interesting.
The post-apocalypse schtick was worn out long ago, so any game using it as a thematic backdrop is always going to have an uphill struggle, but Overland attempts to set itself apart with its diorama-style maps and its McCarthy-esque road trip. While it lacks the more focused combat and systems of the very similar Into the Breach, there's a lot to like about its bleak combination of fellowship and sacrifice. But with a procedural generation setup that doesn't always play in its favour and a shallow inventory, its take on Armageddon can be more frustrating than fun.
As a melee-focused, multiplayer experience, Boreal Blade is sure to be a divisive experience. Some players will love the nuance of its freeform combat, revelling in the joy of the moment-to-moment swordplay. Others will be turned off by the steep learning curve which comes with mastering even the simplest of weapons.
While Sniper Elite V2 Remastered isn’t the series' high point, it does offer a fine opportunity to sample its most enjoyable features – including scouting entire locations and taking incredible shots at even more incredible distances – on a brand new platform. However, while its long-range action is as gripping as ever, the more traditional run-and-gun sections stick out like a sore thumb, and the absense of auto-saving can lead to some frustrating moments.
While The Padre is a far from perfect indie offering, its mixture of satisfyingly challenging puzzles, a dark sense of humour and a perennial love for classic survival horror makes for an intriguing addition to the genre. The issues with combat and the sometimes infuriating nature of its puzzles can grate, but with a little extra polish The Padre has the potential to be a real hidden gem on Nintendo Switch.
Screenshots really don't do The friends of Ringo Ishikawa justice. What looks like a traditional side-scrolling brawler is actually something far more intricate. It's more of a teenage simulator than anything, and with some really well-written dialogue (filled with the kind of malaise and sense of directionless rebellion we all experienced in our formative years) there's a really interesting story to be found. Its everyday activities will remind you more of Bully or Shenmue than Street Gangs/River City Ransom, just don't expect to have your hand held as you head out into the world to discover them.
Power Rangers: Battle for the Grid isn't some cheap tie into a quarter-century-old franchise – at least not in sense of its core mechanics and gameplay. With a smooth 60fps in all formats on Switch, lots of modes to play through and support for ranked and casual bouts online, it's a decent fighter, even without the licence. However, an ugly yet suitably contemporary approach to content accessibility leaves this game feeling frustratingly spartan to anyone who doesn't invest in a rolling number of ongoing season passes. This seems to be the way all fighting games are going – just look at Dead or Alive 6's awful DLC setup – but it's not a welcome direction.
Rad Rodgers Radical Edition serves up a hefty slice of side-scrolling shooter action and Metroidvania-esque exploration.
Nippon Marathon isn't not going to be everyone's tastes – those eye-wateringly janky visuals (whether by design or not) and the nature of physics-driven racing are an acquired taste that most people are going to tire of, fast. However, look past the surface and there's a multiplayer experience here that will appeal to fans of Gang Beasts and the like, who just want a silly party game that cares not for seriousness in any form.
GODS Remastered is an odd remaster. The brand new visuals help give this incarnation of Ancient Greece a far more agreeable presentation with a proper lighting system, some much-improved character models and a soundtrack that helps do justice to the unforgettable original. But peel away those cosmetic changes and you’re left with a once brilliant action-platformer that has not aged well.
Bendy and the Ink Machine has plenty going for it as a new horror instalment on Nintendo Switch – such as the way it builds a growing sense of dread and despair throughout its five chapters while using an animation style that's meant to evoke the safety and joy of childhood memories – but it's let down by some irritating design decisions and frustrating performance issues. Still, if you really do love your horror and want something that ticks all the boxes of a modern scarefest, Bendy and the Ink Machine is still a worthy descent into madness.
RollerCoaster Tycoon Adventures is both incredibly enjoyable and considerably infuriating. There's just enough of that classic magic in there to make the design and management of a theme park a consistently rewarding experience, and using permits and research to space out your access to the good stuff makes this a genuinely fun time sink. However, the level of automation that's migrated over from the mobile iteration really does negatively impact this Switch port, and issues with overall performance place a big caveat around its neck. While it's not a total disaster, RollerCoaster Tycoon Adventures does leave you wanting a little more – especially if you're a seasoned fan of the long-running series.
While playing a Leisure Suit Larry game is the gaming equivalent of being seen reading a copy of the Daily Sport, this mostly unwanted revival of the series is actually far better than anyone was expecting.
Both Night Alone and Midnight Shadows offer a survival horror experience built more on the management of building dread and approaching threats, although both do occasionally indulge in cheap (yet effective) jump scares and uses of gore. However, for all its potency, Yomawari: The Long Night Collection's design too often boils down to a repetitive cycle of evasion and exploration, and with a difficulty that's too high for a game built on obtuse layouts and one-shot kills, it can quickly become an exercise in both fear and frustration.
While My Hero One's Justice certainly looks the part - with all the crash, bang and wallop you'd expect from a game based on such an outlandish anime - it proves to be more style over substance. If the likes of Blade Strangers and SNK Heroines: Tag Team Frenzy have got you in the mood for easy-to-pick-up fighters, this title will easily fit that mould, but for everyone else, it's a disappointing use of a franchise brimming with quirky (no pun intended) potential.
Another Sight does possess some attractive qualities. There's an interesting story and a strong enough central character to hold it all together. Meeting some famous faces from the Victorian era of technological advancement is a nice touch, but these moments are few and far between. Most of the time you'll be wrestling with a needlessly clunky set of platforming mechanics and some repetitive level designs and not overly creative puzzles. The visual impairment gimmick does work to an extent, but you get the impression this would have worked much better as a local co-op experience rather than as a solo adventure.
Phantom Doctrine certainly shares plenty of DNA with the much-adored XCOM series, but it lacks the polish that's made the likes of XCOM 2 such an enduring example of how to do tactics right. When Phantom Doctrine really doubles down on the minutiae of its spycraft – including the solving conspiracies and the stealth-focused nature of its missions – its own personality shines through. It's certainly scrappy here and there – especially when it comes to managing the meta of its spy network – but push past these imperfections and you'll have plenty of licence for kills (and the occasional thrill).
State of Mind has its moments to shine - certain plot beats in the final act do offer some genuine payoff, and some of those visuals are a joy to see running in docked mode or in handheld - but they're too often lost in a mire of storytelling cliche and science fiction tropes you've seen done better countless times before. A set of in-game achievements do help break up the lengthy plot, but the awkward voice acting and lack of cohesion between its gameplay ideas ultimately make for a muddled experience at best.