James Berich's Reviews
Avatar: Frontiers of Pandora successfully brings the world of Pandora to video games in a big way. It's lush and vibrant and without a doubt one of the most luxuriant open worlds that Ubisoft has ever created. Its gameplay, on the other hand, is lacking the spark that makes great open worlds sing. Fans of the franchise will absolutely adore exploring everything this previously unexplored side of Pandora has to offer, just don't expect it to reinvent the wheel.
Layers of Fear impressively goes beyond the call of duty of updating both games for modern hardware. It's a remake with significantly enhanced visuals and a strong dedication to creating an immersive atmosphere, while also introducing new content. However, it's regrettable that the newly added content feels lacking in substance and significance. Nevertheless, Layers of Fear remains the definitive way to experience the Layers of Fear series, warts and all.
All in all, The Quarry is an intriguing story that's paced well and is tense from beginning to end, aside from a middle chapter that drags. I wouldn't go as far as to say I didn't enjoy it because I did. It feels like such an oversimplification of everything that Supermassive has achieved so far. I can't see it as standing above their pedigree in many respects.
Sniper Elite 5 is undeniably a better game than its predecessors. Every level is packed modestly with things to do, and the kills are endlessly enjoyable. But some antiquated design choices, a done-to-death setting, and a ho-hum story keep it from reaching its full potential. It's a shame too, because at its core Sniper Elite 5 is one of the best Sniper experiences you can play right now, it's just everything else that's letting it down.
Evil Dead: The Game pays excellent tribute to most of the Evil Dead canon with great gusto. It looks fantastic, plays smoothly, and has a robust set of multiplayer options, that means the foundation is there for a game with great longevity. It remains to be seen whether Saber will support the game with more content, which will need a refresh in the future. But if they do, Evil Dead: The Game is poised to be one of the better horror adaptations and easily one of my favourites.
Shin Megami Tensei III: Nocturne: HD Remaster is an oddly self-aware remaster that does its best to make itself approachable for everyone by remedying most of its flaws. The new difficulty, new skill inheritance options and fully voiced dialogue all help to make the game feel modern and approachable for new audiences. It's just a shame that, for a HD remaster, it's not as visually impressive as it could be.
Famicom Detective Club: The Missing Heir and Famicom Detective Club: The Girl Who Stands Behind are both well written adventure games with engaging stories. A striking visual overhaul does a great job of bringing both games into the twenty first century, without a doubt. Though this isn't enough to do the same for the gameplay, which could have used a bit more streamlining.
Destroy All Humans! makes an earnest effort to improve on every aspect of the original, but it’s hard to avoid the issues stemming from the era in which it came from. Despite it’s numerous improvements, Destroy All Humans is still plagued with banal repetition and tedium especially as the adventure draws to an end.
It's hard to deny that Maneater has colossal potential – though the lack of mission variety and some simplistic combat does lend it to feeling repetitious as time goes on. Putting these flaws aside, however, Maneater deserves kudos for an undeniably unique premise and laying a solid foundation for a franchise that developer Tripwire should almost certainly pursue.
Zombie Army 4: Dead War builds upon the original trilogy of games to offer a robust zombie-killing experience. While what’s here is enjoyable, and the combat is as satisfying as ever, it doesn’t quite step out on its own into something truly unique.
RAD is a great little roguelike that differentiates itself from others with its unique setting and visual appeal. It's really what you'd expect from a roguelike in terms of gameplay (and is solid in that regard), but everything it does to differentiate itself is largely superficial.
Catherine: Full Body is a marked improvement over the original Catherine, offering more ways to play for those who want to experience an engaging yet slightly problematic story.
Marvel Ultimate Alliance 3 is a solid beat-em-up that tops its predecessors, bringing all the colourful known and unknown facets of the Marvel universe together with gusto. But despite it's strong art direction, potent replayability and often enjoyable combat, it still comes off as feeling rather basic.
The Sinking City is easily the best H.P. Lovecraft game yet, throwing players into a well-realised but characteristically melancholy town that's coming to terms with its cosmic fate. It's a classic detective game through and through, which rewards smarts and isn't afraid to let you explore and immerse yourself with no handholding. It's just a bit of a shame that's hindered by some rudimentary combat, shoddy technical issues and an open world that's a little too big for its own good.
While the second and third games are arguably better, Onimusha: Warlords serves as a perfect introduction to one of Capcom's most underrated franchises. So many minor improvements have been made here to make the game very playable by modern standards, though the fixed camera angles will remain polarising with modern audiences. Regardless, Onimusha: Warlords is a brief yet rewarding experience that combines simple yet satisfying combat and ghoulish enemy designs to create something that's still unique.
Call of Cthulhu is one of the better games based on the works of H.P. Lovecraft, and despite its visual shortcomings does a great job at commanding your attention from start to finish. It's not for everyone, however, and the emphasis on exploration and trial-and-error stealth mechanics is bound to turn some people off. Putting this aside, Call of Cthulhu feels like a triumph for many reasons – it's well paced, its story is intriguing and the uneasiness of it's chilling conclusion will stay with you long after you've turned it off.
Transference is an ambitious experience that feels a little bit late to the party. It has an interesting premise and an atmospheric, well realised world brought to life with gusto, especially if playing in virtual reality. But despite all of this, it never truly transcends the slew of similar games that came before it and is over much too quickly.
Mixing the best parts of Left 4 Dead and adventure epics like Indiana Jones and Uncharted, Strange Brigade is better than it has any right to be. Enjoyable solo or with mates, the puzzles and the open level design gives the game replayability, but the pacing and the derivative art direction stop it from being immensely compelling.
Vampyr is another fantastic concept from DONTNOD that falters ever so slightly in its execution. The story, the world and its characters are all oddly compelling, despite some visual and technical shortcomings. Despite its issues, Vampyr is a rare instance in a game where I felt like my choices meant something and had consequences. It's a huge shame that repetitive combat and exploration means it doesn't keep up that momentum from beginning to end.
State of Decay 2 is just as good as the original but fails to make good on its major promises. There's some great quality of life improvements here and there, but the repetitive goals to work towards and cursory co-op options stop it from being any better than the original. Despite all this, State of Decay 2's gameplay loop is strangely alluring, but many won't put up with its technical shortcomings.