George Foster's Reviews
The just fine writing and exploration that doesn't add as much as I hoped mean that Scott Pilgrim EX isn't quite a genre-defining brawler like the stand-out Shredder's Revenge and Absolum. Instead, it's closer to Cosmic Invasion, a great beat 'em up that does a lot right with plenty of style and love for the source material, especially as an unabashedly biased fan. If this is as much of a sendoff to the series as it feels, then it's a worthy last hurrah.
Even when I struggled to find a Golden Gear, I didn’t really mind that much since I knew it just meant spending extra time in Demon Tides’ moreish open world. The platforming is best-in-class, the characters and world left more of a mark than I expected, and Fabraz somehow managed to make going open-world seem both effortless and obvious. If the second game in the series is this good, I’m already counting down the days until the third.
Even as someone who isn’t the biggest fan of the original Rayman and its penchant for punishment, I still found a lot to love in the 30th Anniversary Edition. The many tweaks and enhancements make it the way to play the original, and the detailed documentary is a great extra on top of it all. It’s just a shame that the party is pooped a bit by the missing soundtrack and some teething problems.
I desperately wanted to love My Hero Academia: All’s Justice. It looks, sounds, and plays better than One’s Justice, while having tons of details that fans of the series are going to love. And in Free Battle, where there's no ridiculous difficulty spikes, they probably will. It’s just a shame that loving All’s Justice outside of that mode too often feels like getting hit with a Delaware Smash, leaving it as a decent and incredibly frustrating game that should have been great. Hopefully it will be with some sorely-needed balance patches.
Nioh 3 may stumble slightly with its narrative and a bit of bloating from the new open zone design, but it’s still far and away the best game in the series to date. Consistently excellent combat, well-designed bosses, and a new form that adds even more depth and value to already meticulously put-together mechanics make Nioh 3 more than a worthy challenger to Elden Ring. It’s so good, in fact, that even after 60 hours, I've already jumped straight into New Game Plus to keep getting my fix.
Whether you’re stuck comparing every brawler to TMNT for the rest of time like me or not, Cosmic Invasion is still a great experience that proves once again that Tribute is the best there is at what it does - and what it does best is very nice.
If you’re expecting Mario Kart World or Crash Team Racing but with Kirby, you’ll be sorely disappointed. But anyone who’s up for a racer that feels truly fresh, has a lot of hidden depth, and revs to the beat of its own incredibly loud engine is going to find something special here.
Even if Titans of the Tide is a little too short to make that kind of impact, it’s still easily the best SpongeBob game since Battle for Bikini Bottom, and possibly even better if you take off the Jellyfishing nostalgia goggles. I can only hope that Purple Lamp keeps it up, because it finally feels like it’s nearly cracked the Secret Formula.
Platinum clearly understands what makes the series so special and has done an incredible job building on the razor-sharp formula that we’ve all been missing for nearly a decade.
Even when the Lizard King laughed off my attacks for the fourth time in a row and had me inventing new swear words, the stacked challenge was never enough to stop me from sinking even more time into Talamh. Absolum’s effort to push its tried and true genre further is an absolute win, my new favourite of the bunch, and the biggest thing for beat ‘em ups since Streets of Rage 4 single-handedly brought them back.
Dying Light: The Beast might repeat some of the mistakes of previous games, but it also brings back everything that worked and focuses on them while delivering a more interesting story set in the series’ most unique location yet. The Beast might have started as DLC for the more ambitious Dying Light 2, but its contained success ends up being closer to the sequel we all asked for than that game ever was.
Shinobi: Art of Vengeance is a home run on the first pitch. It’s one of the most gorgeous, creative, and satisfying games of 2025 and has effortlessly clawed its way to becoming my frontrunner for Game of the Year.
By having a healthier roster, slightly tweaked combat, and two of the best arcs in the whole series, The Hinokami Chronicles 2 still stands as a worthy sequel, and one that I hope is surpassed even more by the inevitable third game that has a hell of a lot of heavy lifting to do by finishing off the whole series.
It’s easily one of the best games in the series, and Ninja Gaiden 4 (as well as Shinobi: Art of Vengeance) is going to have a hell of a challenge surpassing it.
Hunter x Hunter: Nen x Impact might not be a looker and would be laughed out the door for more lore-focused anime games, but it manages to just about come around as soon as you sit down to play it.
It can be a tad too tricky for its own good, but the charming presentation, quick-witted writing, and creative use of its standout feature make it more than worth the occasional swear. To put it simply - yoyo need to play this.
Considering how long Onimusha fans have been waiting for Samurai’s Destiny to make a return on modern platforms, the lack of significant bonuses doesn’t feel like a big sticking point. More than anything, it let me finally experience a brilliantly unique series that for years I’ve been missing out on.
Bleach: Rebirth of Souls has some uneven presentation and can get overly repetitive towards the end of its campaign, but its more thoughtful combat mechanics and commitment to doing the series’ story justice make it a strong first entry in what I hope is a new series. Whether you’re a seasoned Bankai user or a newcomer to the Soul Society like me, Rebirth of Souls is sure to show you why Bleach earned its place in The Big Three.
Despite some repetition and bloat that makes Assassin’s Creed Shadows’ final stretch drag more than the rest of the game excites, its brave approach to exploration in a gorgeous world, heartfelt personal stories, and satisfying tweaks to the formula still make it stand as one of my favourite entries yet. While no one can say if Shadows will be the all-timer hit that both Ubisoft and the series need right now, I can at least say that it’s more than worthy of your time.
Even with the confusing cut content that hopefully gets added back in at a later date, Ninja Gaiden 2 Black is the perfect way for newcomers to get into the series with its most action-packed and visceral entry. Veterans are still likely to prefer the ridiculous cruelty of the original game, but most fans are just going to be happy to see Ryu return and right most of Sigma’s wrongs.