Kim Snaith
Beautifully presented and with thoroughly enjoyable puzzles that will challenge even the most astute of minds, there’s a lot to love about Railbound. While they start off nice and easy, its puzzles soon get fiendish, and solving them is so very rewarding. This is the perfect game to cosy up with this winter, particularly if you like giving your noggin a workout.
It’s clear that Saint Kotar has tried to draw inspiration from the likes of Broken Sword. From the way its exploration works to its dark themes and eerie environments, it really wants to be a point and click game worthy of cult status. That’s highly unlikely to ever happen, though. While interesting at times, its story is too poorly told to ever be truly enjoyable. And the ugly visuals, awful voice acting and budget interface mean most players are not likely to stick around.
Team 17 has brought us some absolutely fantastic roguelike games in recent years, such as Rogue Heroes and Neon Abyss. It’s also responsible for publishing some excellent co-op titles, including Overcooked! and Moving Out. With Ship of Fools, both genres are combined, mixed together to make an absolutely excellent seafaring adventure that we’ve struggled to put down. This is one we’re going to be dipping into for many months to come.
Rarely putting a foot wrong in terms of production and storytelling, we’ve loved every moment we’ve spent with The Devil in Me, an absolutely wonderful conclusion to The Dark Pictures Anthology’s first season. Its story is the most captivating and the most well-realised; so much work has gone into crafting characters and locations, and the sheer goriness will delight and horrify in equal measures. Supermassive Games continues to go from strength to strength, and with The Devil in Me, the studio has cemented itself as a master of the horror genre.
Somerville isn’t always the most enjoyable game to play, then. Its puzzles aren’t anything special, and they’re hampered by clunky controls. But what is special is Somerville‘s narrative and art design. The score, too, is excellent: we just wish there was more of it – too many scenes are simply too quiet. Even if we weren’t enamoured with the ending, Somerville‘s story is worth experiencing. It’s just a shame the gameplay is a little disappointing in comparison.
The goalpost may not have been particularly high, but Police Simulator: Patrol Officers is the best police sim game we’ve played. It’s far from perfect, but if you like the idea of dealing with petty crimes and road traffic accidents, there’s a good chance you’ll enjoy this. The detail-oriented approach will appeal to those who like to do things by the book, though others may find it laborious. But that’s the case with just about any simulation game, is it not?
Horse Tales: Emerald Valley Ranch is a lovely-looking game. Its art style and open world freedom engaged us right from the off, like a horse-centric, combat-free Breath of the Wild. Except it doesn’t take long for its design flaws to rear their ugly head. It’s such a shame that the act of playing isn’t anywhere near as fun as it should be, thanks to poor controls and bad design choices. Still, if you really love horses, some of its flaws may be easier to overlook. The fact is that it’s still better than many other horse games out there.
If you’ve played West of Loathing, you’ll know what to expect here: a delightfully silly narrative, excellent writing, and gameplay that’s far more engrossing than it has any right to be. But even if you’ve not, you can jump straight in and have a whale of a time. Video games should be about having fun, and Shadows Over Loathing captures that spirit perfectly. Joyful, captivating and surprisingly deep, you’ll love every moment you spend with it.
Yes, it’s very basic, but it does exactly what we expected it to do, in exactly the right fashion. And so in that sense, Save Room is a roaring success. It’s also dirt cheap. You might not have the patience to complete all 40 levels in one go, but if sorting and rotating objects is your jam, this is the game for you.
You’ll likely be done with Beasts of Maravilla Island in a couple of hours: it’s short and sweet. And while it might not be as good as the games we’ve compared it to, it’s still a pleasant and relaxing experience that we’ve enjoyed our time with. Some additional features – like photography grading – could have taken it to the next level, but as a budget release, we can’t complain too much.
If you enjoyed Escape Academy, Escape from Anti-Escape Island is an absolute no-brainer. This is a sizeable addition, adding in five new rooms filled with brand new, extra-challenging puzzles. Yes, some of them may frustrate you as you hunt for the solution – but that’s the whole point. Fighting your way off this tropical island from hell is incredibly satisfying, and we only hope Coin Crew Games has more expansions – or even a sequel – up its sleeve for the future.
Even as frustrating as some of A Little to the Left‘s more obscure puzzles can be, we still find ourselves going back to it, picking up a Daily Tidy or trying to figure out those last few solutions. Yes, there’s a big difference between the best and the worst puzzles here, but really, it doesn’t matter: you’ll revel in the good, and you’ll feel challenged by the ones whose solutions elude you. Coming from a two-person design studio, A Little to the Left is a breath of fresh air and exactly the sort of wholesome game we need more of.
Is Switch the best place to play It Takes Two? Probably not: it’s a beautiful game which truly deserves the power of a high-end PC or next-gen console to really shine. But that doesn’t mean that this isn’t a worthy port. If Switch is your only gaming format, or even if you simply want to enjoy it again, this time handheld, you’re going to be in for a treat.
Charon’s Staircase doesn’t exactly redefine the horror genre. It looks a bit rough, and its tried-and-tested gameplay doesn’t break any moulds. But the majority of its puzzles will keep you hooked, its story is interesting, and it absolutely nails creating a tense, horrifying atmosphere. That alone makes this a spooky adventure worth stepping into.
There’s very little joy to be found in playing Miraculous: Rise of the Sphinx, and that’s such a shame. For youngsters who love the series, the idea of getting to take control of their favourite cartoon superheroes should be an exciting one. And yet, all that they’re left with is a disappointing mess of a game, albeit one with some familiar characters. Young fans will probably still lap it up, because they don’t know any better. But lacklustre visuals, lazy design and perhaps the worst combat we’ve ever encountered in a video game really should not be considered good enough for the generation that holds our future.
Taiko no Tatsujin: Rhythm Festival is another solid entry into this bizarre but lovable drumming rhythm game. The 70 songs included within the game offer plenty of variety, but it’s a shame some of the best tracks are locked behind the Taiko Music Pass subscription. The multiplayer modes on offer are a welcome touch, but if you’re expecting more minigames like Drum ‘n’ Fun, you may be disappointed. This is more about the music, and we can’t really fault that.
That niggle aside though, we’re pleasantly surprised with Arkanoid: Eternal Battle. There have been many versions of Arkanoid (and other Breakout clones) over the years, but this might be one of our favourites. The Battle Royale format really does work, and the end-game boss mode is an unexpected but welcome twist. We’ll certainly be jumping back in again and again to chase those high scores.
Gas Station Simulator is a tough game to score. It’s deeply flawed, but it’s oh-so fun. The jankiness is part-and-parcel with the experience, but some progress-halting bugs will really sour you. Still, the act of manning your own gas station, getting stuck into the nitty-gritty and seeing your business flourish over time is incredibly satisfying. And those issues just aren’t enough to drag us away from the joy of serving our customers.
Overall then, The Jackbox Party Pack 9 is a strong mix of titles, with a nice variety of all sorts of party games. Prefer something that will actually test your general knowledge? There’s Quixort. Want something completely random and silly? Go for Junktopia. Like the idea of pretending to be someone else? Opt for Roomerang. Add to the mix a wonderful presentation, plenty of humour and, of course, Cookie Masterson, and you’ve got one of the best Jackbox collections we’ve played in some time.
Ultimately, Nickelodeon Kart Racers 3: Slime Speedway is a competent karting game. It looks nice, there’s plenty of single player content, and it boasts a strong roster of characters and tracks. But did we need another game in the series? Could the new content and characters not simply be an expansion to the previous release? Questions we’ll never know the answer to. If you already own Nickelodeon Kart Racers 2, you’re not exactly getting a completely new experience. But if you’re new to the franchise and enjoy easy-going karting games, you likely won’t be disappointed with what is undoubtedly the best entry yet.