Ewan Roxburgh
- The Last of Us
- Spyro: Year of the Dragon
- Crash Team Racing
Ewan Roxburgh's Reviews
If you want an insanely hard tactical combat sci-fi game, you got it. Good luck. If you’re able to stick with it, I think the systems and story are more than enough that you’ll enjoy XCOM 2 a great deal.
Forza Horizon 4 offers racing fans endless, ever-changing amounts of fun. Few racing games are as dense with a seemingly infinite amount to do and collect. It's immensely liberating too, allowing you to play through it however you like. The open-world might have been better populated with environmental features and I wish the menus had been a little faster and easier to navigate, but it's a small price to pay for a game with so much under the hood.
Its not breaking any new ground here but its struck a chord with me at the right time, allowing me to experiment, explore and destroy at my leisure with a kooky cast of characters at my side, in my own time without ever feeling overwhelming.
LEGO Builder's Journey is a spectacular, absolutely gorgeous puzzle-platformer, with a surprisingly touching story the explores parenthood and creativity in a delightfully minimalist way. Stunning aesthetics enhanced by ray-tracing and DLSS combine with a soundtrack that amounts to one of the most beautiful games in recent memory. A little more commitment to the possibilities afforded by interlocking bricks would have completed the picture, but regardless is remains a game not to be missed by fans of LEGO, puzzles and a good, wholesome narrative.
Guacamelee! 2 is a fantastic, almost flawlessly designed and well-paced action platformer, complete with charm, humour and heart. It builds upon the first game brilliantly, making Juan's latest adventure just as thrilling and hilarious as I'd have hoped.
For Vita owners, Severed is a must-play, but if this game eventually gets ported over to mobile platforms or even to console or PC, I’m sure I’d say the same.
Often in an attempt to appeal to everyone, you can appeal to no one. However, in the case of Final Fantasy XV, we have a rare exception. It sits comfortably somewhere between a traditional Final Fantasy experience and the Western action-RPGs currently setting new standards. A slightly muddled tone, narrative shortcomings, and a little too restrictive open-world are faults largely forgivable due to the game’s robust combat system. The benefit of ten years of development is evident in the fine tuning of the combat mechanics over the apparent attempts to keep up with the current open-world action-RPG trend. To quote Aristotle, “the whole is greater than the sum of its parts”.
Firewatch is truly something special. It tells a beautifully crafted, character-driven, engaging story with impeccable pacing. It’s deeply reflective and thought provoking, not only in the context of its characters and their situations, but in a broader context of player interaction with video games.