It may have its minor frustrations but there's nothing here that really spoils what is an otherwise delightful and endlessly surprising game. It won't be for everyone, especially those who are unwilling to meet the game halfway and learn through trial and error, but those who welcome its open-ended challenge will find that a long stretch inside proves surprisingly enjoyable.
Basically, the game asks a lot of you, and demands that you pay close attention to every decision you make. While that makes for a steep learning curve, requiring deep thought is hardly the worst sin a strategy game can commit. Slyly funny, satisfyingly deep and yet slick and simple to play, Massive Chalice is a huge return to form for a studio that is overdue a comeback.
All of which makes PlanetSide 2 a real outlier at a time when major console releases are either utterly broken or blandly efficient. This is a game with some fairly major problems, but the rewards are so unique, so thrilling and occasionally thought provoking that even dropped frames, obtuse direction and dumb players can't diminish it for long. This is a game that will not appeal to everyone. Many will fall by the wayside when it fails to play like a normal FPS in the long term. Others will drift away, wearied by the endless churn of battle. That's why the game's free-to-play status is a good thing - those players will have lost nothing for their trouble. For those who click with PlanetSide's cold relentless vision of mass warfare, it can easily become an ongoing obsession. The only way to find out is to sign up and see for yourself.
Lush appearance and polished mechanics are not to be sniffed at, of course, and even if the game's long term appeal never quite reaches the dizzying heights its first impressions hint at, the difference is barely worth quibbling over. It's no exaggeration to say that Ori and the Blind Forest is still arguably the best Microsoft console exclusive of the last six months.
The gameplay is good, and very often great, but we knew that already. It's a known quantity. As a Batman story, this is something else. It dares to tackle not just the surface details of the character, but explores his psyche. It portrays him as, frankly, kind of a dick and also as a man of unflinching honour. The Batman of Arkham Knight is a complex, contradictory figure, a hero with real depth and dimension, and we get to wear the iconic cowl for one last mind-boggling night of mayhem. Miss out on that? You must be joking.
A vast and frequently brilliant return to Bethesda's atomic sandbox, but constant technical issues are a frustration.
Lego Dimensions is an inventive, delightful and hilarious take on "toys to life", but deep pockets are needed to appreciate it fully.
Visual improvement is usually the only real reason to pick up remastered versions of old games, but Unfolded goes one better. The fact it looks better is merely an attractive bonus. Even if you've already played the original game through to completion, it's absolutely worth playing it again in this incarnation.
A bombastically endearing tribute to classic action movie excess that is occasionally too chaotic for its own good.
A thrilling twist on Left 4 Dead's co-operative action, but minor balancing issues can make it hard to warm to at first.
The makers of Amnesia ease back on the horror, ramp up the philosophy and strike a satisfying balance between narrative and gameplay.
Weird, gory and surprisingly moving - Sony's long-delayed slasher tribute is a flawed but memorable step forwards for "interactive movies".
Thomas Was Alone creator Mike Bithell bypasses the difficult second album hurdle with a simple, elegant and carefully paced stealth puzzler.
If all that is expected of an expansion or spin-off is to deliver more of the same, then The Old Blood goes above and beyond its obligations. The decision to downplay the story elements does sometimes leave it feeling a bit overwhelming and stodgy - the textures and rhythms that made its predecessor such a sleeper hit simply aren't here - but as a lovingly crafted continuation of a game that was already pretty bloody great, there's little here worth complaining about.
Hardline is a solid entry in the series, and the fact that it seems to have launched without technical issues is notable though not really something that should need to be commended. It's doubtful that it will end up as more than a stopgap for fans, however.
I just wish it wasn't so clumsy where it counts, since there are few gameplay styles more off-putting than poor stealth, and the stealth here is often very poor indeed. Fans committed to the loopy storyline will probably be able to look past that and enjoy the surreal ride for its narrative and atmospheric pleasures. However, such frustrations can't help but drive a large rusty nail into the heart of an otherwise generous pair of expansions.
Provided all you want is the chance to shoot decomposing Nazis in the face hundreds of times over, you can't really fault Zombie Army Trilogy for delivering on the crude grindhouse pleasures implicit in its title. It's also hard not to wish the game didn't do more to deviate from its amusing but repetitive blood-soaked trajectory.
As a lifelong fan of Fortean mystery and atmospheric adventures, Kholat is a game I really wanted to love, but it left me out in the cold in more ways than one.
In the end, it's the surface details - the dry and gentle wit, the winsome voice acting, and the gorgeous design - that lash it all together. The deeper elements, the bones that might give it structural strength, feel thin. Broken Age doesn't quite suffer the fate implied by its title, but there are clearly fractures that time has failed to heal.
It certainly doesn't help that the debt to the superb Hotline Miami is so obvious. As I wrestled with the gluey movement and bizarre AI to find the fun in LA Cops, I was painfully aware that I could be having that fun already, in a more stylish and polished form, just by scrolling up my Steam library. As Omar so wisely said in The Wire, you come at the king you best not miss. LA Cops shoots way too wide of the target.