Terminator: Resistance shows a bunch of potential, even if it doesn't always meet it. I was happily surprised with deeper than expected progression, and great dialogue and relationship building. But playing the game I feel stuck in the past, with visuals from yesteryear meeting good but standard gunplay. The worst part is watching the newest piece, the Annihilation Line DLC, take a step back. The Wolfenstein series does better in this sub-genre, but Terminator: Resistance is still a lot of fun to play, which says something about where it could go if Teyon gets another shot.
Sherlock Holmes: Chapter One is an exemplary experience for anyone wanting to enjoy time with our eccentric investigator. The story behind Violet Holmes' demise will pull at your heartstrings, and the cases you'll decipher on the way there just make you appreciate Chapter One all the more. Yeah, there are some technical issues, and you're most likely going to get stuck at least once, but unraveling the best laid plans of the most conniving criminals is a delight to accomplish.
This culmination of all things Call Of Duty has resulted in something the entire series can look to, a blueprint on how to build a meaty and superb first person shooter experience.
Unplugged is actually a pretty cool way to bring the Guitar Hero format to VR. I was really impressed with the hands tracking, and the setlist is largely good, with a few nice big name tracks along with some lively lesser known ones. I could deal with plenty less Satchel, and would prefer in his stead more direction on what I'm doing, but all and all Unplugged is a rockin' fun time.
Marvel's Guardians of the Galaxy is the biggest surprise of the year, and joins Marvel's Spider-Man as one of the best Marvel video games in the last decade. The Guardians themselves steal the show, depicted perfectly, with a movie/comic-worthy story that will leave you laughing and crying. The combat is a lot of fun with plenty of strategies to use, even if it can get a little repetitive, and the setting and locations blow you away in scale and how incredibly detailed and beautiful they are. This Guardians team absolutely stands on its own, and just like the movie I'm hooked on a feeling.
Alan Wake is a gold standard when it comes to telling an incredible story, and nothing has changed with that in Alan Wake Remastered. The gameplay still feels pretty awesome, even if it sometimes shows its age, but nothing about that detracts from one of the best games of the last decade which feels at home, for the most part, in 2021. Visually, this game is taken to new heights, and even if it doesn't look or play as good as Control, Alan Wake Remastered, like the Bioshock Collection before, will leave players remembering that wonderful day in May of 2010 when they dove into Cauldron Lake for the first time. Or is it an ocean?
I'm not sure how Ember Lab did it, but I walked away from Kena: Bridge of Spirits with my expectations surpassed to a much further extent than I could have imagined. The visuals are breathtaking, the gameplay evolves in meaningful ways, and the heart the story contains has no bounds. You'll find it hard to come across a more wholesome and beautiful game in 2021 than Kena: Bridge of Spirits, it's everything I wanted it to be and more.
Deathloop walks a bit of a fine line, but overall has enough fun ideas to keep things mostly fresh and fun for Colt and Julianna players alike.
The Big Con is a blast from the past in its setting and story. While the tools to get you where you need to go need a bit of work, Ali is an exceptional main character, and playing through her story is a lot of fun. It's short, yes, but it's definitely worth the price of admission for an entertaining jaunt through the '90s.
Twelve Minutes is an immaculate construction of narrative that manages to take an extremely compact apartment space and spin an incredibly substantial story in it.
Fracked hits the slopes hard, slowing down at times to a frustrating degree, but doing so much right you keep on going. The gunplay is a lot of fun, the immersion is enjoyable, and the freedom of movement is surprisingly good, but I do wish the enemies spawned a bit slower and there was a bit more in terms of guidance. If you're looking to shoot up some grunts in a Borderlandsy setting while skiing, I can't recommend this one more.
ForeVR Bowl is the perfect way to bowl with your friends in the middle of a pandemic, and maybe even once the lanes are open again. There's plenty to do, lots to unlock, and throwing a ball feels deeper than Wii Sports did back when. Immersion is always going to be key to VR experiences, and just in gauging that, ForeVR Bowl knocks down all ten pins for the strike.
While it only has largely one trick, that trick is a lot of fun. In Da Hoop isn't going to wow you with insane graphics or revolutionize the VR scene, but Realcast has built something that is very enjoyable. The tracking that's been designed works very well with controllers, and is quite competent with hands tracking, even if it isn't the best way to experience the game. With a few upcoming updates this is bound to continue to be a great experience for anyone wanting to shoot a few hoops.
Buy it. Play it. Enjoy it. It's as simple as the game feels, even if it challenges you more than you'd ever think it would. The more I've played it, the more I see every one of it's accomplishments, with fantastic gameplay and a great choice of art style and soundtrack jewels in its crown. Death's Door does nearly everything right for what it is, and even the shortcomings of the narrative is barely a blemish on a spectacular résumé.
The return to Teer Fradee largely disappoints in the De Vespe Conspiracy, although the PlayStation 5 upgrade works well. I wanted so much more in something called an expansion, even if the cost said I should temper my expectations. The De Vespe Conspiracy still tells an enjoyable tale, but the surrounding new enemies, empty location, and anticlimactic ending make for something akin to getting a dinner mint as a dessert rather than the chocolate melting cake.
Ratchet & Clank: Rift Apart is one of the best games I've played this year. It's fun, it's endearing, and I just want to play it again. The gameplay isn't much different, but it's refined and has aged like a fine wine, with the technical prowess on display we've come to expect from Insomniac Games. If you're looking for a great narrative, the story is arguably the best in the series, with the grandeur of a Marvel movie in tow. One could imply the game isn't long enough, but that's only because they put down the controller, and that's just not what you're going to do if you have a copy of Rift Apart.
Days Gone is the perfect PlayStation game to make its way to PC. It was already a beautiful game, but held back by the PS4 and PS4 Pro. On PC, Days Gone gets it's chance to flourish, running at uncapped frame rates, high resolutions, and touting an FOV slider. While it is missing some cool next-gen upgrades like ray tracing and DLSS, Days Gone runs nearly flawlessly on PC, and serves as a testament to Bend's tradecraft. Even if you've already played the game on PS4 or PS4 Pro, it's worth jumping back into the shoes of Deacon St John on PC to massacre a freaker horde at the highest level of performance possible.
Firsts don't come around very often, but this is one of PlayStation's first PS5 exclusives and Housemarque's first triple A releases, and the combination is a triumphant success. I'm not sure how they've managed everything in play, taking the bullet-hell stylings of old and meshing them with the trappings of a third-person roguelike, but it works to a fantastic degree. On top of that, the action-packed gameplay is some of the best around, additionally being one of the most immersive and next-gen experiences available thanks to an incredible understanding of the DualSense controller. Yes, the story may take a backseat, but that's the nature of the roguelike genre, and doesn't hinder Returnal in the slightest. I may not be much for roguelikes, but I can see myself "returning" to play this one again and again.
Despite all of the ways that Outriders is stuck in the past, the moment to moment gameplay is so compelling that it's impossible to say it's not a blast -- especially with friends. It's also remarkably expansive in its crafting and skill trees, with plenty of ways to customize your playstyle. I may not be that invested in the story, and this certainly isn't that different from most first person shooters, but Outriders is well worth the time and effort. Even if there may be extra effort put in because of crappy server connections.
In the end, What The Dub?! has only one trick. While that trick can be and is a lot of fun to mess around with, it wears out its welcome a bit too quickly. Although text-to-speech is a great idea and sound effects are a worthy addition, the b-movie clips feel like they're on repeat after a while, and the pacing can leave you in the lurch. I hope that the game can get some additional support, and with some additional footage maybe over time it can improve, but as of now it feels a bit hollow.