There’s value here, for sure, as a visceral stomp through a beloved fantasy world that offers the rare luxury of being entirely playable alongside a friend. It’s swift, slashy, and simple, but comparing it to other games of this era that have been ported to modern platforms – Okami, Resident Evil Remaster, and Silent Hills 3 and 4, to name a few – you’re paying double to quadruple the price. Buying it at this price point feels like it could set a precedent that shouldn’t be supported, tempting though it may be…
But it’s to Bioshock’s great credit that that’s its most glaring problem when played today (that, and the fact that ‘Arcadia Merlot’ wine actually says Cabernet Sauvignon on the label). To stretch that wine aside into an analogy, Bioshock really has aged like a fine Arcadia Merlot. It remains one of gaming’s great explorations of one of gaming’s greatest environments, even if you can see through Atlas’ bullshit like you can see Rapture’s glorious skyline (sealine?) through its oddly pristine glass corridors.
As a PC player of Rimworld, I’ll be returning to the more bespoke experience I’ve turned the game into on its home platform, but I’m also delighted that games like this are coming to consoles, and being ported with this much care and attention. This is one of the best management sims and story generators around, brought to console in almost all its glory. The quality of this console implementation should be a guiding light for other games in this traditionally PC-only genre to do the same.
After all that, it seems a bit dreary to talk about things like price (bleh), but at $8/£6.79, it really is a generous price that pretty accurately reflects the price of a dessert in relation to the main course. Despite calling itself ‘The Last Course,’ it’s hard to imagine that this is the last we’ll see of Cuphead, though the prospect of seeing what else Studio MDHR could come up with is no less tantalising as a continuation of this series.
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