Ben Skipper's Reviews
The Telltale style, successfully applied to an original, supernatural coming of age story. It's now up to Dontnod to continue the fine quality over three more episodes.
A fine evolution of the Far Cry 3 formula, and an improvement in every way, but all without that same wow factor.
As important as it is terrifying. A worthy successor to Scott's original vision and definitive proof that survival horror is back with a force.
Remarkably fun and boasting a bold, lively and completely mad style, Splatoon is an unbridled joy. Another gem for Nintendo's Wii U.
A plentiful array of excellent puzzle-platforming morsels given vitality by Nintendo's renowned knack for superb animation and design. Perfect for youngsters with just enough for grown-ups to enjoy as well, but it's marred by a lack of depth.
An enormously enjoyable bit of fun for the summer months. A multiplayer cult classic in waiting.
One of the better remakes of recent years, stifled slightly by bugs that should be squished in future patches. The signs are good for Gears under The Coalition.
Star Wars Battlefront is a work of remarkable craftsmanship from developers DICE, and it being a more casual shooter is exactly what the game needed to be to find its place in the crowded online shooter market. There should be more on offer, particularly when it comes to single player modes, but in short bursts Battlefront is a force to be reckoned with.
You can certainly see a learning curve with 343 Industries. With Halo 5 their clear understanding of the series has yielded a great game, but not the classic they're capable of making.
With Rise of the Tomb Raider, Crystal Dynamics has made a stellar sequel, but hasn't yet reached the full potential glimpsed in 2013's reboot. It is visually fabulous, boasting stunning environments, and improves the core exploration and combat gameplay, but there's still room to improve further. With even bigger open worlds, dialled down violence and a stronger script, the inevitable next instalment could really be special. There's no doubt that Crystal Dynamics deserves the chance to make that happen.
Super Mario Maker offers an exquisite tool for creating new platforming memories. It realises a dream Mario fans have had for 30 years, but a lack of checkpoints and a skewed course browser that favours levels requiring little effort from players holds the game back from true greatness.
After a decade of uncertainty for the Hitman series, and one sizeable misstep, Hitman 2016 is nothing short of a triumph in terms of being a course correction. Purely in terms of gameplay it is perhaps the best the series has ever been, so what will define this latest Hitman is how IOI handle the remaining episodes, and smooth out the glaring problems with server connectivity and load times.
Stealth hasn't felt this good, this pure, since Mark of the Ninja. Volume is tightly-designed and lovingly-crafted vivacious fun.
Firewatch is a simple game that tells a simple, far from impactful, tale, which approaches greatness thanks to superb writing, acting and design work. Gameplay is kept light and straightforward, but is always engaging – befitting a game that revels in the unique storytelling potential of games. This is a new studio's debut title, but it bears the quality of a product made by a team of veterans who have a great deal more to offer.
No Man's Sky is about cutting your own path through a galaxy teeming with possibilities. It is a playground in which to let loose the human urge to explore and discover, supported by a deep crafting system that keeps players engaged in their journey. Improvements could be made, new features could add greater depth, but Hello Games' achievement here is nothing short of incredible.
Gears of War 4 offers everything you'd expect from a Gears title, and a surprising amount of great new ideas that enhance the core gameplay. Its campaign has problems in terms of story and characterisation, but in terms of fun is up there with the best the series has produced. The overall impression is that Gears of War is in thoroughly capable hands The Coalition. With more confident storytelling the studio could well produce a classic.
Reigns is a Python-esque text adventure rougelike played out with the swipe-mechanics of Tinder. If that sounds at all appealing, then Reigns is absolutely worth the small investment. Light and undemanding, it offers short, great bursts of play perfect for the mobile platform.
Virginia is astounding in many ways. The way it conveys its meaning through visuals, character tics, a few hundred written words and one incredible score without uttering a single line of dialogue is remarkable. Confident and measured use of editing lends a sense of style, but Variable State's swagger turns to over-confidence in the final stretch and leaves Virginia on a befuddling rather than satisfying note.
If this review appears overly-critical, it's only because Pro Evolution Soccer is so close to being a complete product on and off the pitch. With the base gameplay seemingly nailed down, Konami should be capitalising by improving other elements of its beautiful game: chiefly its presentation, style, and game modes. Whatever shortcomings it has before and after the whistle blows however, the pure footballing experience of PES remains second-to-none.
Little Nightmares is the kind of horror game we don't see often enough, one that doesn't shock with fountains of viscera but crawls under the skin. Its flavour of terror is unnerving, burrowing its way deep inside you to nest and feed. Its story is one of hope, innocence and corruption that plays, often sadly, to contemporary fears. Issues with its presentation rob it of the same classic status as Inside, but if you're in the market for a slice of horror rich in artistry and carnal dread, Tarsier Studios have crafted a must-have.