Overall, Oneiros has proven to be a satisfying and enjoyable puzzle game to unwind with. The worlds are beautifully rendered, the puzzles are complex and challenging. It almost feels like a light-hearted digital escape room. The underlying narrative Liam is trying to unravel about events in the real world is compelling, driving the story forward as we try to understand what happened. We are teased just enough to keep wanting a little more, but Liam himself is the biggest force against immersion. Every other box from the environment, to the backstory, to the puzzles themselves, lean into the notion of something serious on the horizon, but Liam seems like he couldn’t care less. That and those minor graphical hiccups are the only thing that stand in the way of an otherwise delightful first-person puzzle game. It’s perfect for a rainy day or just relaxing after a nice dinner.
If you are looking for a nice, light rogue-like to jump into that doesn’t feel mindless, this is the game for you.
Ven VR Adventure is an amusing, entertaining, and engaging platformer that is easy to get lost in Everything feels familiar enough to strike that nostalgic chord while being fresh and engaging in VR to keep you playing. The game borrows concepts from the likes of Crash Bandicoot, Moss VR, and the classic platformers of generations past, but gives us something just different enough to be enjoyable. I would have liked to see the character of Ven given more personality as this really is HIS tale, and the strangely close camera with no ability to backtrack even just a step or two is more annoying than it should be. As the first VR title put forward by Monologic Games, Ven VR Adventure is an incredibly enjoyable marvel. With a few minor tweaks, it could be a must-have VR experience.
Prison Boss is a delightful and surprisingly relaxing VR game, perfectly optimized for people who prefer seated VR (although you can also play it standing in which the cell grows to the size of your play space). The art style and cartoonish design is charming and despite not having much to see, it feels very immersive. I found the lack of tutorial on how the menu and objectives worked to be a bit of a letdown, but it isn’t a big enough issue to make it unplayable. I would definitely recommend this as a starter game for those just getting into VR as it isn’t overwhelming, but it highlights the functions of a VR game. Playing through a stage takes a comfortable amount of time and it really is just a blast to play. I hope to see those tutorial options added in but as it stands it is still a smooth and charming VR experience I’m happy to keep playing.
Chronos: Before the Ashes is a calming, serene, yet challenging game that is perfect for gamers who want to try skill-based combat but aren’t ready for classic entries to the genre, like the Souls games. It’s connections to Remnant: From the Ashes are abundant enough to make fans of the game see them with glee, but not so important to make it a necessity. The level design and art style is simple yet beautiful, and the controls are satisfying and tight.
Carto is the kind of game you love to play on a quiet rainy day and I’m excited to play it over and over again.
While it seems strange at first, Phantom: Covert Ops has been one of my best experiences with VR to date. Despite playing the entire game from within a kayak and a formulaic narrative, the meat of the game comes from its impeccable mechanics and immersion.
The Outer Worlds: Peril on Gorgon is full of just as much wonderful space-western dialogue as the base game. It’s gritty, suspenseful, intense, and dark. New characters like Clarence Mostly and Minnie Ambrose are engaging, the kind of people we want to really dive further into. Gorgon itself is beautiful in its desolation and it really is an absolute joy to come back to the Halcyon system.
Kingdoms of Amalur: Re-Reckoning is every RPG lovers dream and if you don’t mind its somewhat dated appearance, this classic absolutely deserves your undivided attention.
Windbound is a beautiful, relaxing experience that uses its survival mechanics not to force tension, but encourage you to keep moving forward.
Project CARS 3 suffers from a bit of an identity crisis in what it brings to the player, blending racing sim gameplay and arcade racer mechanics.
For those who find puzzle games interesting but the point-and-click genre a little dull, this is a fantastic middle ground that you will happily get lost in.
The Innsmouth Case is a beautifully written, delightfully dark, and truly excellent experience on a rainy day.
West of Dead offers a satisfying blend of tactics and rogue-like gameplay that I didn’t expect. Levels offer plenty of options for how you want to approach a situation, the gunplay is fast and precise, and the execution of creating a wild west style shoot out is perfect. The game is dripping with personality and Ron Perlman delivers each word with purpose and meaning. Every aspect of gameplay and aesthetic is tailored to telling the story of Mason in a way that feels natural and unique. It’s a blast to play over and over again despite issues with the geometry interfering with aiming and dodging not quite feeling as useful as it ought to.
Project Warlock is the little obliterating shooter that could. Someone so inspired by classic games took their love of the genre and created a fantastic monument to the source material while still offering its own identity.
After all these years, BioShock: The Collection has easily stood the test of time, and bringing it to the Switch seven years after the launch of BioShock Infinite gives new gamers a chance to experience an iconic and groundbreaking series that will remind people to be polite and always preface a request with the simple phrase “Would you kindly?”
Mortal Kombat 11: Aftermath gives you exactly what you want out of an expansion pack: new characters, a new story, new gameplay features, and it throws in a couple of new skins for Scorpion, Sub-Zero, and Frost. As a package deal, if you loved Mortal Kombat 11, then Aftermath is an absolute must. It embodies what any expansion or DLC should always do: it adds and enhances the game without diluting or changing the original image. Aftermath adds fresh life (and blood) to the game and revitalizes that urge to hear the iconic words: Finish Him!
In an era of remakes and remasters, bringing a new entry to a long dormant series is a bold and difficult thing to do. Streets of Rage 4 adds modern stylings to its classic aesthetic and gameplay to create a modern mash-up that is hard to put down.
Dread Nautical has a fantastic minimalistic art style with a classic polygon feature that adds to that retro feeling.
It was fun to jump back into the Star Wars universe, but bringing back a game 17 years old with a minor graphical update simply isn’t going to work, especially for a fan base of gamers so critical of the source material.