Carli Velocci
Dustborn loses power when it feels the need to look straight at the camera and make sure you understand it
Nobody Wants to Die will hold your hand whether you want it to or not, but its deep dialogue trees and unique touches almost manage to elevate it into something special.
Turnip Boy Robs a Bank might have changed genres, but big improvements to combat and a more jam-packed world revitalize the series.
Wizard with a Gun is an entertaining co-op action game, but balance issues and an unsatisfying ending leave it feeling unfinished and in need of updates.
Detective Pikachu Returns is yet another mystery whodunit in the Pokemon universe, but it’s tough to deduce who this is for, despite having all the clues.
Mineko’s Night Market has lovely art, but its boring chores and lifeless NPCs make it much harder to get caught up in its rhythm than it is in other life sims.
Oxenfree 2: Lost Signals offers a highly personal and unpredictable horror-themed adventure that repeats a lot of the first game’s ideas, and it's still worth tuning into.
Immortality is unlike any other game. It's wildly ambitious, gorgeously shot, well acted, and incredibly unique. You might think you understand the straightforward gameplay, which requires you to match clips together to uncover the story of actress Marissa Marcel, but you have no idea what you're getting into and what you'll be at the end.
Lost in Random is all about randomness, and while that idea doesn't go far enough in some cases, the game is still a great coming-of-age tale with tons of laughs and tension.
The Artful Escape is a tender look at creativity and finding your voice coated in outlandish visuals, an electrifying soundtrack, and a ton of lasers.
There's a lot to like in Twelve Minutes, but when you start to get into the puzzles at the core of the game, things begin to get bogged down.
Last Stop takes a lot of risks, and for the most part, it succeeds. It's a game about interconnectivity in a modern world, but a few flaws keep it from rising to the heights it wants to.
Bloodline represents Ubisoft going back to its roots on the Watch Dogs franchise, and your mileage will vary. Either way, it doesn't feel like a Legion DLC.
Doki Doki Literature Club Plus is the same game you remember, but with a few small extras that make it all feel more worthwhile.
Twin Mirror has some great ideas, including a visually and narratively appealing Mind Palace system, but the weakness of its main character and its "tell don't show" method of storytelling drag the whole endeavor down.
Watch Dogs: Legion is a departure from the typical Ubisoft brand, and it's better for it. The play as anybody system just works, there's a lot to do, and it's unabashedly political in a way that feels important in 2020.
Amnesia: Rebirth is a wildly ambitious horror title that seeks to be standalone and to answer a lot of of questions posed in The Dark Descent. It's gruesome in its style and tragic in its story, and whether the pain will be worth it is up to you.
Control's AWE Expansion will satisfy a lot of Alan Wake fans who have been theorizing for nearly a decade about what happened to the writer. While it does introduce some great ideas, you'll ultimately have to wait for whatever Remedy does next to get real resolution.
Death Stranding came out in 2019 for the PS4, but the PC port looks to become the definitive version of the game thanks to improvements that make it playable across any type of machine. It's also, oddly enough, more relevant than ever.
Lovecraft fans will have to look elsewhere. While Moons of Madness has some exciting ideas and goes a long way on its premise alone, the story is too dense, and the gameplay is too simple to make it worth your time... unless you need to kill five hours.