Ben Salter's Reviews
Elden Ring Shadow of the Erdtree is the perfect encore to one of the greatest games of all time. It knows it’s already delivered an astonishing performance, and after leaving us hanging, returns asking if we want more.
The Thousand-Year Door remake is a triumphant return for Paper Mario. It turns back to an earlier chapter in the series that knows exactly what it’s trying to achieve and does it masterfully.
Super Mario Bros Wonder is a resounding success. It reboots a 2.5D reboot, with far more personality and the best balance and pacing in the modernised side-scrolling Super Mario Bros series.
Cricket 24 is a curious case of being one of the best in the series, but with such minor changes over Cricket 22 that it feels like we’re watching a replay during a rain delay. That makes it hard to recommend if you’re already invested in past games. For new players, it remains as accessible as a sport as complicated as cricket can be. With a bevvy of returning control options and difficulties, there’s a way to play for all skill levels. Cricket 24 is still at its best when bat meets ball, and there are more licensed modes than ever before headlined by reliving the 2023 Ashes and forging a lengthy career – but the same experience can be had, without Gilly, at a fraction of the cost with Cricket 22.
If you’re old enough to know who Desmond Miles is, and have a desire to return to the series’ origins, Assassin’s Creed Mirage hits the spot. It reins in the endless expansion and has very clear direction.
The Legend of Zelda Tears of the Kingdom is one of the most creative, satisfying and rewarding games I’ve ever played, all within a familiar and greatly expanded Hyrule.
The Resident Evil 4 remake is a darker, more intense and safely faithful remake of one of the greatest games of all time. It’s the best way to play for new players with updated controls and a modern styling. It avoids the missteps of RE3 remake by staying very true to its source material – so close that it's reluctant to make improvements for fear of changing too much.
Metroid Prime Remastered is a must play masterpiece, regardless of if you were there on the GameCube or if this is your first time exploring Tallon IV. Such is the quality of the original release, the gameplay holds up on its own accord, as some of the best in the genre, two decades later. It’s brought to a modern audience with completely overhauled high-definition textures across the entire game. It looks great and is so faithfully recreated, Metroid Prime Remastered is presented exactly how your nostalgic mind remembers it, for those who have been here before. Delivered with a modern control scheme that works very well, and excellent performance perfectly tailored to the ageing Nintendo Switch, Metroid Prime is one of the greatest games of all-time – now it’s also one of the best remasters ever made.
While combat may become repetitive, it’s more than serviceable, and fits in against the backdrop of an action-RPG that’s about so much more than killing goons — even if there is a lot of that. It’s a game that finally lets you live your dreams of 20 years ago, with a chance to attend Hogwarts School of Witchcraft and Wizardry and have your own magical adventure.
Kratos' reboot signs-off after just two games, expertly unifying story with gameplay and proving a safe sequel can be brilliant.
Outside of those missteps, the remaining missions are all top notch and that’s why they’ll be spoken about less – they meet the lofty expectations of a Modern Warfare campaign. Infinity Ward has deliberately varied the pacing to avoid monotonous murdering, and while it doesn’t flow quite as well as Modern Warfare 1, it’s a nice mix that compels you to keep playing just one more mission until suddenly the credits roll. That’s Modern Warfare 2’s campaign. It isn’t as innovative as past Modern Warfare games, nor does it have as many iconic moments. But for the most part, it’s a unified campaign that nails what Modern Warfare should be. Fans of Call of Duty campaigns won’t be able to put their controller down.
Return to Monkey Island is a delightful adventure, and while it might not quite reach the unobtainable prestige of its predecessors, with a much more accessible design it’s destined to become Guybrush Threepwood’s most popular tale yet.
Saints Row gets the gang back together, but needed more time to complete its comeback.
As Dusk Falls is the non-game narrative adventure for your non-gaming family and housemates. It’s the most engaged I’ve ever seen my lapsed casual gamer partner in a videogame and that’s because it has the familiar story pacing of a six-part TV series and almost no gameplay, which means minimal barrier to entry.
Mario Strikers Battle League is a lot of fun, but unless you commit to online play, it’s here for a good — but brief — time.
While it’s on the shorter side, the collection of well-designed stages are perfect for pick-up-and-play short burst gaming, and that’s exactly what I need right now.
What we have here is a very similar, yet different, version of Pokémon Diamond and Pearl in high definition on Switch, but it’s not definitively the best version to play today, as was the case with FireRed/LeafGreen, HeartGold/SoulSilver and Alpha Sapphire/Omega Ruby when they launched. While it’s not a stunningly brilliant or shining remake, it is a very faithful one that plays it safe and is a welcome return to Sinnoh for those with fond memories of visiting on the DS — but I’m more excited to see what’s new in the region with Pokémon Legends Arceus.
It’s not that I’m mad, I am just disappointed. These three PS2 games remain iconic, and I have enjoyed returning to Liberty City, Vice City and San Andreas, but as a remaster, Grand Theft Auto: The Trilogy – The Definitive Edition is lacking the care and respect such highly regarded games deserve. It doesn’t have the quality we have come to expect from remasters recently. Yet, such is their quality, the underlying games, which deserved better, still hold up as a product of their time. They are worth returning to if the PS2 GTA Trilogy holds a special place in your heart, so long as you can temper expectations and accept the good, the bad and the downright ugly from a ‘that’ll do’ remaster. If not, you’re better off persevering them with those rose-tinted memories.
Mario Party Superstars succeeds with a fresh coat of paint and just the right amount of quality-of-life improvements to keep it familiar yet far more accessible than dusting off your Nintendo 64. You just can’t beat Mario partying like it’s 1999 (and 2000 and 2001).
Playing as Samus has never felt better, with the bounty hunter’s quick and nimble movement perfectly paired with a blend of action, speedy traversal and stealth.