Call of the Elder Gods is a game with interesting ideas and a Lovecraftian atmosphere that works quite well once the narrative finally gains momentum. The setting and sense of discovery are engaging, especially for those who enjoy cosmic horror and stories involving insanity and supernatural mysteries. At the same time, the game struggles with extremely limited exploration and puzzles that often stop being challenging and instead become tedious. Some puzzles are genuinely clever, but others feel complicated only because they exaggerate the difficulty. Even with these issues, I managed to get involved with the campaign and remained curious to uncover the mysteries of that universe until the very end. I just believe the experience would have worked much better with more consistent puzzles and a narrative that revealed its true potential earlier.
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Outbound is a game with its own rhythm, and it doesn’t try to please everyone — something that becomes clear within just a few hours. It abandons tension and urgency to focus on something simpler: building, exploring, and living in that world at your own pace. This design choice doesn’t always work. At times, the experience can feel monotonous, mainly due to the lack of variety in the world, the limited impact of the day-and-night cycle, and a pacing that demands a lot of patience. Even so, the game manages to captivate players in a very particular way.
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Invincible Versus is a fighting game that nails the fundamentals. The combat is fun, brutal in just the right measure, and becomes more engaging as you learn its mechanics and the unique style of each character. There’s an interesting system here, with solid ideas and clear potential for growth—especially appealing to players who enjoy dynamic, team-focused fighters. The downside is that, at launch, the overall package doesn’t fully match the quality of the core gameplay. The story mode is short and not very engaging, the available modes are limited, and repetition sets in quickly, particularly for more casual players. If you’re a fan of the genre, you’ll likely find plenty of hours of enjoyment here. Otherwise, it might be worth waiting until the game expands with more content.
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Adorable Adventures is the kind of game that relies heavily on how well you connect with its core premise. On the surface, it appears to be just a simple story about a wild boar searching for its family. However, when you read between the lines—noticing the wildfires, the impacted wildlife, and the underlying message of environmental care—it gains a completely different level of depth. The gameplay is straightforward but introduces some clever ideas, particularly in the use of the scent-tracking mechanic, even if it does have a few limitations. Short, contemplative, and full of heart, it is an experience that might not appeal to everyone, but it will definitely surprise fans who enjoy this specific style of game.
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The Spell Brigade delivers chaotic and highly entertaining matches, whether played in co-op or solo. The spell system combined with friendly fire creates unpredictable moments that work especially well with friends. On the downside, repetition sets in early due to limited enemy variety, maps, and objectives. On the base PS5, performance issues in later stages and a bug that freezes the selection screen also impacted the experience. Still, with potential fixes at launch, the game remains a solid option for those seeking carefree fun.
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Ground Zero understands the roots of survival horror very well and delivers a nostalgic experience by combining classic elements with small modern improvements. The more dynamic combat and the reward system help keep the game engaging, while the atmosphere and soundtrack reinforce the tension throughout the campaign. Even so, the overly dated visuals, occasional camera issues, and the limited variety of enemies prevent the game from reaching a higher level. Despite these limitations, it’s still an interesting experience for the old guard of gamers, but it will hardly attract a younger and more demanding audience.
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Gecko Gods delivers exactly what it sets out to be: a lighthearted experience focused on exploration and contemplation, free from rush or frustration. The gecko’s fluid movement, combined with the strong verticality of the environments, makes exploration consistently engaging, while the art direction and soundtrack reinforce the game’s relaxing atmosphere. It may not appeal to those seeking challenge or deeper systems, but it works perfectly within its proposal, standing out as a solid option for anyone looking to unwind and enjoy the journey.
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Grime 2 is the kind of game where you can clearly see how much personality it has. It doesn’t try to strictly follow the genre’s formula, and that shows especially in the combat, the use of molds, and the way the environment itself participates in battles. These are ideas that work and, at several moments, make the experience truly engaging. At the same time, it’s also a game that demands a lot from the player—sometimes even more than it should. The difficulty spike from the middle to the end disrupts the pacing a bit and, combined with an attribute progression that doesn’t quite keep up with the challenge, can create a sense of unfairness in certain sections. Still, when everything clicks—combat, exploration, and mastery of abilities—the game delivers some excellent moments. It’s the kind of experience that rewards those who persist, learn the systems, and adapt.
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Damon and Baby is the kind of game that doesn't try to be grand, but hits the mark where it truly counts: the fun. Despite clear flaws—especially regarding the lack of direction, quality-of-life decisions, and certain systems that demand more from the player than they should—the game holds its own thanks to its fluid gameplay, charm, and constant sense of progression. If you enjoy twin-stick games featuring character progression and exploration, this is an experience well worth your time.
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1348 - EX Voto is one of those cases where ambition exists, but nothing around it sustains the idea. The game tries to rely on combat, narrative, and historical setting, but fails in all three pillars. Combat is inconsistent and frustrating, the story doesn’t develop convincingly, and technical problems break any immersion that could exist. Even though it’s a smaller project, that doesn’t justify the lack of polish and clear direction. In the end, it’s an experience that doesn’t respect the player’s time and will hardly keep anyone engaged until the credits without effort.
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John Carpenter’s Toxic Commando has some great ideas and manages to be quite fun during the first few hours. The combat is solid, facing giant hordes of enemies creates some really cool chaotic moments, and the game's atmosphere is sensational. The problem is that the experience starts showing its limitations far too quickly. The campaign is short, the missions are quite repetitive, and the bots' AI often hinders more than it helps. By the time the credits roll—which happens in just a few hours—you’re left with the feeling that the game needed more content and more time in the oven. In the end, Toxic Commando is a cooperative shooter that can provide some good sessions with friends, but it’s unlikely to hold your attention for long in its current state.
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Scott Pilgrim EX is a game that knows exactly what it wants to be. It doesn’t try to reinvent the wheel or lean into overly complex systems. The goal is simple: gather some friends—whether locally or online—and create fun moments in front of the screen. The combat mechanics are quite engaging, featuring characters with varied playstyles, throwable objects, and RPG-style progression. Could the campaign be longer? Yes, it could—and honestly, I think it should—but it’s not always about quantity; it’s about quality. I really enjoyed the replay value, especially with the inclusion of New Game+. It’s not perfect, and it doesn’t need to be. It’s the kind of game that might not define an era, but it definitely delivers hours of entertainment. And sometimes, that’s exactly what we’re looking for.
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Carmageddon Rogue Shift is a great return for a franchise that spent far too long forgotten. By embracing the roguelite format, the game finds a modern way to preserve the chaos and destruction that have always defined the series, even while stumbling over issues of balance and repetition. It’s not a game that tries to impress technically, but it succeeds in delivering races the way arcade fans love them—the classic mix of shooting, crashing, and bombing. With some fine-tuning, especially regarding the final boss and content variety, Rogue Shift has everything it needs to establish itself as a viable new path for Carmageddon.
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Don’t be fooled by the genre. Cairn can and will grip you from start to finish. It’s a unique experience with an incredible level of immersion. The Game Bakers managed to turn a mountain into a living world, filled with stories, nuances, and details that strike directly at the player’s mind and heart. Cairn is a title you should definitely keep on your radar — so get your chalk and pitons ready to take on Mount Kami. It won’t be easy, but every second will be worth it!
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I Hate This Place had everything it needed to work: it has good ideas. However, the game fails to turn those good intentions into a truly engaging experience. The frustrating gameplay, unsatisfying combat, and above all, the countless technical issues end up outweighing the few successes.
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Inazuma Eleven: Victory Road is a great choice for those looking for a soccer game that goes beyond the sport itself, blending RPG elements, a well-crafted story, and gameplay that captivates from the very first matches. The variety of modes helps keep players engaged over time and ensures many hours of fun. And this comes from someone who had never played anything from the franchise before—yet Victory Road quickly managed to carve out its place and leave a very positive impression.
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Brok: The Brawl Bar is a straightforward beat ’n up, no frills, with satisfying impact in its blows. The challenge-based structure works at first, but it quickly becomes tiring and doesn’t sustain the fun, especially after long hours with the controller in hand. Even so, the game holds strong thanks to its solid gameplay, cartoony art style, and generous content. It doesn’t reinvent the genre, nor does it try to be bigger than it is, and ultimately succeeds through honesty. For those who enjoy brawling and challenges with some gameplay variations, this one is safe to dive into!
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S.T.A.L.K.E.R. 2 offers consistent immersion and good ideas in the use of weapons, equipment, and exploration, but it stumbles with weak side quests, inconsistent visuals, and entirely unexciting combat. It is a game that delivers interesting moments but falls short of what many expected. Overall, it is an average experience with sporadic moments of brilliance.
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ARC Raiders hits where it truly matters for a cooperative survival game: enemies that think, react, and punish every mistake. The thrill of facing the machines and managing to escape with what you’ve found is what gives each match its weight — and the game delivers that experience exceptionally well.
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Dark Quest IV delivers a simple and honest tactical adventure, but it doesn't go much beyond the basics. The charm of a board game is still present, and the various character options are interesting. However, the limited visuals and poor balancing among the heroes make the experience less exciting than it could be. It's the type of game that provides fun through strategic combat and co-op, but without major moments or surprises.
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