Joseph Whitfield's Reviews
Underneath the fan service and incessant yammering during battles, you have a mindless, fun dungeon crawler that’s full of wit and charm. Yes, the environments and plot are stale and it can feel like a slog at times, but the self-awareness and comedy of the script acknowledges these issues constantly. This is perhaps why I kept playing. It may feel like a cheap solution to acknowledge your flaws so brazenly without attempting to fix them, but for the most part, I have to admit that it works. Overall, I’d say that, in spite of the repetitive levels, the gorgeous art style and the characters are enough to keep you invested until the final credits roll.
It’s just unfortunate that for every improvement Revenants has made, so comes a consequence which hinders it. Yes, battles now require more skill than button bashing, but the sheer amount of time spent slogging away hampered my enjoyment considerably. Driving the narrative by talking to people midway through battles is a welcome change but.it is instantly counteracted because a short window in which to make important plot decisions is simply not enough time. Too often you vote on a subject without having the full story, and the outcome isn’t what you would have aimed for.
Empire of Angels IV is a tough game to recommend to the players who live and breathe Strategy RPGs. The stripped back nature of the battle system has no real depth to it, and the constant backtracking to previous encounters to grind levels will be annoying and takes a shine away from the story and visuals. By the same token Empire of Angels IV is the perfect introduction for people who aren't used to the S-RPG genre. The battle system is straightforward enough to get the hang of and isn't complicated in the slightest - enemies are just tough enough to make you think about how to approach each battle and with regular backtracking to grind those levels, it's a good way of working out which heroines work well with your play style.
If you’re looking for a tough as nails arcade shooter, R-Type Final 2 is the game of choice. The controls are tight and although not perfect, the environments are pretty enough to keep you entertained. R-Type Final 2 treads a fine line between too tough to enjoy and just hard enough to keep you coming back for more, and even on the easiest difficulty there is a steep challenge where casual players will struggle.
Overall, Defentron is a good entry point if you’ve not played many games in this genre. The neon stylings of the game, and the techno background music really adds to the feel of the game. The learning curve lulls you into a false sense of security at times and ramps up considerably. The levels can be stupidly frustrating and unfair, but if you’re determined enough, there’s a genuine celebration when you complete that level you’ve attempted nearly 100 times over.
I can’t stress how satisfying Rayland 2 was while I was playing it, especially in the later levels, when multiple lasers of different colours were introduced and the difficulty became challenging. The trouble is that the game leaves you wanting more and not in a great way. The minimalist features are a little too bare bones, and the number of puzzles is simply not enough as the game can be beaten quickly. That being said, while it lasts, Rayland 2 has a simple concept that excels at testing the abilities of all players, and those looking for a tough-but-not-taxing puzzle game will definitely find it here.
Terminator Resistance: Complete Edition ticks a lot of boxes, the story of what happens post-Judgement Day fills in some of the gaps left by James Cameron’s original works and the first few levels where you are stalked by the machines are absolutely brilliant. It’s unfortunate that the game quickly becomes a by-the-numbers shooter with its baffling AI, bland environments and dull gameplay. The included DLC does help matters a little, with the Infiltrator Mode being a short-lived highlight, but unless you’re a diehard Terminator fan, it’s probably not for you.
The rest of the game is full of profanity to the point Limp Bizkit would have to call their mums to apologise, and at points, the excellent story pivoted into pure juvenility. I’m not sure if this was a mistranslation or if Suda51 intentionally tried to cause outrage, but in any case, it just feels like it’s trying too hard, which in my eyes is more offensive than actually offending the player by including boob jokes, or multiple F-bombs. It would have been more impactful if the game’s jokes landed in any way, or if there was a reason behind what was being said, but that certainly wasn’t the case. The 25th Ward: The Silver Case is a tale of two halves: the first being a well-written murder mystery that dives head-first into the surreal and is a joy to watch, and the second half is like a petulant teenager who is trying to cause a ruckus because they didn’t get enough attention growing up. The plot though saves the game and managed to captivate me enough to explore every single ending. Even though I had no idea what was going on half the time, I still had to play until it was complete to get closure on the story. The visual novel playstyle isn’t for everyone but if you can put that, and the crass humour to one side, The 25th Ward: The Silver Case is one hell of a strange game to behold.
The best way to sum up Post Void in any meaningful way would be ‘if Quentin Tarantino had somehow developed Doom instead of directing films’. The game has all the hallmarks of the director’s early works; it’s ultra-violent, hyper visceral and littered with barefoot baddies in sharp suits. The arcade style of short, sweet and brutal gameplay, rather than producing a lengthy campaign is a bold choice, and while your mileage may vary, I felt Post Void was the perfect bite-sized shooter that offered up a lot of fun despite its short runtime. The gameplay is engaging and snappy enough to the point I didn’t care about the game only being an hour long, or the repetitive soundtrack pumping in my ears like a German discotech. All I wanted to do was run through the myriad of creatures with a shotgun and make it as far as possible before being sent back to the beginning. Even now I can feel myself being drawn back for just one more hop through Post Void’s grotesque world…
SkateBIRD might sound like one of those joke titles that is played for around five minutes before being forgotten about, but what is actually here is a well thought out skating game that’s full of charm and humour. While the skate mechanics are a little rough around the edges, once I got over trying to execute each move perfectly and relaxed into the game’s casual nature, my time with it was rather fun. All things considered, if you’re after a wholesome, silly skating game, SkateBIRD does fit the bill, albeit in a rough "seagull-fighting-you-for-a-chip" kind of way.
Neptunia ReVerse feels more of a test of how the PS5 hardware works for Idea Factory & Compile Heart rather than providing players with a new experience, and after ten years the game is starting to show its age. References to the bygone era of PS3 & Wii, cut scenes being given a spit and polish rather than recreated, and the issues with a sub-one second load between battles just gives the impression this is an aging port and not a modern day enhancement. The game is very self aware and the core game is still pretty fun to play albeit with repetitive sections and a little bit of a grind to cope with. Arrange Mode offers up a challenge and remixes the dungeons and items found within but overall Neptunia ReVerse suffers from typical “first game in the series-itis”; there’s a lot of good building blocks which have since been fleshed out and better implemented in the newer titles.
Despite all of the shortcomings, Nexomon is a fun video game to play, especially factoring in the cost of the game. Even at it's full price, there is a compact RPG that you can play and enjoy the visuals and story. There is a tough grind that feels like a slog early on, but this isn’t a game that offers more than 30 hours of gameplay, nor does it pretend to. The simplicity of the gameplay means that even after an extended break away from playing, which is probably caused by using the stock of twenty Nexotraps, you’re always able to pick up where you left off with relative ease.
Cake Invaders was a rather fun time, and in the couple of hours I’ve put into it so far, blasting wave after wave of enemies didn’t get as stale as I thought it would. The graphics are cute, the music is just repetitive enough to be annoying, yet forgettable, and the price point is absolutely spot on for the amount of game you are getting. A multiplayer mode would have been nice, but the charm, accessibility, and simplicity of Cake Invaders meant I just wanted to try to beat my own score and is a true guilty pleasure in the making.
I know I’m not the target audience for Kao the Kangaroo, it is clearly aimed at younger players, but there is a fun time to be had. It is a shame that Kao suffers from all of the technical drawbacks. The save states simply don’t work and the graphical slowdowns make the game unplayable. Putting the bugs aside, Kao is an easy-breezy platformer that is fun to play. It might not be the most inspiring platformer out there but it is fun.
Wanted: Dead looks back at the last twenty years of game design and manages to combine shooter and hack ‘n’ slash elements rather cohesively into one of the tightest melee/shooters I’ve played in a long while. Unfortunately, while I will scoop praise on the gameplay until the end of time, there are issues that can’t be ignored. When I wasn’t shooting things with gleeful abandon, everything else was trying to make me put down the controller. The wooden plot and lifeless characters are a given, but the strange minigames, awful level pacing and difficulty spikes left a bitter taste in the mouth. There’s no doubt this is a fun game and I can see a small section of players absolutely loving it to death, but outside a tight knit niche of fans, I’m certain that Wanted: Dead will sadly be quickly forgotten.
Just Die Already sounds amazing on paper; old people foregoing common sense and wanting to end their lives in the most over the top way imaginable. The overall look of the game is hilarious and there is some fun to be found in short bursts. It’s just a shame that the controls, as deliberately janky as they appeared to be, are so unforgiving to the point that they spoil the experience and sapped all of the energy from the game.
Of Bird And Cage is a great concept for a videogame; real care and attention has been taken to produce a quality metal album that tells a story that provokes an emotional response. With a two hour run time and multiple endings, there is scope for replayability, but as the focus has been squarely put against the soundtrack, other areas suffer. Visually Of Bird And Cage does the job, but the gameplay elements felt rushed, and the lack of direction severely hampered my enjoyment.
It is a shame that Rift Racoon’s levels weren’t a tad longer and the controller issues prevented a more balanced outcome. Just tweaking the control scheme slightly and spending a few more seconds clearing one extra obstacle, or even having something more to unlock with the gems would’ve elevated the game from “OK” to “Pretty Great”.
Sadly Clockwork Aquario offers little challenge and can be completed in next to no time at all. Once the game has been beaten for the first time everything is unlocked and the only thing left to do is look at a rather nice gallery or try to beat your own high scores. If there is one element that saves Clockwork from being forgotten for another thirty years, it is it’s co-op mode. While the levels stay the same, save for a few extra baddies, the frantic experience of simultaneously playing with and against Player Two is the genuine highlight of the game.
I wanted to like Kraken Academy!! more than I did. It’s a game that’s wonderfully strange, full of great ideas and has an engaging main story. While I was at the school, I was thoroughly absorbed into the rotting world, obsessed with cleaning it up and building out my friendships. The problem is that outside of the main story there was nothing to keep me past Wednesday, sure a few side quests are present, but they can easily be ignored. In fact the amount of time logged in our ‘At A Glance’ table is predominantly me collecting bottles, even though it was a pointless endeavour. Don’t get me wrong, I recognise this is an indie game and Happy Broccoli Games have done wonders with what they have created, but if the game had just a few additional classes, or something to work towards such as an alternate ending, it’d be a game I’d recommend in a snap. For the price, it is worth a look, so long as expectations are set accordingly.