It’s not the radical overhaul we’d hoped for, but rather a glorified remaster that’s very well put together.
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Star Fox on Switch 2 is therefore a wonderful reminder of what Nintendo did best when it set out to refine an idea to perfection.
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Dark Scrolls isn’t a disaster, far from it. Its fast-paced action, humour, quirky heroes and co-op mode make for a few enjoyable sessions, especially with a friend on the sofa. But the imprecise controls, confusing progression and overly repetitive gameplay prevent the game from becoming truly addictive.
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The Drifter is a fine demonstration of what a narrative adventure can still achieve when it knows where it’s going.
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Mina the Hollower is a genuine success, a retro game that doesn’t pander to retro nostalgia.
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Diablo IV: Lord of Hatred doesn’t reinvent Sanctuary and its universe, but it does give it a new backbone. With a faster pace, greater clarity and more content, underpinned by a solid campaign and two truly compelling classes, it transforms Diablo IV into a more cohesive experience than it was at launch.
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Gambonanza is a solid puzzle game disguised as a cheeky roguelike, but its costume is sometimes more fun than the party itself.
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Regions of Ruin: Runegate may not be the undisputed king of dwarf games, but it certainly has what it takes to hold its own in the mine.
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Pragmata hasn’t spent all these years in the shadows for nothing. Showing an unexpected appetite for risk, Capcom has delivered a compact, engaging sci-fi adventure that is, above all, driven by a genuine gameplay concept: one where shooting and hacking learn to work in harmony.
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Little Nightmares VR: Altered Echoes retains the signature feel of the series, with its sticky corridors, oversized monsters and penchant for silent horror. In VR, the sensation of being tiny works very well, and there are a few moments that really take your breath away. But the game lacks ambition, options, polish and consistency.
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