Maid of Sker is filled with promise and great ideas, however remains in the shadow of the games it’s so heavily influenced from.
Naughty Dog has done it again. The Last of Us Part 2 is a game that’s going to be talked about for a long time to come, and with good reason.
The new story, whilst fun and camp and brimming with all the 80s action-movie nonsense that NetherRealm so shamelessly references, is just a bit underwhelming.
If you can break through the more sluggish and unenjoyable moments of the game, you’ll find an absolute gem of an action-RPG shining at the core, a promise of what Square Enix can do with role-playing games in this generation and generations to come.
My Hero One’s Justice 2 is a treat for fans of the series. For non-fans, it’s a capable over-the-shoulder arena fighter, with a host of fun and very different characters to avail from.
id Software’s magnum opus, an epic of the video game world that’ll be talked about for years to come, Doom Eternal is a triumph.
Building on every aspect of Blind Forest – from art to music right the way through to level design and combat – this is a sequel worthy of celebration. In just two games, Moon Studios have proved itself to be one of the most creative, exciting and invaluable studios in Microsoft's wider roster – worthy of celebration alongside the masters and creators of the Metroidvania genre.
Nioh 2 builds in a meaningful way on everything that Team Ninja established in the first game.
Atlus and Intelligent Systems' bizarre collaboration proves that, once again, there's still space for experimental RPGs in 2020
Pokémon Sword and Shield are not bad games. But fun character arcs and inventive, creative designs of new ‘mon are often offset by poor pacing and restrictive world design. The world of Galar is charming, and is a Pokémon interpretation of Britain I’ve dreamed of since I was a kid, but between gating what Pokémon you can catch behind Gym Badges, some half-baked route/City designs and a modest amount of post-game content, Sword and Shield can only be called ‘good’ Pokémon games… not ‘great’ ones.
Indivisible is one of the best RPGs of the year. A masterclass in game design, Indivisible is funny, challenging and creative in equal measure.
Gears 5 is a return to form for Microsoft’s hardcore series, delivering fans the roadie-running, head-bursting, visceral joy that made the franchise such a success in the first place.
The Dark Pictures Anthology: Man of Medan is a must-play for anyone that appreciates horror gaming at its finest, for anyone that enjoys picking away at how a game is put together, for anyone that's got even a passing interest in finding the best storytelling vidoegames have to offer.
As it stands, we think series veterans will be able to find enjoyment in this game, but we find it difficult to recommend it to newcomers.
Beat Saber is the perfect recipe for a rhythm game. Easy to pick up, difficult to put down, and a wealth of complexity to explore once it has you hooked.
A loyal and heartfelt remaster, but no matter how much Square Enix polishes Final Fantasy XII, the company is never going to wear down those occasional bumps that affected the overall package the first time. New RPG systems, rebalanced enemies, UI updates and speed options all boil down to a much smoother, nicer (prettier!) version of the game than the original European release. Final Fantasy XII: The Zodiac Age is a wonderfully nostalgic, but undeniably flawed, return to Ivalice.
Mortal Kombat 11 - Flawless fighting marred by tedious grinding and content gating
Yoshi’s Crafted World hasn’t done much wrong, but held up against the other better (cheaper!) platformers you can currently pick up on Nintendo Switch hardware, it’s hard to recommend. It’s charming, it’s sweet, it’s peddling a message of kinship and harmony… but it does it all so dryly.
This is the best Devil May Cry yet. Each character has enough depth to fill a game by themselves, the story does exactly what it needs to, the twists and turns keep you on edge and the combat sets a new benchmark for action games as a whole. Capcom has made a masterclass in stylish combat gaming here, and there’s enough content to keep players happy — even if it takes another 11 years for a sequel.
Fluctuating like a Geiger Counter between nihilism and utopianism, this game’s muddy morality is a thing of beauty in the current climate and could be one of 2019’s most important games as a result.