Your enjoyment of Metal Wolf Chaos XD is dependent on your tolerance for old game design and cheesy dialog. The lack of checkpoints and auto-saving during missions is going to hurt once you're in the back half of the game. Its humor is also hit-and-miss, depending on whether you take it seriously. Its absurdity pairs nicely with some solid gameplay mechanics, and it has enough of that conviction to make you overlook the flaws and give the game a fair shake. For action fans who aren't too picky, Metal Wolf Chaos XD is worth checking out.
Ultimately, Siege of Centauri is fine. Its mechanics are solid enough, it does everything else decently on-screen, and the pyrotechnics are spectacular to see. It just doesn't feel like anything special, from the abilities to the story to the units to the towers. It's the kind of game that you wouldn't mind playing but won't rush out to buy immediately, making this difficult to recommend unless you devour every game in the tower defense genre.
Super Neptunia RPG negates the positives that it brings about. The fresh perspective that comes from being a classic 2D RPG with a simple battle system clashes with the unintuitive and unresponsive platforming. The presentation is beautiful, but the performance is hampered when compared to its predecessors. The ability to explore also seems nice until you realize that the streamlined side-quest system has been replaced with the more time-consuming method of visiting each quest-giver individually. Fans of the series may still enjoy it.
There's a good chance that the game will improve in the next few months or a year, and at that point, players can easily jump into the game and enjoy the hell out of it. At launch, however, Breakpoint makes sense if you want to get into a looter shooter that isn't full of fantastical weaponry or you aren't playing The Division 2 anymore.
Overall, NBA 2K20 is still one of the best basketball games out there, but future iterations should either ease up greatly on the VC spend or drop the price significantly, so players won't have to spend extra money.
Borderlands 3 is a solid game for fans. It relishes in the multiplayer moment-to-moment combat, and the multitude of guns and the post-campaign game give players enough reasons to keep playing long after the credits have rolled. It won't convert those who disliked the series into fans, but it also does everything it can to keep itself true to what players liked about the originals. For those who are still deciding whether to jump in, Borderlands 3 is a good place to do so.
For newcomers, The Walking Dead: The Telltale Definitive Series is an easy purchase, since you're getting every game in the series at an excellent discount. If you've experienced the game before, the proposition of going back is dependent on whether you want to experience the game again with better graphics and fewer bugs. If you're a super fan, the abundance of extras will be tempting enough to warrant the double-dip. No matter your stance, the collection still holds up, and this is a lasting example of what made Telltale stand out in the first place.
Hellmut: The Badass from Hell is a few steps short of being an all-around must-have roguelike shooter. The camera is zoomed in enough and just jerky enough that some enemies can be easily hidden from view. There's also the character unlocking process, which is only valuable if you plan on taking multiple successful runs through the game. With that said, the action is excellent, and the flaws aren't enough to stop the title from having that sort of magic that beckons you for one more run. Despite not being the first choice for a roguelike shooter, Hellmut is ultimately a good choice.
Ape Out is the kind of game that makes you glad the indie scene exists. It defines the type of game that is very easy to pick up, but it takes some real practice to conquer. It places pure action over story, with the reward for surviving every encounter being pure satisfaction. Failure is met with an immediate desire to try again instead of groaning in frustration. It's a gorgeous game, but more importantly, it ends way before the premise wears thin. In short, Ape Out easily goes on the list for one of the best titles of the year.
Gunlord X shows everyone else what the hardcore fans already knew: the NG:DEV.TEAM is fully capable of delivering an authentic, white-knuckle, retro-shooting experience. The action is constant but not overwhelming, and your arsenal feels varied, with none of the weapons ever feeling useless. The boss fights are fun, while the level design mixes in a good deal of exploration. Really, the only complaint is that there's nothing to bring you back once you finally beat the game, but considering how enjoyable the journey is, that isn't a big deal. Shooting fans are going to have a really good time with Gunlord X.
Catherine Classic may have lost some of its freshness over time, but it remains an intriguing title for those looking for a game that defies expectations. Its more adult style may seem too simple for some, but it's something that very few visual novels attempt to do. The puzzle aspect remains hellish in difficulty but is still fun once you learn all of the tricks and can deal with the imposed time limits. For longtime fans, there isn't much here to bring you back, but unless you don't have your PS3 anymore or an Xbox One to play the Xbox 360 version, Catherine Classic is worth checking out.
Ancestors: The Humankind Odyssey is far from being a title that the mainstream crowd could easily pick up and play. Technical aspects, like the wonky camera and uninviting controls, can be overcome with time, but the camera system and lack of any direction are enough to turn off most people. Stick with it through multiple restarts, however, and you'll discover a title that has loads of fulfilling moments and deep characters you'll get attached to, despite a lack of understandable speech. Games have rarely done something like this, and that fact is amplified when you look at the scope this is trying to cover. If you're looking for a survival title that feels different and distinct, give Ancestors a look.
Like its predecessor, Earth Defense Force 5 is a fine jumping-off point for newcomers to the series. The shooting remains as solid as ever, and the concept of mixing in loot drops with blasting large enemy hordes remains enjoyable, even if the whole package isn't as polished as expected from something with a cult following. However, EDF5 doesn't surpass the heights of EDF4.1 due to its flaws detracting from the progress of its improvements.
My Memory of Us feels like a game that is fighting with itself.
The Switch is already home to a variety of shooters, but Pawarumi makes a solid case for being a worthy addition to a shooter fan's library. The gimmick of having three different-colored guns and enemies makes the game more cerebral while also not punishing players who just want to stick with one weapon type. The three main game difficulties make it accessible to everyone, while the difficulty levels determining the number and order of the stages mean that playthroughs may feel familiar but not exactly the same. It could have used a few more modes to round out the package, but thanks to it doing just about everything right, Pawarumi is worth playing for shooting fans.
When compared to the other entries in the series, Earth Defense Force: Iron Rain is a major low point. The various changes that improve on the formula are outweighed by other design choices that actively hurt the title's overall appeal. The actual combat still has some of the magic the series is known for, and even if online co-op is barely there unless you coordinate with others beforehand, the game is still fun to play with friends. If you're new to the series, playing Iron Rain won't be so bad, but if you've already killed bugs several times before, this title won't be able to scratch that itch again.
Old School Musical is worth checking out for rhythm fans, especially those who adore chiptune music. The tracks are plentiful, especially once you conquer the second storyline, and each tune rocks. The controls are easy enough to master that anyone can jump in, and while the story can be all over the place in terms of tone, it remains satisfying once you beat the game. So long as you stay away from co-op, you'll have a good time with Old School Musical.
Even if Away: Journey to the Unexpected weren't a roguelike, it still has issues that would put it in mediocre territory. The main melee combat would be awful, the level designs would be boring, and the boss fights wouldn't be exciting. While some people may be fine with that, the forced repetitive nature of the roguelike makes Away feel unnecessarily padded, especially since parts of the title are too forgiving for the genre. It may look nice most of the time, and the story is so off the wall that it's endearing, but Away should only be on your radar if you can purchase it on sale and don't mind its baggage.
As stated in the beginning, Senran Kagura: Peach Ball is hampered by a lack of content. The five different storyline paths are fine, but the presence of only two tables hurts the game. The two tables are designed well, even if they're similar to one another, and the ease with which one can achieve high scores makes it encouraging for both pinball newcomers and veterans alike. At the moment, you need to be a huge franchise fan to pick up this title, but if you're a pinball fan who doesn't mind the overly suggestive look and the ridiculous story, Peach Ball is worth checking out if it goes on sale.
Neptunia Shooter gets the core mechanics right for an 8-bit shooter, and it adds bullet hell mechanics and character-switching to spice things up. It's length also isn't a bother due to the lack of continues, stretching out a very short experience to a more acceptable one for the $5 price tag. What makes the game feel hollow is its bare-bones approach, including the lack of music and a dearth of enemy variety. If you're willing to overlook this, you'll find Neptunia Shooter to be decent enough for a quick spin. If you're expecting something grand with the trademark Neptunia charm, you'll come away disappointed.