Onimusha: Way of the Sword is one of those games where, whilst playing, I found myself thinking time and again: “Blimey, this is phenomenal.” The combat, in particular, left a lasting impression on me. The combination of parries, dodges, Issen attacks and spectacular boss battles ensures that you’ll want to draw that sword time and time again. The Japanese atmosphere, music and visual splendour also make this a particularly atmospheric adventure. Unfortunately, the repetitive Malice and Rift missions, recurring sub-bosses and the inevitable back-and-forth running mean the game doesn’t quite reach perfection. But I thoroughly enjoyed it. Even when I got thoroughly beaten as Musashi, I found myself staring at the screen with a smile. Following Resident Evil 9: Requiem and PRAGMATA, Capcom proves once again that it still knows how to deliver top-class games. With Onimusha: Way of the Sword, the company has hit the bullseye once more.
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In my humble opinion, Mortal Shell II surpasses the original. Whilst the first instalment made a particular impression with its Shell system, the second builds on that in an excellent way. The eight Shells, more extensive skill trees, Tarstones, Seals and sidearms give you a huge amount of freedom to create your own build. My Tiel, for example, evolved into a venomous shadow assassin who strikes from the darkness and can protect himself against poison. For me, that sort of experimentation is one of the game’s greatest strengths. On top of that, the combat feels a lot smoother than I remembered. The Posture mechanic gives parries more meaning, the Riposte remains delightfully brutal, and the sidearms add a fun extra dimension. Add to that the dungeons, puzzles and the many ways to further customise your Shell, and Mortal Shell II no longer feels like just another sequel, but like a game that’s finally starting to stand on its own two feet. And honestly? As far as I’m concerned, that Shell can stay wrapped around me for a while yet.
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Marvel Tōkon: Fighting Souls really took me by surprise. The anime style is stunning, the Marvel characters are brilliantly rendered, and technically the game runs exceptionally smoothly. Even when the screen descends into utter chaos with attacks, assists and combos, everything stays neatly in place. The accessible combat is also a major asset. You don’t need to be a fighting game expert to enjoy it straight away, whilst there seems to be plenty of scope to develop your skills further. The short Episode mode is undoubtedly a downside. An hour and a half is simply not enough. Whether the game remains engaging in the long term will depend mainly on the online community and how deeply players can delve into the combat.
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Beast of Reincarnation feels like a game with two sides to it. On the one hand, you’re treated to an enjoyable action RPG with a mysterious story, challenging combat, a surprisingly extensive progression system and excellent teamwork between Emma and Koo. What’s more, it isn’t just another Souls-like clone, but fortunately carves out its own path. On the other hand, the technical quality is simply appalling. The massive frame drops, screen tearing, pop-ins, poor textures and the general lack of polish meant I could never fully immerse myself in the adventure. I still maintain that there’s a good game hidden beneath all this. It’s just constantly undermined by technical execution that simply doesn’t meet what you’d expect in 2026 – and certainly not on a PlayStation 5 Pro. Hopefully, Beast of Reincarnation will receive the updates it deserves. Today, unfortunately, I can only conclude that this beast should have stayed in its cage for a long while longer.
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Star Fox clearly isn’t trying to reinvent the wheel, and perhaps that is precisely its greatest strength. Nintendo has chosen to modernise a classic without losing the original’s identity. The gameplay remains wonderfully addictive, the alternative routes invite you to take off again and again, and technically, everything runs exceptionally smoothly on the Nintendo Switch 2. Yet it remains difficult to work with a team that offers more commentary than actual help during the missions. But every time I thought, “just one more mission”, I realised that Star Fox had gripped me all over again. And that is perhaps the greatest compliment I can pay to this remake.
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The Adventures of Elliot: The Millennium Tales feels like a love letter to classic action-adventure games. The combination of Zelda-style exploration, clever puzzles, extensive customisation options and a stunning HD 2D presentation ensured that I experienced a timeless adventure. The time-travel element provides plenty of variety, the combat remains engaging thanks to the Magicite system, and collectors can indulge themselves to the full with all the secrets hidden throughout the world. Faie could easily have spoken a little less, and the side quests could have been a bit more creative at times, but ultimately these are just minor blemishes on a particularly beautiful canvas. Throughout my adventure, I constantly found myself wanting to explore just one more cave, find just one more cat or solve just one more puzzle. And when a game manages to hold onto that feeling right until the credits roll, you know the developers have got something right.
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Final Fantasy VII Rebirth on Nintendo Switch 2 is a technical feat that impresses time and again. The fact that this massive RPG is playable on a handheld console remains almost absurdly impressive. The atmosphere, soundtrack and combat largely hold up, but at the same time you can constantly feel how hard the hardware has to work to keep everything running. Blurry visuals, pop-in and, above all, frame drops crop up regularly. My score is partly based on the fact that I can also play this game on PS5, but if you only have a Switch 2, I definitely recommend this game and you can safely add a point to the score.
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Yoshi and the Mysterious Book demonstrates once again why Nintendo remains so adept at creating playful, creative video games. The exploration element gives the familiar Yoshi formula a fresh twist and provides a journey of discovery full of charming puzzles, surprising ideas and clever variety. Whilst playing, I found myself smiling more than once. What’s more, your discoveries later play a role in certain boss battles, which makes the whole thing even more clever. That typical Nintendo magic is everywhere: in the colourful presentation, the smooth gameplay and the constant stream of fun discoveries. The only downside is that the difficulty level is sometimes a bit too low, which means the tension drops off now and then. Nevertheless, this remains a particularly charming and successful Nintendo Switch 2 title, worthy of a review, for anyone who loves exploring, puzzling and pure gaming fun.
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Just like its spiritual predecessor Returnal, Saros is an unparalleled experience. Saros is a game that has kept me on the edge of my seat for 35 hours so far. During that time, I didn’t find a single thing that bothered me. I enjoyed every second of the spectacle conjured up on my screen. Housemarque has also taken a brilliantly clever approach to accessibility, ensuring that players familiar with this genre can still find their own way. The fact that I’ve been living in a cocoon for the past few days to write this review of Saros says it all. This is an unrivalled masterpiece and, at the moment, my Game of the Year.
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Crimson Desert is a typical game that doesn't have a golden middle ground. Either the game is fantastic or you don't like it. It is clear that I am a fan of Crimson Desert and of course there are several reasons for that. Especially since it's been a while since I played a game of this caliber. You will be treated to a wonderful world of Pywell, where the atmosphere makes you gasp for breath. There is also a lot to do in Crimson Desert, and that will also provoke different reactions here. However, if you can get used to the here and there some downsides of the game and you take your time for Crimson Desert, then you will experience an adventure that will undoubtedly be engraved in the memory for a long time.
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Dragonkin: The Banished had potential. I saw that during the Early Access period. Especially the Ancestral Grid system is an interesting idea, the Wyrmlings are a nice addition and the different classes are fortunately provided with the necessary variety. Unfortunately, these potential points are overshadowed by the negativity that prevails over this game. Technical problems, mainly frame drops of which cause this game to be unplayable. It doesn't reach the level it seemed to strive for. What could once have been a rough diamond now feels more like a stone that has completely lost its shine along the way. I'm not sure if they understand the Early Access system. Normally you should make the game better with the feedback you get, but for some strange reason this has a counterproductive effect for me.
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WWE 2K26 is another great wrestling game, and that's pretty cool when you know that this is the fifth edition in a row in as many years. This game doesn't do much more than its predecessor, but certainly not less. It is mainly the new and sophisticated details that make the difference. The roster is bigger than ever, with more than 400 wrestlers. The gameplay feels smooth and responsive, making you always feel like victory is within reach. Unfortunately, I continue to be bothered by the hair and eye problems with the characters. During my games I also came across a lot of strange bugs. I prefer to keep quiet about The Island and the Ring Pass. Those who buy the standard version must wait until March 13 to enter the ring. Those who order one of the three more expensive editions can get started as early as March 6. Despite the fact that my interest in WWE has cooled down a bit, I still had a great time with WWE 2K26.
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If you can remember one thing from this review: Code Vein II has ideas, systems and ambitions, but lacks the necessary polish, coherence and technical finish. Too many small frustrations pile up into a constant annoyance. After experiences with Lies of P, Black Myth: Wukong, Sekiro and other fantastic games in the genre, Code Vein II simply feels less sophisticated. Not because it's harder, but because I always feel like something's wrong. That comparison is inevitable and does not work out favorably here. It just doesn't click, no matter how hard I try.
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One Piece: Pirate Warriors 4 Legendary Edition is a complete, but exhaustive collection. The game itself does little wrong, but it doesn't bring a giant treasure on board either. In terms of gameplay, you've seen this before in previous parts or other games in the genre, and unfortunately often in a better way. Visually, this game is lagging behind and you can't get around it. The camera during the chaotic gameplay also doesn't work as it should. Fortunately, you are presented with a nice bundle of content, especially as a new player. One Piece: Pirate Warriors 4 Legendary Edition is a legendary title on paper, but one that mainly sails on autopilot at sea.
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We had to wait eighteen years for a new Metroid Prime. Was it worth it? In itself yes. Despite the downsides I mention in the review, I had a lot of fun and still do. These games are just so much fun to play, and that's what it's all about. The long wait also makes it extra fun to crawl through the narrow corridors like a ball again with Samus Aran. The renovations are unfortunately a bit disappointing, but that may be because I come from the camp of the past. New players can probably really appreciate Metroid Prime 4: Beyond, given how Retro Studios and Nintendo have tackled this game. If you have never played a Metroid Prime game before, but are in doubt, I recommend starting with this one and then playing Metroid Prime Remastered.
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Hyrule Warriors: Age of Imprisonment has positively surprised me and convinced me of a genre that I previously left behind. Although I had no interest in the Dynasty Warriors series, I have become a fan of the collaboration between Nintendo and Koei Tecmo. This is mainly because the story fits nicely with Zelda: Tears of the Kingdom. The game performs excellently on the Nintendo Switch 2, with impressive visuals, a pleasant atmosphere and smooth gameplay. The chaotic, but spectacular battles are very impressive, and with nineteen playable characters there is plenty of variety. Still, the gameplay sometimes feels repetitive. All in all, I end my review with a very positive feeling about the game.
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I have to admit that I never thought I’d spend more than 25 hours on a Pokémon game at the age of 43, but I’ve had a blast. As a player returning after 11 years, Pokémon Legends: Z-A feels refreshing and fun. The real-time combat—the biggest change in years—feels great. Lumiose City is a fun place to hang out, but there could have been a bit more to it in that regard. There’s plenty to do, without ever getting boring. Graphically, it’s not top-notch, but the game runs incredibly smoothly. The lack of voice-overs is a bit of a letdown. If I’m not mistaken, there are a total of 230 Pokémon to collect, plus 60 Mega Evolutions on top of that, so what are you waiting for? “Gotta catch ’em all.”
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Team Cherry spent a full eight years working on Hollow Knight: Silksong. You can see that in every aspect of this game. It’s a game that radiates passion from the very first minute. Hollow Knight was already a fantastic game, and they’ve refined various aspects of the sequel. It can feel merciless at times, but for me, it’s still addictive. You know going in that you’ll get frustrated and will undoubtedly curse. But those moments when you finally, after so many attempts, take down that boss: that feeling is priceless. And then you know: this is why we game.
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Star Wars Outlaws Gold Edition runs surprisingly smoothly and fluidly on the Nintendo Switch 2. You get access to a wealth of content, plus the added benefits of the Switch 2’s touch controls and motion controls. With a stable frame rate, visually stunning graphics and an atmosphere that’s quintessentially Star Wars, Switch 2 players will be happily immersed in a Galaxy Far, Far Away for hours on end.
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Hell is Us could have been a very good game, had the combat been properly developed. It’s all too basic, with too little variety in the enemies and not even any bosses. Despite all that, I did manage to enjoy myself in Hadea, particularly the exploration of the various locations. The puzzle-solving is also well-designed. Still, I had hoped it would be a bit more challenging. Though this may just be down to me and my own expectations.
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