Its niche setting and multitude of combat options make Flint: Treasure of Oblivion best suited for methodical turn-based fans and pirate enthusiasts. This is a game you’ll either be frustrated by or fall in love at the helm of this classic pirate tale.
Please, Don’t Touch Anything: House Broken is brimming with charm. It has a cheeky sense of humor with some genuinely complex, head-scratching puzzles that are satisfying to solve. There is so much rich gameplay packaged into a small, simple room. The physics of each object feels great, and the graphical detail – even on the Meta Quest 2 – is sharp enough to trick the senses. I experienced no issues with environmental interactions, no bugs or glitches, just smooth, challenging puzzles. My only minor issue was how many puzzles required the same starting interaction. Given the varied endings, however, and their complex solutions, this is easily overlooked. It’s the most engaging fun I’ve ever had sitting at a desk.
It’s a generally appealing game with decent graphics. Gloomhaven appears to be a fun turn-based adventure but requires a significantly higher amount of strategy than expected. Assigning unique quests to heroes, and having an ever-changing party when they finish their tasks, those are the ideas that make Gloomhaven stand out in a fun and engaging way. The actual mechanical experience feels like being asked to solve a Rubik’s cube every five minutes rather than immerse yourself in a fantasy world. For some, this might be exactly the tactical experience you want. For most, it’s more of an exercise in exasperation than imagination.
The roadmap ahead for Exoprimal is bright. New Exosuits, game modes, and more are in the works. With just a little more content, Exoprimal could become something huge. As it currently stands, it is an addictive and greatly enjoyable experience for someone who wants to experience the story. Having only one real game mode at launch has done more harm than good. If it had been sold to us as a narrative game with multiplayer components rather than a drop-in shooter, it might have done itself some favors. There is great potential in Exoprimal and it is easily one of the most fun shooters I have played in a while. It just needs a little more to make it one of the best.
I was ecstatic to see Enclave HD coming back. I have such fond memories of playing it twenty years ago, and I knew I was going into it with rose-tinted glasses; the characters, the levels, the gear, everything. We didn’t need Enclave HD to be a full-blown remaster, but with a little more love it could be something truly great. An homage to classic fantasy and adventure games. I enjoyed my time playing Enclave only because I already knew the game. I don’t feel like enough improvements have been made to hold a modern audience, regardless of how fun it used to be.
Despite these easily fixable flaws, I haven’t had this much fun in an arcade racer in a long time. It’s a beautiful and smooth experience with clever level design, cheeky humor, and the ability to make some truly spectacular vehicles. With split-screen and online multiplayer, LEGO 2K Drive is a great choice for some late-night gaming shenanigans.
For sheer memorable and engaging gameplay, I recommend The Outer Worlds. It was an absolute delight to play back in 2019, and it still holds up as one of my all-time favorite gaming experiences. I am pleased with the graphical upgrades and enhancements from The Outer Worlds: Spacer’s Choice Edition. Although, with less new content and more new bugs, it should have been a free upgrade for returning players
Temtem is a unique yet familiar take on the monster-collecting genre. Its blend of MMO mechanics gives it the potential for a long-running, sustainable community with more to enjoy than a single-player narrative. The new combat mechanics are a fantastic upgrade. However, the Tems themselves and the overall lack of guidance aren’t quite up to standards. Tems aren’t that memorable themselves and many of their names just don’t click. Having no guidance on typing, advantages, or explanations on a number of smaller features drops the enjoyment of gameplay. It’s a great experience, but it expects you to already have a certain amount of knowledge of both genres before picking up the controller.
Escape Academy is a wholesome, family-friendly adventure film come to life. The bright colors and blocky shapes lend to the idea of Saturday morning cartoon fun. The puzzles are clever, often requiring the player to pause for a moment and take it in before spotting the solution. Some segments can be difficult for players, but Escape Academy offers a useful Help button to keep things moving. The game has an intriguing – if campy – narrative and cast of characters who make the experience a joy to play. The timer for each room is generous but applies the right amount of pressure to keep you moving. Escape Academy easily earns an A on the final.
PowerWash Simulator is a game for people who love a clean space. It’s a meditation for those who need a stress-free break. The gameplay is easy and straightforward, the controls handle beautifully, and the colors jump out with vibrance and life. I do feel like the game is hurt with such a soft delivery on its story and lack of soundtrack. The dirt highlighter could also benefit from multiple color options. I feel that the requirements on smaller objects and crevices could use some tweaking. I love booting this up for some relaxing gameplay. It’s easily one of my favorite games to play on Xbox.
The campaign for Worldslayer feels uncomfortably chaotic. It has the story beats of a great tale but doesn’t fully tell the story. If it was meant to deliver a sense of urgency there are aspects that could have been cut. I and many others who played see so much potential for it to have rivalled the narrative of the main game and it’s unfortunate that it is so short. Despite its shortcomings, all of the other new content and enhancements easily make up for it. This is Outriders the way it was meant to be. This is the power fantasy we want to feel in gaming.
With so much going on at any given time and imperfect means of interacting with the Pokémon – coupled with the ability to submit only one photo per outing per Pokémon at a time – New Pokémon Snap is asking you to complete dozens of perfect runs per stage to fill the Photodex. While the repetitive nature might be just fine for kids, this game may be better in short bursts for adults and perfectionists.
Returnal is so much more than a rogue-like bullet-hell game. It tells a captivating, mysterious, and oftentimes haunting narrative with gorgeous, unsettling visuals and compelling voice acting. It offers a wide variety of collectibles, health upgrades, and unique features to give you a fresh and varied experience with each cycle, and gives players shortcuts so they can continue to press on with the story rather than have to complete every single biome time and time again. It’s tough but fair, with RNG playing a minor role in how difficult the next room will be. You’re going to die. A lot. That is the nature of this genre and this game, but it blends that concept so beautifully into the narrative design that you’ll only feel a momentary twinge of frustration before you set out again to help Selene reach the signal.
The Outer Worlds: Murder on Eridanos gives us an interesting and inspired tale to jump into with that loveable band of misfits you call a crew. It pays great homage to classic sci-fi and vintage serials when it comes to the main quest, but it doesn’t feel like it leans enough into that aspect for the rest of the DLC to make it stand out from its predecessor. The writing is absolutely on point and a true delight every step of the way, but the technical issues with dropped textures and exhaustively long load times kill the atmosphere the main quest is trying to set. If this could have leaned harder into the narrative it would easily stand tall over Peril on Gorgon, but instead, we are getting more of the same. This isn’t necessarily a bad thing as The Outer Worlds is a sleeper hit, but this should have been something greater.
Sea of Solitude does an incredible and masterful job of expressing what it means to suffer from depression, so much so that should you be interested in jumping in and have your own mental health issues I would suggest playing only in short bursts and when you are feeling quite strong. Many of these segments are far too relatable and quite vivid in their depictions of mental distress. The changes made to the Director’s Cut offers subtle enhancements to the game with new voice work that makes it hit home a little harder for American audiences and a photo mode that – while enticing – feels more likely to break the immersion. This is every bit as powerful as it was in 2019, and if you are looking for an emotional story to be fully enveloped in, I can’t imagine something being more passionately and beautifully put together than this game.
The Sinking City arriving on next-gen is a surprising yet greatly welcome arrival. With such a rich world and narrative, compelling investigative segments, and some truly horrifying features like experiencing hallucinations when your sanity meter drops, this was a title classic horror fans simply must try. The graphical upgrades are monumental in elevating the eerie, unsettling world which is already dripping with atmosphere into a new level, and the haptic triggers heighten the tension with every bullet. There are still some texture issues – particularly with the hair and teeth – that don’t fit in with the rest of the next-gen polish, and the strange NPC programming can definitely detract from the moment-to-moment situation. Beyond those minor gripes, this is still an exemplary outing into the world of H.P. Lovecraft and a beautiful horror experience well worth your time.
Rogue Heroes: Ruins of Tasos is an absolute hit. It’s classic aesthetic and simple gameplay is addictive and brimming with nostalgia. It offers a full RPG experience with rogue-like mechanics, yet never makes you feel like you are taking a step back.
Overall, Oneiros has proven to be a satisfying and enjoyable puzzle game to unwind with. The worlds are beautifully rendered, the puzzles are complex and challenging. It almost feels like a light-hearted digital escape room. The underlying narrative Liam is trying to unravel about events in the real world is compelling, driving the story forward as we try to understand what happened. We are teased just enough to keep wanting a little more, but Liam himself is the biggest force against immersion. Every other box from the environment, to the backstory, to the puzzles themselves, lean into the notion of something serious on the horizon, but Liam seems like he couldn’t care less. That and those minor graphical hiccups are the only thing that stand in the way of an otherwise delightful first-person puzzle game. It’s perfect for a rainy day or just relaxing after a nice dinner.
If you are looking for a nice, light rogue-like to jump into that doesn’t feel mindless, this is the game for you.
Ven VR Adventure is an amusing, entertaining, and engaging platformer that is easy to get lost in Everything feels familiar enough to strike that nostalgic chord while being fresh and engaging in VR to keep you playing. The game borrows concepts from the likes of Crash Bandicoot, Moss VR, and the classic platformers of generations past, but gives us something just different enough to be enjoyable. I would have liked to see the character of Ven given more personality as this really is HIS tale, and the strangely close camera with no ability to backtrack even just a step or two is more annoying than it should be. As the first VR title put forward by Monologic Games, Ven VR Adventure is an incredibly enjoyable marvel. With a few minor tweaks, it could be a must-have VR experience.