Home Sweet Home is a decent horror title. It mostly relies on jump scares, but the brilliant use of sound builds up suspense where needed. The puzzles are decent, but some can be too obtuse for many to solve on their own, and the breakdown of AI at times means that some of your escapes are due to dumb luck. The explanation of Thai mythology would've been nice, and the VR use should've been better, but the fact that this isn't labeled as an episodic game will annoy players the most. Home Sweet Home is worth checking out — but only if you aren't already tired of the genre.
Vane is a game that sticks to its ideals at the detriment of everything else. It's a noble idea to let players figure out everything on their own — until you realize that the large environments and the number of interactive but ultimately useless elements mean more time wasted in activities without a payoff.
As stated at the beginning of the review, The Bug Butcher is an absolutely solid homage to classic arcade shooters. It nails the shooting mechanic and provides a gradual level of difficulty that doesn't veer too much into impossible territory. Though it's a short game, there's enough to keep people interested for more than an afternoon, and it's a good fit on the Switch thanks to the short levels and co-op gameplay for endless mode. This is another indie port to Nintendo's console that's worth checking out.
The content is plentiful, replayability remains high, and the presentation easily makes Ace Combat 7 one of the better arcade-style flight games on the PC. It has been a long time coming, but action flight fans and those who love the series won't be disappointed by Ace Combat 7.
The Textorcist: The Story of Ray Bibbia is an experiment that works better than expected. The focus on boss fights is the right one, as the exploration and puzzle sections are novel but not noteworthy. The controls can seem unwieldy at first, but part of the charm and excitement is in trying to concentrate on typing and moving at the same time. The presentation is excellent, and the length is perfect, as it never feels like the game goes on for too long. The Textorcist may seem like an odd game on the surface, but give it a chance, and you'll find it to be one of the more inventive and fun experiences out there.
Worbital's features mean that it'll take some time before players get acclimated to it. Once you get used to the gameplay, you'll find it to be a perfect blend of RTS and artillery shooter, with some gravity effects thrown in. It's a shame that the online community is practically nonexistent, but the presence of local multiplayer and the ability to earn currency while playing against friends or bots ensures that it isn't a completely dead game once the campaign has been completed. If you're looking for something different and fun, give Worbital a shot.
Below is divisive. Few will argue about the bleak beauty of the game, but everything else sets it up as a title you'll either love or hate, with few reservations.
Flashback: Remastered Edition remains a stone-cold classic, and old players will love how so little has been done to it, helping to preserve what caught people's attention in the first place as opposed to covering it all up with a more modern sheen.
In the end, Killing Floor: Incursion is fine.
Overall, The Slater is a barely competent stealth game.
Track Lab is an interesting title. If you're looking at it as a game, it has some great puzzle mechanics, but there's only enough content to last you about an hour unless you get stuck on one of the puzzles. If you're looking at it as a music creation tool, the interface is novel but not something you'll use to seriously create tunes, especially since there's no easy way to export your creations. Ultimately, Track Lab is more of a fun toy in VR but not something you'll be itching to visit more than a few times.
In the end, Sleep Tight means well but is very limited in scope. The core mechanics are fine, and the different upgrade trees are good, but the slow difficulty ramping can make it feel like a grind in a short amount of time. The lack of any modes hurts significantly, as does the lack of variety in locations and your arsenal. Unless you want something simple in your tower defense or twin-stick shooting game, it's easy to pass on Sleep Tight in favor of other titles.
Trailblazers isn't a bad racing title. Despite some floaty controls, the actual racing is fine, and the painting and team mechanics are interesting. The modes are also good, but the lack of a community means that local multiplayer is your only other option once you consume all of the single-player stuff. You'll wish the developers did something more interesting with the concept, as it feels untapped. For that, Trailblazers is only recommended for those who have already checked out other racing titles first.
All of the good traits from the first game have been amplified, and the changes feel like better implementations of the original ideas. The endgame content is substantial, and the introduction of classes so late in the game changes things enough to make the experience feel renewed. Add to that the promise of lots of free future content, and you have a loot shooter that is well worth your time.
In the end, Coffee Crisis is a game that weakly tries to inject some roguelike qualities into a less-than-average brawler.
Pumped BMX Pro is more of a regression for the series than a progression. The tougher-to-handle physics, combined with a set of tracks that fail to ease players into the game, make for a title that is only good for veterans of the first game. The presentation is mediocre at best, and the lack of meaningful unlockables makes the whole thing feel like a chore. Unless you must have this title for some reason, there are certainly better options to fulfill your physics-based trick fix.
Trials Rising is a very good game and a return to form for the series.
Devil May Cry 5 is a must-play title for action fans. The action is fast and fluid, and its accommodations for both skilled and new players make it easier for everyone to enjoy the gameplay. The title is packed with a healthy amount of levels and several different hooks to keep you playing after you finish the campaign. The presentation is stunning, and while the game does contain microtransactions, they can easily be ignored. Capcom has another winner on its hands, and DMC5 is an early contender for game of the year.
Dead or Alive 6 maintains its status as a solid and surprisingly deep fighting game that gets hidden underneath the readily apparent fan service. The tweaks to the fighting system only improve the accessibility while not hurting the more advanced players. The 24-character roster is refreshed, but the customization feels more limited. The same can be said for the levels and graphics, which are fine but lack any signs of ambition. However, DoA6 is still a good, solid purchase for fighting game fans, although it may not be the big leap that series fans would've wanted.
Detached is the sort of game where you'll enjoy your short time with it if you aren't easily susceptible to motion sickness. The atmosphere is absolutely gorgeous, giving you a good sense of the beauty and loneliness of space. The puzzles aren't bad, but the lack of direction about where to go can be an annoyance when you have a constantly depleting oxygen meter to worry about and a finite amount of fuel. It may not be a VR showcase title for everyone, but those who can stomach it will enjoy their time.