Afterparty shines with witty dialogues and a crazy story, but the adventure remains largely playful on the track
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FIFA 21 is an overpriced full price update that should be considered very carefully.
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Interesting reorientation with open-world design, where fast movement is fun, but which stumbles over technical problems.
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Ghostwire: Tokyo is now representative of games that have been massively harmed by an open game world.
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Steelrising is the epitome of a solid, low-highlight soulslike that will pass you the time until the next genre hit.
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The Callisto Protocol is an atmospheric graphics blender that can only compete with Dead Space in a playful way.
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Gotham Knights obviously suffers from its difficult development, which buries a thoroughly fun core under many problems
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The Devil in Me is the best part of the series, but its technical problems always tear us out of the otherwise good horror.
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MediEvil brings back memories of the PS1 era, but more than clearly highlights the weaknesses of video games from the 1990s
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The best setting of the series and an improved camera do not hide the sometimes glaring weaknesses of House of Ashes.
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The Lord of the Rings: Gollum is often a nasty fried potato, even for great Lord of the Rings fans.
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Suicide Squad is a shadow of what once made Rocksteady one of the best developers for open world action games.
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Flat cliché horror, that disappoints in terms of gameplay and narrative and can only be used for a short co-op evening.
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Biomutant tries to pack a wealth of game elements into an Open World, but fails on almost all fronts.
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