Phantom Fury needed more time in the oven. It’s certainly not that raw, but it’s not well-cooked either. Even if Slipgate Ironworks ‘irons out’ all the bugs, the game would still be an above-average FPS in a market dominated by nu-Boomer Shooters. Certainly not the sequel Voidpoint’s Shelly deserved.
Sovereign Syndicate is a decent first attempt from Crimson Herring Studios. The setting and characters alone make it worth playing, especially considering the price. The game would have benefited from a tighter narrative and a more fleshed-out Tarot card system. Here’s hoping that the game does well enough so that the devs can implement partial voice acting (at least) and learn from its shortcomings to make an improved sequel.
Double Dragon Gaiden: Rise of the Dragons is an appreciable attempt from a small team of devs who are well-versed in its legacy. Huge character variety, Tag system and the Roguelite elements are welcome additions to the long-stagnant IP, and it can be a genuinely fun game at times. However, it does not always hit the right notes. A criminally short campaign, the lack of additional gameplay modes and the TBA online co-op makes it a tough sell when SoR and TMNT have offer so much more at a cheaper price point. If I were you, I’d wait for some content updates before taking the plunge.
The Thaumaturge is a curious experiment with an unexplored setting and a unique take on the classic turn-based combat. Fool's Theory has struck gold on the former thanks to an interesting story, rich worldbuilding, and a colorful cast of characters. However, the combat system is severely underutilized and left me wanting more. The same can be said for the investigative part of the gameplay as well. That being said, It'd be a lie if I said I didn't have fun within the said constraints. As a purveyor of Eurojank, there is a certain allure to the game that I couldn't resist. That doesn't mean you'll enjoy the game as much as I did. The Thaumaturge could have easily been one of the best RPGs of the year if it had more to offer in the gameplay department.
While it may appear as a Hotline Miami clone, OTXO does enough things to set itself apart. Satisfying gunplay, an assortment of random upgrades and an alluring art design combined with great music makes it worth playing. However, since Steam is filled with some standout indie games, $13.49 seems a bit too steep for a standard Roguelite. If you feel like that is the case, wait for a sale on this one.
The hours I spent in Dragon’s Dogma 2 were filled with spectacular highs and frustrating lows. When the game gets going, it really gets going, before suddenly coming to a screeching halt. While I still look back to the 5 days I spent with the game with fondness and admiration towards Itsunos’ craft, the game’s poor performance coupled with Capcom’s less-than-ideal monetization practices and the underwhelming endgame tarnished my experience to a degree. Let’s just hope that Dragon’s Dogma 2’s upcoming expansion rectifies its many shortcomings. May it prove to be another Dark Arisen.
Jusant offers a therapeutic and heart-warming narrative about hope, struggle, reclamation and beginning anew conveyed through immersive and non-disruptive gameplay moments. The core gameplay is simple and fun thanks to the fluid controls and well-made animations. The lack of any sort of challenge and extremely basic puzzles does affect the catharsis, but Jusant is more than the sum of its parts and has enough substance, making it the perfect Gamepass material.
Pizza Possum is a well-crafted bite-sized game that largely succeeds in what it sets out to do- a stressbuster that you can play solo or with your spouse or kids in short bursts. Cute visuals, goofy sound effects, smooth animations, and a simple but engaging gameplay loop make this one a winner. Oh, and it’s reasonably priced too. The addition of more content will ensure that Pizza Possum gets more recognition than it does right now.
Regardless of how different Outcast: A New Beginning might have tuned out; it’d never have upped the original classic. That’s not necessarily a bad thing considering how far video games have come since Cutter Slade initially graced our screens. A New Beginning fully embraces its B-movie vibes to deliver a fun if somewhat basic gameplay loop devoid of many of the modern open-world bloat. However, THQ Nordic dropped the ball when it came to the pricing of the game. Slash the price by 20 dollars and there’s a pretty fun experience to be had here.
Banishers: Ghosts of New Eden tells a compelling, emotionally charged story that's supported by a layered cast of characters and great performances. It does stumble a bit when it comes to combat and encounter design and the awful lip-syncing does undermine the otherwise stellar voice acting. But if you're someone used to AA experiences, the pros far outweigh the cons. For $49.99, you're getting a well-written, lengthy single-player campaign with a slew of engaging side content that may take you anywhere from 25-50 hours to knock off.
Warhammer 40,000: Rogue Trader is easily one of the best W40K games out there right now, offering a decent story, rich role-playing opportunities, deep character customization, a servicable combat system and the chance to play as a uber-privileged space fascist. The boring space battles and generic companions do drag the experience down a bit and if you’re someone who has a low tolerant rate towards technical issues, it’s best to wait for the inevitable definitive edition that’s bound to come out soon. Glory to the Imperium of Man!
Valfaris: Mecha Therion is a blood-pumping, head-banging, monster-bashing sequel to an excellent game. Steel Mantis has graciously transformed Valfaris into a brutal 2.5D Shmup while keeping the identity of the original intact. It’s a different but, ultimately, familiar experience. I’m all up for a Metroidvania threequel now.
Ghostrunner 2 is a solid entry that builds on the foundation of the first game. Almost everything has been tweaked or expanded to provide a lengthier, more varied campaign that retains the precise platforming and fluid one-hit combat. While the PC performance is not optimal and some of the new additions disrupt the pace of the game, Ghostrunner 2 does enough to please fans of the first game and then some more.
Warhammer 40,000: Boltgun is a competently made FPS that’s exactly what it’s advertised to be – a no-nonsense, Boomer Shooter with tight controls and satisfying combat loop. The fact that it looks amazing is the Daggerfruit on top. While the game plays it safe and doesn’t deviate from the established formula, it nevertheless offers over 10 hours of entertaining gameplay. At the same time, there is plenty of room for improvement. Even though multiplayer is out of the question, the addition of an endless mode, extra challenges, and even a map editor will go a long way in ensuring that the game is replayable. Boltgun is a purchase retro FPS fans won’t regret.
Like a Dragon Gaiden: The Man Who Erased His Name is one last hurrah for the Dragon of Dojima and the classic brawler-style gameplay. After the botched sendoff of Yakuza 6, RGG Studio has gone back to the drawing board and delivered a short but fun and emotional rollercoaster. While there is 15–30 hours of playtime to be had in Gaiden, SEGA’s regional pricing leaves much to be desired. Thanks to Gamepass, fans around the world can get into the head of Joryu at an affordable price. Like a Dragon Gaiden: The Man Who Erased His Name is a tribute to the legendary character fans should not miss out on.
Rise of the Triad: Ludicrous Edition is hands down one of the best remasters ever made that will no doubt please all fans yearning for a sourceport. It’s one of the rare cases when the recreation outshines the original product. Rise of the Triad may be a divisive game, but there’s nothing divisive about Ludicrous Edition. Nightdive has once again upped the standards for remasters. If you’re a fan of the original, Ludicrous Edition is a must-buy at full price. If you’re wanting to try the game for the first time, try out the demo and see if it’s for you. They hardly make games like these anymore.
Darkest Dungeon 2 is not trying to replace the first game. It aims to occupy a spot right beside its predecessor. There are some things the sequel does well and some things it doesn’t. The streamlined (in a good way) combat, reduced grind and improved character dynamics comes at a cost of the removal of the comfy base management of the original.
Prince of Persia: The Lost Crown is a mind-blowing platformer with extremely detailed control over the character for platforming as well as combat. Having such tremendous control requires a serious challenge which the game does not fear to give. The game however does fall short in providing a memorable story and soundtrack. Otherwise, you're looking at a major platformer of the year contender.
RoboCop: Rogue City is the type of game you get when a developer stays faithful and respectful to the source material without compromising their vision to suit modern sensibilities. It’s a game specifically made with for RoboCop fans by RoboCop fans, and that shows in each and every frame. Rogue City embraces the essence of what makes RoboCop great - be it the social satire, or the power fantasy, adapts it into an entertaining gameplay loop and goes to town with it.
Miasma Chronicles take the ideas introduced in Mutant Year Zero and polishes them to a shine. What results is a beautiful (though trope-ish) and lore-filled post-apocalyptic adventure with plenty of challenging handcrafted combat scenarios that will surely give master tacticians a run for their money. It goes without saying that if you liked its predecessor, you’ll surely love this one. There are improvements to be made in the performance and bug department to be sure. But, all in due course, I suppose. The ladies with beards have struck gold once again.