A game that starts slowly and ends fast is The Quarry. The story it tells is very beautiful, the acting is very nice, the voice-overs are number ten, but it lags behind other Supermassive Games games in terms of gameplay elements.
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It's hard to say that Loopmancer has brought any innovation to the roguelike genre, but it tries its best. The branching and decision-making parts of the story are pretty good, but there are lots of places where it falls short in terms of narration.
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Lost in Play offers a unique and must-have experience with its heart-warming story, amazing cartoon graphics, hilarious characters and unhindered imagination. I really wish to see a sequel soon.
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With a higher budget it might have been a game that could make a name for itself, but unfortunately it doesn't go beyond being a snack for Soulsborne veterans. Still, it's not a bad choice if you're a gamer who is keen on meeting this genre.
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Without comparing it to other big adventure games of the year, I'll say this directly: The Excavation of Hob's Barrow is one of the best adventure games released this year. Folk horror fans will feel right at home anyway, but I think this game is also a great opportunity for everyone to meet Dave Gilbert and the Wadjet Eye adventure games.
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If you like Machinarium-like adventure games, you have no chance to dislike Boxville. This is a short adventure game that endears itself with its puzzle balance and cute characters.
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The Case of the Golden Idol is one of the biggest surprises of this year. I liked the demo a lot, but I honestly wasn't expecting the full game to go far beyond that and offer a completely original and memorable experience like Return to Obra Dinn. You'll be sorry if you miss it.
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Sunday Gold manages to combine two different genres beautifully and makes you curious about the details of its world and want to see more. Frankly, I can't wait to embark on new adventures with Frank, Sally and Gavin and get to know this world better.
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Black Mermaid understood the ideas that made the 2D Soulslike genre successful and added new mechanics that reflect its own identity. If it didn't have flaws like story being too messy and combat having balance issues, it could have made its mark among the best examples of the genre.
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Children of Silentown tells a very gripping and intriguing story accompanied by eye-catching hand-drawn graphics. The mechanic of solving some puzzles by singing a song have added a nice innovation to the game (reminded me of Loom) and although it has some troubles with a certain puzzle type, I can easily say that it provides a satisfactory progression for players who like this genre.
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I wouldn't be lying if I called the PC version of Persona 3 Portable "an upscaled version of the original game". But that doesn't change the fact that Persona 3 Portable is a great game and I would blindly recommend it to anyone who hasn't played it.
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Pillars of the Earth is a beautiful game that everyone who loves narrative adventure games should experience. The visuals, the voice acting and the way it adapts this epic story is really good.
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Rough Justice: '84 is a beautiful game with a nostalgic feel of '80s crime TV series, and with its variety of mini-games and intriguing storyline, putting your fate in the hands of dice never gets boring.
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If you ignore its minor flaws and focus on the world it depicts, the cuteness of the robots and the mind-bending puzzles, you'll easily lose track of time. I'm sure it will get even better with the first patch.
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This supernatural adventure of Frogwares manages to surpass the original game by leaps and bounds. Whether you've played the previous game or not, you'll enjoy this new version just as much.
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We don't have Bloodborne on PC, but we do have Hunt the Night, its Zelda-infused, pixelated version. Even in its current form where there are some difficulty spikes it's a game that will please those who love difficulty and challenge.
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If not for some design flaws, Afterimage could have been an exemplary metroidvania. Not knowing where to go most of the time and the confusion of the story prevented it from getting a higher rating, but for fans of the genre, it's a real (and endless) blessing.
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It's a highly enjoyable game, the kind of game you should have on hand. It never hurts to exercise your brain between long game sessions.
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It's one of the best adventure games of recent times, with challenging puzzles, an immersive atmosphere of horror, great visuals, and a great voice acting.
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As a Unreal Engine 5 showcase it's exquisite, as a sci-fi TV series (or a movie) it's not bad, but as a game it fails. If you're hoping to be scared, thrilled or immersed in a gripping story, reconsider your expectations.
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