The best tale of souls and swords in a generation
Gears 5 is a return to form for Microsoft’s hardcore series, delivering fans the roadie-running, head-bursting, visceral joy that made the franchise such a success in the first place.
Atlus and Intelligent Systems' bizarre collaboration proves that, once again, there's still space for experimental RPGs in 2020
Nioh 2 builds in a meaningful way on everything that Team Ninja established in the first game.
If you can break through the more sluggish and unenjoyable moments of the game, you’ll find an absolute gem of an action-RPG shining at the core, a promise of what Square Enix can do with role-playing games in this generation and generations to come.
Mirror's Edge: Catalyst is an impressive action game when it finds its legs (sorry). Slow to start with a mediocre plot, this is a worthy sequel overall.
The Turing Test is delivered well, resplendent in Unreal 4, and carries a few genuinely interesting moments that make some of the more languid ’downtime’ easier to swallow. We've had moments on our commute just mulling over some of the (ridiculously!) dry jokes in the game, but we love that - they feel like the bytes of humour you’d hear a museum curator crack as they show you their favourite exhibit. A puzzler for anyone who wants an aperitif after The Witness and The Talos Principle.
A loyal and heartfelt remaster, but no matter how much Square Enix polishes Final Fantasy XII, the company is never going to wear down those occasional bumps that affected the overall package the first time. New RPG systems, rebalanced enemies, UI updates and speed options all boil down to a much smoother, nicer (prettier!) version of the game than the original European release. Final Fantasy XII: The Zodiac Age is a wonderfully nostalgic, but undeniably flawed, return to Ivalice.
The Switch version of the game doesn't really add much more to the Dragon Ball Xenoverse 2 experience that you wouldn't find on the original iteration of the game. There is some bonus content nestled deep in the Story mission that intrepid fans are going to really enjoy (access to the previous game's Story missions might make this an instant sale to some Dragon Ball nuts), but overall this version of the game performs worse and looks worse than the original releases.
As a remastered collection, there isn't really a lot to say about the older games. They've been visually improved a little bit to fall in line with what you'd expect from a PS4 or Xbox One offering, but overall there are still some performance issues and, to be fair, the gameplay hasn't particularly aged well. When you get to the more recent games, this collection is a good excuse for fans that missed out on Ultimate Ninja 4 or Road to Boruto to get way more bang for their buck. If you're new to Naruto, it's also a fantastic way of exploring the series' rich history because – like a lot of classic anime – by the time you get into it, there's certainly a lot to catch up on.
A worthy continuation of the Worms franchise, a nice return to form after deviating to 3D for a few years. Worms W.M.D gets everything right from a mechanical standpoint, but we can't help but feel a few of the design choices were unnecessary. The big new additions are hit and miss, but in the middle of all the fluff there's a solid, very playable game - especially if you're into couch co-op/multiplayer.
A fun distraction from the mainline Final Fantasy games, this is a game you're going to want to digest in small pieces. World of Final Fantasy Maxima is so sickeningly cute and twee that it sometimes comes off as unbearable (thanks to the main characters) but when you get past that, there is a compelling and intelligent battle system waiting for you.
There's a good game at EA Sports UFC's core, it's just a shame that it's not as seamless in its delivery as we'd hoped it would be. Fingers crossed that that changes in the inevitable sequel.
It’s not a bad game, but the mileage you’re going to get out of it will vary depending on the type of player you are.
Play it with friends, play it with family, don’t take it too seriously and for the love of God don’t play it alone. Stick with that ruleset, and Super Mario Party might just be the party game you’ve been waiting.
Simple updates – like the ability to use Joy-Con controls in handheld mode, or more new additions besides re-skinned areas – could have easily made this the definitive version of the game. But as it stands, Final Remix feels like a bit of a missed opportunity.
It’s a shame, then, that some of the level design choices don’t really pair up with the engine Toys for Bob has built this love-letter to 90s platforming games in. Loose and floaty physics, an abundance of different mechanics that often feel part-baked, and some design choices that feel sadistic – rather than simply difficult – leave this approach to Crash Bandicoot feeling less like a true sequel, and more like a licensed spin-off.
Stranger of Paradise: Final Fantasy Origin is a B-movie game. It’s loud, dumb, and full of fun. You have to ignore a lot – a lot – of issues if you want to extract the joy from its chaotic heart, but once you commit, toy around with the weapons, penetrate its poorly-explained mechanics and forgive Jack for his one-dimensional personality, you’re left with a game that’s part Devil May Cry, part Nioh, and part Face/Off. And let’s be honest, who doesn’t want to play that?
This isn’t to say there isn’t a good game oozing within the sticky flesh of this Frankenstein, though; it just feels like it’s not what Striking Distance wanted it to be. It’s not the next step in horror gaming, the evolution of Dead Space, or a proposition unlike anything you’ve seen before – it’s the opposite. An amalgam, less than the sum of its parts, whose main focus becomes overwrought and frustrating by the time you’re halfway through its short run-time. The scariest thing about The Callisto Protocol, sadly, is all the potential that’s been wasted on a small moon in Jupiter’s orbit.
Wild Hearts often feels like a game that doesn’t want to be played. It’s fussy, it’s janky, and it constantly trips itself up. An erratic gameplay loop, an absolute bastard of a camera, and some ill-conceived weapon gimmicks prevent Koei Tecmo and EA’s experimental hunting joint from ever really succeeding where its genre rivals have. It’s ironic that building is such a core part of this game: if this is the start of a series, Omega Force has laid down some important groundwork, but it needs to make some serious structural revisions from the foundations up if it ever wants to look eye-to-eye with Capcom’s imposing juggernaut.