This isn’t to say there isn’t a good game oozing within the sticky flesh of this Frankenstein, though; it just feels like it’s not what Striking Distance wanted it to be. It’s not the next step in horror gaming, the evolution of Dead Space, or a proposition unlike anything you’ve seen before – it’s the opposite. An amalgam, less than the sum of its parts, whose main focus becomes overwrought and frustrating by the time you’re halfway through its short run-time. The scariest thing about The Callisto Protocol, sadly, is all the potential that’s been wasted on a small moon in Jupiter’s orbit.
In a world where we've seen Square Enix fall down with remasters (examples include the lacklustre Final Fantasy Pixel Remasters and the egregious Kingdom Hearts on Switch), Tactics Ogre: Reborn highlights something special – a change of the guard, so to speak, that bodes remarkably well for the rest of the publisher's classic RPG oeuvre.
Bigger levels, bigger fights, bigger hair – Bayonetta 3 somehow manages to edge the Platinum formula even harder to deliver one hell of a climax.
Asobo should be proud of what it achieved in this game, as depressing and engrossing as it is.
Metal: Hellsinger is a good time, if not a short time. Hard as nails, rewarding as they come, and fuelled by some of the best names in heavy music, The Outsider and Funcom have made a game that’s worth every second of your time it takes up – even if that’s only about the length of one of the more epic prog albums out there. A knowing and fun take on the rhythm shooter genre, plagued with some calibration and UI issues, this romp through Hell is as satisfying as it is frustrating – and not even hearing the dulcet tones and throaty growls of Trivium’s Matt Heafy can offset that.
I promise you, it’ll leave you charmed and hungry for more.
If you grit your teeth and pay out for the DLC, you won’t be disappointed: Sunbreak is an essential expansion for any Monster Hunter fan, and – paired with Rise – may well be the best entry point for anyone eager to learn more about this fascinating series, too.
It’s the perfect palate cleanser, taking anywhere between six and 20 hours, and absolutely essential if you’ve got a fondness for adventure games with a potion in their pocket, a cape around their neck, and a twinkle in their eye.
Stranger of Paradise: Final Fantasy Origin is a B-movie game. It’s loud, dumb, and full of fun. You have to ignore a lot – a lot – of issues if you want to extract the joy from its chaotic heart, but once you commit, toy around with the weapons, penetrate its poorly-explained mechanics and forgive Jack for his one-dimensional personality, you’re left with a game that’s part Devil May Cry, part Nioh, and part Face/Off. And let’s be honest, who doesn’t want to play that?
Horizon: Forbidden West does a great job of building on the foundation that Zero Dawn laid out
Resident Evil Village is an essential horror experience that shows off what Capcom is capable of when it doesn’t compromise its vision in any way. The developer uses subgenres like puzzle pieces, clicking them into place on a grid to reveal the bigger picture: a survival horror collage, realised with remarkable production values and a deep love for its extensive roots. Resident Evil Village will be held high by Lady Dimitrescu and her peers for years to come, to rest head and shoulders above its genre rivals.
Flush with flash new tricks, simpler action and a bulging roster of hostile creatures, the latest instalment of the enduring series is an absurd delight
It’s a shame, then, that some of the level design choices don’t really pair up with the engine Toys for Bob has built this love-letter to 90s platforming games in. Loose and floaty physics, an abundance of different mechanics that often feel part-baked, and some design choices that feel sadistic – rather than simply difficult – leave this approach to Crash Bandicoot feeling less like a true sequel, and more like a licensed spin-off.
Vicarious Visions has proved that Tony Hawk’s Pro Skater was more than just a product of its time, and that – like skating itself – it has every chance of penetrating the mainstream once again.
Maid of Sker is filled with promise and great ideas, however remains in the shadow of the games it’s so heavily influenced from.
Naughty Dog has done it again. The Last of Us Part 2 is a game that’s going to be talked about for a long time to come, and with good reason.
The new story, whilst fun and camp and brimming with all the 80s action-movie nonsense that NetherRealm so shamelessly references, is just a bit underwhelming.
If you can break through the more sluggish and unenjoyable moments of the game, you’ll find an absolute gem of an action-RPG shining at the core, a promise of what Square Enix can do with role-playing games in this generation and generations to come.
My Hero One’s Justice 2 is a treat for fans of the series. For non-fans, it’s a capable over-the-shoulder arena fighter, with a host of fun and very different characters to avail from.
id Software’s magnum opus, an epic of the video game world that’ll be talked about for years to come, Doom Eternal is a triumph.