Echoes of Aincrad delivers fun combat and pleasing visuals, making the journey through Aincrad quite engaging. However, the repetitive open world and some design decisions prevent the game from reaching its full potential. Even so, it is a competent action RPG that will certainly appeal to most players
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After spending several hours with EA Sports UFC 6, I felt something I hadn’t experienced with the franchise in quite some time: the desire to keep playing. Not because it revolutionized everything or delivered a perfect simulator, but because I finally found an evolution that truly makes a difference both inside and outside the octagon. The fights feel more natural, the strikes carry much more impact, and the new Flow State adds an interesting layer of strategy without complicating things for newcomers.
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From the very beginning, it was clear to me that Forgotlings wasn’t trying to impress through combat or the sheer number of systems. ThroughLine Games’ focus is on the narrative, the characters, and the way this world was built. That’s exactly what kept me engaged throughout the campaign. Each new area introduced curious characters and situations that highlighted the studio’s creativity. Many times, the urge to discover what lay just ahead ended up being stronger than any gameplay reward.*
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Beastro is the kind of game that doesn’t try to compete through complexity or scale, but rather through identity. It builds its experience around a simple cycle: farming, cooking, building your deck, and preparing your guardians—and it finds strength precisely in this well‑tied repetition. There always seems to be a new ingredient and a different recipe to discover, and that can keep you hooked for hours.
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NBA The Run succeeds in delivering fast-paced gameplay and a concept reminiscent of the great basketball arcades of the past. The problem is that the experience stops there. The lack of offline modes, the scarcity of content, and a progression system that feels unrewarding make the game lose steam quickly—especially for those planning to play solo.
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Copa City delivers a concept rarely seen in the market. By shifting the focus from the soccer field to the backstage of a major sporting event, the game offers an impressive level of management and makes the player feel responsible for every detail surrounding a football match.
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Realm of Ink scores big on replayability. The variety of playable characters significantly changes the way you approach each run, the builds work seamlessly, and the combat is addictive in just the right measure. It’s the kind of roguelite that constantly makes you think “just one more run”—until you realize you’ve already spent hours experimenting with new combinations.
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Bubsy 4D manages to do something I honestly didn't expect: transform a franchise that has always been surrounded by criticism into a fun experience full of personality. Fabraz and Atari really understood what the character represents and delivered a simple yet charismatic platformer, with good movement mechanics and an interesting replay value for those who enjoy collectibles and speedruns.
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Rune Dice is the kind of indie game that seems simple in the first few minutes, but quickly takes over your mind with extremely addictive builds, strategies, and dice combinations. The mix of roguelike, physics, and skill management works much better than it seems, creating an experience that is hard to put down. If Smart Raven Studio keeps expanding this universe, Rune Dice has everything it takes to build a very loyal fanbase.
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Call of the Elder Gods is a game with interesting ideas and a Lovecraftian atmosphere that works quite well once the narrative finally gains momentum. The setting and sense of discovery are engaging, especially for those who enjoy cosmic horror and stories involving insanity and supernatural mysteries. At the same time, the game struggles with extremely limited exploration and puzzles that often stop being challenging and instead become tedious. Some puzzles are genuinely clever, but others feel complicated only because they exaggerate the difficulty. Even with these issues, I managed to get involved with the campaign and remained curious to uncover the mysteries of that universe until the very end. I just believe the experience would have worked much better with more consistent puzzles and a narrative that revealed its true potential earlier.
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Outbound is a game with its own rhythm, and it doesn’t try to please everyone — something that becomes clear within just a few hours. It abandons tension and urgency to focus on something simpler: building, exploring, and living in that world at your own pace. This design choice doesn’t always work. At times, the experience can feel monotonous, mainly due to the lack of variety in the world, the limited impact of the day-and-night cycle, and a pacing that demands a lot of patience. Even so, the game manages to captivate players in a very particular way.
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Invincible Versus is a fighting game that nails the fundamentals. The combat is fun, brutal in just the right measure, and becomes more engaging as you learn its mechanics and the unique style of each character. There’s an interesting system here, with solid ideas and clear potential for growth—especially appealing to players who enjoy dynamic, team-focused fighters. The downside is that, at launch, the overall package doesn’t fully match the quality of the core gameplay. The story mode is short and not very engaging, the available modes are limited, and repetition sets in quickly, particularly for more casual players. If you’re a fan of the genre, you’ll likely find plenty of hours of enjoyment here. Otherwise, it might be worth waiting until the game expands with more content.
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Adorable Adventures is the kind of game that relies heavily on how well you connect with its core premise. On the surface, it appears to be just a simple story about a wild boar searching for its family. However, when you read between the lines—noticing the wildfires, the impacted wildlife, and the underlying message of environmental care—it gains a completely different level of depth. The gameplay is straightforward but introduces some clever ideas, particularly in the use of the scent-tracking mechanic, even if it does have a few limitations. Short, contemplative, and full of heart, it is an experience that might not appeal to everyone, but it will definitely surprise fans who enjoy this specific style of game.
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The Spell Brigade delivers chaotic and highly entertaining matches, whether played in co-op or solo. The spell system combined with friendly fire creates unpredictable moments that work especially well with friends. On the downside, repetition sets in early due to limited enemy variety, maps, and objectives. On the base PS5, performance issues in later stages and a bug that freezes the selection screen also impacted the experience. Still, with potential fixes at launch, the game remains a solid option for those seeking carefree fun.
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Ground Zero understands the roots of survival horror very well and delivers a nostalgic experience by combining classic elements with small modern improvements. The more dynamic combat and the reward system help keep the game engaging, while the atmosphere and soundtrack reinforce the tension throughout the campaign. Even so, the overly dated visuals, occasional camera issues, and the limited variety of enemies prevent the game from reaching a higher level. Despite these limitations, it’s still an interesting experience for the old guard of gamers, but it will hardly attract a younger and more demanding audience.
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Gecko Gods delivers exactly what it sets out to be: a lighthearted experience focused on exploration and contemplation, free from rush or frustration. The gecko’s fluid movement, combined with the strong verticality of the environments, makes exploration consistently engaging, while the art direction and soundtrack reinforce the game’s relaxing atmosphere. It may not appeal to those seeking challenge or deeper systems, but it works perfectly within its proposal, standing out as a solid option for anyone looking to unwind and enjoy the journey.
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Grime 2 is the kind of game where you can clearly see how much personality it has. It doesn’t try to strictly follow the genre’s formula, and that shows especially in the combat, the use of molds, and the way the environment itself participates in battles. These are ideas that work and, at several moments, make the experience truly engaging. At the same time, it’s also a game that demands a lot from the player—sometimes even more than it should. The difficulty spike from the middle to the end disrupts the pacing a bit and, combined with an attribute progression that doesn’t quite keep up with the challenge, can create a sense of unfairness in certain sections. Still, when everything clicks—combat, exploration, and mastery of abilities—the game delivers some excellent moments. It’s the kind of experience that rewards those who persist, learn the systems, and adapt.
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Damon and Baby is the kind of game that doesn't try to be grand, but hits the mark where it truly counts: the fun. Despite clear flaws—especially regarding the lack of direction, quality-of-life decisions, and certain systems that demand more from the player than they should—the game holds its own thanks to its fluid gameplay, charm, and constant sense of progression. If you enjoy twin-stick games featuring character progression and exploration, this is an experience well worth your time.
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1348 - EX Voto is one of those cases where ambition exists, but nothing around it sustains the idea. The game tries to rely on combat, narrative, and historical setting, but fails in all three pillars. Combat is inconsistent and frustrating, the story doesn’t develop convincingly, and technical problems break any immersion that could exist. Even though it’s a smaller project, that doesn’t justify the lack of polish and clear direction. In the end, it’s an experience that doesn’t respect the player’s time and will hardly keep anyone engaged until the credits without effort.
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John Carpenter’s Toxic Commando has some great ideas and manages to be quite fun during the first few hours. The combat is solid, facing giant hordes of enemies creates some really cool chaotic moments, and the game's atmosphere is sensational. The problem is that the experience starts showing its limitations far too quickly. The campaign is short, the missions are quite repetitive, and the bots' AI often hinders more than it helps. By the time the credits roll—which happens in just a few hours—you’re left with the feeling that the game needed more content and more time in the oven. In the end, Toxic Commando is a cooperative shooter that can provide some good sessions with friends, but it’s unlikely to hold your attention for long in its current state.
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