If Panache can squash most of the bugs, this could be a Game of the Year contender. As is, Ancestors: The Humankind Odyssey is still well worth monkeying about with and I know I’ll be coming back for more.
Mable & The Wood oozes charm from beginning to end and, even in a market that isn’t short of Metroidvanias, it more than distinguishes itself.
Ion Fury is flawed, but there’s plenty of gruesome fun to be had here, more so if you’ve got fond memories of 90s shooters. If Voidpoint/3D Realms can tighten up the game for an expansion pack or a sequel, I’d definitely be up for more Bombshell. Just don’t expect this outing to blow you away all the time.
Elsinore can be dry sometimes, particularly when you’re hunting for the next significant step forward. There are moments when you’ll feel Bill Murray’s frustration at reliving Groundhog Day again and again, and repeatedly bumping into Elsinore’s Ned Ryerson analogue (which stops being funny after the tenth encounter). But there’s a lot of joy to be had uncovering Elisnore’s emotionally-loaded secrets and, providing you don’t push it too far, playing characters off against each other. Just don’t expect everyone to get a happy ending.
Silver Chains is by no means perfect, but it uses its scares sparingly and offers enough gloomy chills to keep you spooked and hooked.
There are glimpses of potential here, but it’s lacking nearly everything that makes Wolfenstein fun. Gunning down Nazis in a virtual reality mech might sound like a lot of fun on paper, but the reality completely misses the mark.
Streets of Rogue is an odd yet hugely entertaining outing, one that rewards the time you put into it and never says no to even your most ridiculous ideas. It’s far more than the sum of its inspirations and even if you find permadeath an obstacle, there’s so much to love about this deceptively complex gem.
Sairento VR is such a ridiculous, over-the-top joy to play and once you’re done with the campaign mode, the game’s additional challenge levels and multiplayer mode will keep you occupied. Sairento VR the closest thing you’ll get to a truly interactive, immersive action movie, and if you’ve invested in a PSVR you’d be mad to miss it.
It won’t scare your socks off, but if you can avoid getting bogged down by The Sinking City’s clunkier elements, there’s enough to enjoy here.
Altogether, it’s a thoroughly delightful detective adventure.
Underneath it all, Pathologic 2 is an engaging and disquieting game, one that has the potential to be something really quite special. But its survival mechanics are unnecessarily suffocating and take much of the joy out of it. Until Pathologic 2 is cured of that particular problem, be prepared for an uneven slog.
Lovecraft’s Untold Stories is a fun shooter, for the most part. It doesn’t gain much from mining Lovecraft lore; you could swap out the foes for any other number of pixellated nightmares. But slaughtering your way through the hordes is a satisfying and challenging experience, and there’s enough replayability here to keep you diving back into the abyss.
Despite being damaged by the built-in grind, Mortal Kombat 11 is well worth your time.
If you’re a steampunk aficionado then Vaporum will doubtless hold some appeal for you; it’s smartly presented and tells a tantalisingly haunting tale of man’s folly. But for those who aren’t as taken with steam power, Vaporum is a rather average dungeon crawler.
Even if you’ve already played the first three Ace Attorney games, Phoenix Wright: Ace Attorney Trilogy offers the opportunity to experience all those legal shenanigans on the big screen. And if you’ve never seen Phoenix Wright bluff his way to victory, it’d be criminal to miss out.
If you’ve already played Two Point Hospital to death and desperately want more content – you’ll need to have unlocked at least seven hospitals in order to to play this – then Pebberley Island is worth a look.
Trüberbrook was, undoubtedly, a labour of love for its developers.
Devotion succeeds because it’s an understandably human tale with misery, not murder or monsters, at the heart of it all. It is a tad short, particularly when compared to Detention, and while the somewhat ambigious ending might prove a turn-off for some, it’s still chilling, unsettling and heart-breaking in equal measure.
Deviating from the series’ formula and taking the adventure above ground was a bold move for 4A Games, but it’s paid off. Metro Exodus can be unforgiving at times but it’s a rollicking, radioactive road-trip that’s sure to scratch that post-apocalyptic itch.
Etrian Odyssey Nexus is an excellent dungeon crawler, overland locations and all. It’s not only the perfect antidote to grimmer adventures but it’s an addictive, creative, appealing outing that will have you coming back for more and rarely regretting your return.