It’s a rare day that an indie shmup, so well-buried that most have never heard of it, manages to be this good at what it does. It hasn’t got vast worlds to soar over, nor does it try to break new ground. Instead, it delivers an old-school shmup experience in a fresh new way, fired up on influence and ambition, and the love of a genre. Fans would be raging mad not to pick it up.
You're being treated here, not to a replica of 16-bit graphics, but the genuine article, and that in itself carries a wonderful charm. With varied locales and great music, River City Girls Zero cleverly all takes place in pseudo real-time, the sun setting into night and eventually dawning again as you near end of your journey. It's an endearing romp across a quaintly rendered Japanese urban landscape that continually offers new places to scrap - from fairground rides and collapsing buildings to nightclubs and sun-drenched bays - all becoming especially colourful in the last hour. While it's very much a game of its era, River City Girls Zero is still rewarding for those interested in experiencing one of the saga's more creative entries.
If you're a fan of this now very old series, you might find Sol Cresta's mould appealing. It's certainly fun to improve, win shields, and prolong your survival by grabbing back lost ships; and to be able to whip your craft into formation and quickly destroy bosses with a countdown of powerful ordnance - and the audio is sublime. At the same time, with all of its interesting ideas, one can't help but feel that there are elements here that need more polish and careful implementation. There are very few memorable boss attacks, and while some stage junctures are somewhat shrewd, others come off as ill-conceived or uninspired. By no means is that to say it's unenjoyable - there is a definite groove within its visual mess that becomes clearer over time as you chip away at the interesting core gameplay - but the fact of the matter is that Sol Cresta is up against a wealth of extremely steep competition, and to stand out it needs to be hitting the all-important notes with greater finesse.
Swords & Bones needs to be approached and scored based around several key details, including whether you enjoy Ghosts'n Goblins or Castlevania-style platforming, as well as indie takes on the theme. If the answer is 'yes' to these metrics, then Swords & Bones comfortably earns its modest price tag. It has near zero replay value once completed and tied in a bow, and it's neither deep or surprising; but it is, undoubtedly, a fun way to kill three hours with a talented gang of bedroom coders. If that sounds appealing, the negligible investment will be money well spent.
The ultimate M-KAI package, this three-strong historical evolution is the purest distillation of the developer's vision for the shoot-em-up. Eschatos' beautiful bombast will suck you in, fire up the adrenaline, and spit you back out with an instant just-one-more-go mindset. If that's not worth diving into, why are you playing games at all?
Although rough around the edges, Radirgy Swag will please existing fans, certainly win some new ones, and probably land cold for everyone else. It was never expected to be a mass market hit, which is why it's a positive that the series has found a western audience, small as it may be. If you're a shmup fan looking for something out of the ordinary, its system of power-up juggling and reckless shield regeneration might just be your ticket. It requires some initial legwork, but once it clicks it really cooks.
Although there's nothing here that hasn't been seen previously, this is still a package bursting at the seams with content, and the sequel's novelty Christmas theme is perfect for memorable December gaming. Driven by an excellent set of punchy organ arrangements and murky musical notes, Deathsmiles I & II is a very large Halloween-themed cake; an exuberant, gothic flourish punctuated by enduring bosses and a unique route-and-rank structure that encourages experimental replays. With little middle ground between casual and concerted professional play, it might not be Cave's most balanced piece of work, but there's no doubt it has something for everyone, no matter how you choose to approach it.
Bewitching in both incarnations, Cotton's Reboot! is a fanfare of zany ghouls and ghosts, inventive and inimitable bosses, and a superbly catchy soundtrack in both original and remixed forms. Never being released in the west and prohibitively expensive today, it's something of a blessing for retro gamers to be able to dip their toes in Cotton's enduringly impressive X68000 outing. Of all the "cute 'em ups" out there, it remains one of the best, while the new Arrange mode – with its impressive overhauls and remixed ideas – has cast a rare spell of resurrection.
If you can't stand the thought of tackling a game through an arduous process of restarts, walk away now. There are points in the campaign where Fujiwara comes close to overstepping the mark, and you do wonder why sections like the disappearing platforms of Zone Five need to be quite so drawn out, or why the hell he threw a Red Arremer into the mix at the start of Zone Four when you're already being assaulted from every direction. But we're here to criticise the game's architectural makeup and not necessarily its palatability to a broader audience. Although its difficulty isn't going to be for everyone, it remains solidly coordinated, upholding the series ethos of practice-based progression via old disciplines and new processes.Ghosts 'n Goblins Resurrection is Tokuro Fujiwara's love letter to a thirty-five-year-old series that's famous for burying mortal men, and it's a job done exceptionally well. By ignoring it, we risk having to wait another thirty-five years for a new entry, and, in a world where so many games have become cinematic, one-button-does-all 3D picture books, that's an unacceptable prospect. If challenge is what you live for, toughen up, don that mental armour, and take up the mantle like a lance. If you put in the time and effort, Ghosts 'n Goblins Resurrection will see you reap the most valuable of gaming accomplishments: the prestige of victory.
Despite some re-release shortcomings, SNK vs. Capcom: Match of the Millennium remains not only a charming piece of history, but a comprehensive fighting game with impressively taut elasticity. Bursting with move-sets that accurately mirror the arcade counterparts from which they're derived, it represents the moment that a legendary rivalry thawed out and shook hands, and a fanfare for SNK's excellent but ill-fated handheld. There also remains something special about having so many faces from so many different series occupying the same screen space, and in such good spirits. Seeing pocket-sized Kyo and Chun-Li battle it out on her Great Wall stage or Ken and Ryu's fireballs trailing across Krauser's cathedral is an experience worth revisiting. It's an object of both its time and format, and you need to be prepared for that; but SNK versus Capcom? That really is the match of the millennium.
Despite its unconventional structure, Starship Project X is an undeniably creative endeavour. It's clear that the developer has enjoyed making it, and it manages, against all odds, to do something new and interesting with the often tired shoot-em-up premise. Once you learn its catalogue of obstacles and sync with its immediacy, it gets a lot more manageable and enjoyable, and trying to finish stages unscathed is a fun pursuit. Unfortunately, no matter how skilled you become, the experience is occasionally marred by unexpected attack overlaps and ensuing ship positioning struggles. While the balance isn't perfect, and its longevity in terms of holding your attention is questionable, it deserves applause for its originality and its short, fun, adrenaline-fuelled nature: the kind arcade gaming was designed for.
Although The Last Blade: Beyond the Destiny is an excellent little thing, one must keep in mind that it is still a 2001 handheld fighting game, and very much of its time. On its original hardware, it was heaven-sent, but on your Switch you might be somewhat disappointed if you're going in blind. For SNK aficionados and Last Blade fans, it will delight purely on historical value, but those with no experience of the Neo Geo Pocket or the SNK library will likely feel better served buying the actual arcade ports of Last Blade 1 and 2, which are also available on the eShop. To that end, this is a better bet for fans, collectors, and those enamoured by gaming curios. It's dinky, it's charming, and it's a testament to the craftsmanship of old SNK. And, while imperfect, it plays like The Last Blade should. For certain gamers, that will be more than enough.
Dariusburst: Chronicle Saviours is a successful cinematic rebirth of a classic, though it can be an acquired taste.