In the end, Hades II is that rare sequel that expands without diluting. It respects the past without being trapped by it, preserving what truly matters. It gives us the almost tangible thrill of stepping into a room never knowing which version of ourselves will walk out. Between steel and spell, Supergiant delivers one of the year’s strongest indie titles.
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Robots at Midnight is a bold project. It aims to be a more accessible soulslike for younger audiences, and that alone is a welcome proposition. However, the execution does not match the ambition. Technical polish is lacking, frustration lingers in crucial details, and the narrative cannot carry the weight of the journey. Even so, the charm of the art style, the MITT system, and the Nightfall mechanic justify a curious look for those seeking a gentle entry point into the genre. The game does not become memorable, yet it plants a seed that could blossom in future projects.
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Abyssus delivers competent combat and plenty of customization options that can lead to exciting moments, especially in co-op play. However, the repetitive level design and technical issues weigh it down, making for a fun experience that is unlikely to stand out among the genre’s big names.
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South of Midnight is an experience that unfolds like a fireside fable: intimate, full of symbols, charged with memories. For those seeking something different, something that whispers rather than screams, this is a journey worth experiencing.
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