Joshua Robertson's Reviews
Lies of P: Overture is just an extension of an already terrific game, and that’s great. It’s almost nostalgic, reminding me of a decade ago when DLC was the norm, and not every game was bombarded with monthly updates or roadmaps. It’s a great expansion that attempts to give Lies of P its own identity, and while it doesn’t really improve or build upon the features that you’ve grown used to over the course of dozens of hours trawling the streets of Krat, it didn’t need to. I’m more than happy with a second helping of Lies of P.
Daybreak 2 sits in a weird space in which it’s a must-play for fans of the series, as it sets up events that will be built upon in future games, but it’s also really difficult to recommend. If you’re determined to go in regardless, keep your expectations in check, brace yourself for a seemingly endless amount of filler, and you should have a decent enough time.
It’s beautiful, frantic, challenging, and a delight to play.
It’s still a serviceable enough story to keep you invested until the credits roll though, and while some twists and turns may not be as impactful as you’d like them to be, Flintlock is still definitely worth playing for its combat and focus on exploration. I had a blast, and while it’s not as polished as other soulslikes, it deserves to sit up there with the likes of Nioh and Lies of P as valiant attempts that just fall short of FromSoftware’s masterpieces.
You’ll probably get something out of Spy x Anya if you’re a massive fan of the show, but even if you're fairly enthusiastic about it like myself, you’ll find it lacking. It’s extremely faithful to the show in both humor and aesthetic, but it requires a prohibitively high tolerance for repetitiveness. There’s fun to be had, but it’s locked behind hours of taking photos, lackluster conversations, and repetitive busywork. It’s nowhere near the quality of a must-play title for a Spy x Family fan, and you can probably get as much satisfaction from rewatching the show.
While the levels are varied and challenging, and the story is serviceable for the kind of game NeverAwake is, they weren’t the things that had me blasting through levels to see what was next - it was the excitement of seeing what kind of horrible beastie was waiting for me around the corner. The game excels at turning the mundane into monsters and doing so manages to set itself apart as one of the more unique shoot ‘em ups out there. Add to that some demanding but entertaining boss fights and NeverAwake is a decent (yet depressing) time for any fan of the genre.
My time with Blacktail was frustrating. Not because it was a pain to play or that the writing was awful, but because there’s a strong game buried underneath some strange design decisions and disappointing performance issues. If you have the patience to see past some pretty major flaws, then you might get some enjoyment out of Blacktail. It’s one to skip for the rest of you though, and that’s a real shame.
Moonscars won't set the world alight, but is a decent enough time for soulslike fans.
With all the new changes to the standard Yakuza formula, has the latest installment still managed to capture the hearts of diehard fans? Like A Dragon is Ryu Ga Gotoku's most ambitious game yet, but how does it stack up with the rest of the series?
Fall Guys: Ultimate Knockout is sweeping the globe with its popularity, but is it any good? With a ridiculous number of players trying to play the game on launch, Fall Guys seems to be the next big multiplayer game, but does it have staying power? Will it become a battle royale titan, or will we forget it in a week's time?
Formula 1 is back with F1 2020, the latest game in Codemasters' annual franchise. Each game has seen steady improvements over a number of years, but does F1 2020 keep with the current trend? Whilst there are some issues, Codemasters have gone above and beyond to provide a brilliantly realistic F1 experience.
Outlast 2 is a lesson in the first-person horror genre and Red Barrels has shown us that they can make lightning strike twice.