There is also a subtle beauty to this game, and one that I can relate to. The constant battle of light versus dark, of fear and loneliness, building yourself back to where you need to be -- these are struggles that most humans face at some point, and Sym allows you to play through that emotional roller coaster in a visual way. I enjoyed its thoughtful nature and its ability to evoke feelings that I only thought were available in darker moments. However, Sym's atmosphere transcends its loose gameplay and controls, which unfortunately creates a frustrating experience and stifles the impact of its message.
I liked that the levels and enemies were randomly generated, but I found there was still something left to be desired. Perhaps the game could have benefited from more enemies, events, discoveries, or more unique items. The neon charm was always a pleasure to play through, but overall I felt Heavy Bullets wore thin over time. If you're a huge fan of rogue-like dungeon crawlers it's worth a shot, but not six bullets.
Despite my qualms, I had fun playing Just Dance 2016 -- but then again, it's hard not to. It's still a favored party game and one that has almost perfected the fun-for-all game model. Heck, it's reached a point where it's thrown in some mediocre new modes and a subscription model just to keep itself fresh, so in some cases you can call this a success. However you can also say that Just Dance is a dying breed, one that is taking its last breath to capitalize on the streaming craze that's enveloped our little gaming world. I say we don't think about it too deeply, and just dance.
Overall, I enjoyed my time with Treachery in Beatdown City, and despite a lack of overall polish, it does a good job of emulating beloved 8-bit fighters while maintaining its own ground as a modern brawler.
As much as I love PaRappa and his quest to find love with Sunny Funny, the experience was significantly marred with the visible lag and the lack of calibration options. For a remastered rhythm game, this is practically a must-have given calibration difficulties with modern televisions. I still enjoyed my time with the updated, clean-looking PaRappa, but I might just go back to playing the PSP version if I got the funky flow...
At the end of the day, it takes more than fun mini games to make a good Mario Party game. It's also about carefully crafting a meaningful game experience that allows you to screw over your friends in the most skilled, fair way possible (with a dash of luck, obvs). Hopefully Nintendo can keep the series alive and perfect the spirit of Mario Party for the Switch, but for now I think Mario Party games are officially dead for the 3DS.
Although its premise was simple and delightful at first, playing through FEIST was a trying experience and one that I would not want to repeat. Others who have a penchant for unforgiving games like the Souls series may find joy here, and if you're looking for something more thoughtful or forgiving, keep walking.
Overall I felt as if Daylight was made as a jump-scare machine with a loosely tacked-on plot. I never felt invested in Sarah or cared much for the mysterious man rambling through her phone. In fact, I was more concerned with getting Miss Ghost off my back so she'd stop screaming, more so out of annoyance than fear. Daylight would have benefited from a fresh set of spooks rather than intermittent scares and muddy plot lines, but at the end of the day if you're looking for a cheap thrill you've found it.
It's sad to say, but I can only recommend Hatoful Boyfriend: Holiday Star if you're either a) extremely bird to death over the holidays, B) extremely drunk over the holidays, or ideally, c) extremely both. Fans of the original game may enjoy seeing the same birds in new situations, but the lack of any choice or gameplay (even compared to the first) is just downright owlful. Those looking for an actual game may want to sparrow themselves the pain.
The only true merit of Mario Party: Island Tour is the ability to play Mario Party with your local friends on the 3DS. As long as they have a 3DS and are close-by, playing via Download Play is fairly quick and painless. However, the lack of online play and the overall single-player experience is a pretty big bummer. Unless you’re desperate and need a quick Mario Party fix on the go, stick with a console version if you can.
This is the Police presents situations that aren’t deep enough to invoke social commentary, yet it still takes the opportunity to arbitrarily throw them out in the open. It’s missing key storytelling elements that allow for that kind of messaging, and in the mundane yet slur-sprinkled missions those ideas fall apart. However with its interesting gameplay mechanics, pretty packaging, and plans for a sandbox mode it has a lot of future promise which I hope they deliver on.
Virginia is, at its best, a gaming mechanism that provides slightly more immersion than watching a movie -- and at its worst, a failed walking simulator with a convoluted ending. Because it is a scripted experience light on interaction and choice, I'm not entirely sure I can recommend it as a game. There may be an inkling of promise in its budding story, but for many I imagine it will be hard to read between the lines and even harder to consider it a worthy experience.