Devil May Cry 5 is frigging great. I think I'll leave it at that.
Anthem is a competent looter-shooter. It is not an overwhelming, hallelujah-inducing entry into BioWare's storied history, but it's fine. I doubt I'll engage with the game past unlocking the final javelin, even though there is that tease at the end of further content.
Resident Evil 2 is a breath of fresh (or should I say foul and dead?) air into the bloated world of open-ended gameplay mechanics that, instead of leaving the player feeling empty and exhausted for the amount of options, leave them with a constant sense of tension but knowledge and will to push on. Truly an innovation that proves its necessity.
If you haven't already, go get this game, and then tell your friends to get this game, and then go have some fun.
Mutant Year Zero: Road to Eden packs interesting combat, open world exploration and lore, and numerous systems that have the player invested in what their characters, but it ends on too early a note to really have any impact.
Combing rooms for items and gadgets can only get you so far when it comes to actual engagement with both the story and gameplay of Lucid Dream, rather than evolving the genre, like the now-defunct Telltale Games did with its one-off hit The Walking Dead, all this title has done is highlight the so-called Adventure Genre's repetitive flaws in an effort to bask in the imagined fun of the past.
Although inspired in its kingdom management system, Pathfinder: Kingmaker ultimately fails to innovate in any of its presented gameplay functions. Lacking in writing,combat, and even fun, a game that had potential to change things up just becomes a disappointment.
An astounding triumph that will certainly stand above the pack this season, Red Dead Redemption 2 is a unique game about unique people. The writing, visuals, and gameplay combine to make an absolute standout of a title, one that has been well worth the wait.
The ideas of power, giving in to hegemonic cycles just to feel safe, and other gameplay systems are unfortunately overshadowed by the technical hiccups found in the game's software. It's a shame, because this game could have been good.
Red Faction Guerilla: Re-Mars-Tered is, in the end, a terrific, if seriously flawed, open-world game. I do admit that I'm a bit biased against this thing called colonialism, but the writers should have examined the wider ramifications when trying to inject even a semblance of emotional connection into the game. Overall, it's a fun jaunt through the past, and although I'm sure I'll get tired by the eventual repetitiveness, just like all open-world games, it's a great experience for what the gameplay provides.
This is a good collection that runs the gauntlet of arcade fighting games of the '80s and '90s. Whether or not you are a fan, this is a good entry point in the series, and there is something here for everyone.
I want to like this game, I really do. But it's holding me back from doing so. Reading into it, I find a lot of near-depth, but nothing that the game actually employs has much depth to it. There are a ton of amazing aspects that boost the game, but its larger ambitions lies just outside the reach of its execution. But it is worth a try, and an admirable achievement. In truth, I think this game is more a 7.8, but I feel the current rating it has adequately describes its qualities, while acknowledging its flaws.
Unravel 2 is more than just a puzzle game. It's a journey of working with someone, sometimes that someone being yourself, and going on a journey that will change you. It's a marvel how the developers evoked such feeling out of this slick combination of gameplay and visual storytelling, even one without words. Like me, it will leave you speechless at the end.
This is a refreshingly unique take on the old school swords and sorcery genre. The time trial aspect may turn some players off, but it's a challenge that is actually a joy to play.
I've never played this type of game before, and although I didn't necessarily enjoy every single minute of gameplay, it's memorable for the ideas it presents, and the different ways in which it plays out.
It is a truly welcome gem in the medium that takes risks and propels the experience with new energy nearly every step of the way. The player constantly moves forward and the game gets tension done in a way seldom seen in gaming. A Way Out is an example of a triumph in new ideas, while using traditional methods of gameplay to get the point across that this is a different beast.
The atmosphere is what makes this game. The emotion of the plot succeeds in some places and stumbles in others. The puzzles can be frustrating at times, but not because they're impossible to complete, more so because they seem like filler to extend gameplay time. Overall, the experiences are memorable for the feeling they create in the player, but not much else.
I have no skill when it comes to playing this game, yet I enjoyed my time with it. The two most important aspects of the game could have used a lot more support, but I choose to view that as a sign of greater things to come from the developers, whether in the form of a sequel or another product.
With a terribly below mediocre campaign, an average zombies mode, and an excellent multiplayer option, Call of Duty: WWII manages to hit all the marks. But not in the way that it should. I had high hopes, and was surprised that the real gem I found was not the one I was originally hoping to. It's not great, it's not good, it's okay.
Wolfenstein II: The New Colossus follows up on its predecessor with a bang. With a dynamic protagonist and amazing characters, this is an entry in the foundation of what modern shooters, if not narrative games in general, can be. The mechanics are as stellar as the guns are loud, and it'll leave the player itching for more even when it's over.