Joey Thurmond's Reviews
[This is] a game I admire yet refuse to sugarcoat because of its deep flaws. There's no question it's visually and aurally excellent with its balanced performance and graphics, confident aesthetics, persistent sound effects, and phenomenal score. It may also feel perfect to play, but the seams fall apart when examining the lack of objective diversity, bosses, and standout moments that rarely raise the execution of gameplay to creative or clever lengths. [...] That sounds damning, doesn't it? Yet I can't help but highly recommend this game because I had a blast with it.
You aren't just a cog in the machine here. You act and feel like an essential piece of the puzzle to victory [in Overwatch], which produces a sense of belonging to teams and thrill I haven't had with any sort of multiplayer game in a long time, especially one that manages to be uncannily accessible. It contains oodles of replayability with a gorgeous, charming art style and animation, superb sound design, and modes that never grow stale. This is easily one of my top contenders for 2016's game of the year. Let alone this generation of consoles.
Just like Ico and Shadow of the Colossus, many will grow fond of and be inspired by The Last Guardian for years to come. It's a fairy tale that pulls on the heart strings with a whimsical world, provoking childlike wonder at every corner. After being in the stream of development for so long, it surfaces with dings and wear in the form of an unrefined camera and controls. Some unclear objectives and strange puzzles may be evident as well, but with a profoundly intriguing and lovable AI companion, stirring score, and captivating scenery and animation, it's easy to see why this anachronistic anomaly was far too unique and precious to stay under forever.
Whether you act upon fight or flight, the restrictions imposed on the moment-to-moment gameplay never fail to make sneaking or making a scene filled with excitable tension. While some design choices, a lack of diverse objectives, minor issues with the controls, and passable characters will contribute to varying bouts of boredom, it's more than worth to see Amanda through to aurally and visually absorb every second of the distinct retro-futurism that Creative Assembly perfectly replicates and improves upon.
Umbrella Corps is a brain-dead mess of good ideas gone wrong. It partially hides its flaws underneath a veneer of pretty graphics and promising gameplay concepts, but it can't hold up under its own weight in execution. Patches may iron out some of our grievances, but conflicting mechanics, dumb level design choices, balancing issues, technical problems, and shallow content plague this shambling title to the core, ensuring a quick burial with single-player missions that are a mere afterthought. This isn't just a bad Resident Evil game, but a disappointing multiplayer shooter; a spin-off that feels like little more than a lazy cash grab.
This game feels like it should've come out over a decade ago, and even then, it still wouldn't have been ready for release. Some sprawling mechanical puzzles, an intriguing world, and a solid soundtrack can't save Syberia 3 from its disappointing delivery. Poor writing and even worse voice acting make its humdrum story a chore to chew through. With major technical issues in tow along with too much errand-like gameplay, the series should've waved a final goodbye like its protagonist in her last outing.
Smashbox Arena's core gameplay makes for tension-filled multiplayer showdowns, proving that simple design is all you need sometimes. However, dearths of content, modes, and polish sell it short when it could shoot for so much more.
We extend our sympathies toward Frozenbyte since Trine 3's weaknesses are due to unforeseen costs that exceeded its budget, but this doesn't alter the reality of the game's state. While it may surpass expectations as a picturesque fairy tale come to life with a lovely score and promising tale, your childlike wonder will fade and be cut short due to abrupt closure, trite puzzle-solving, and dumbed-down gameplay that spells a fumble for this middling entry.
Finish Line Games has attempted to inject some colour into the car combat genre with Cel Damage HD, and there is some reasonably entertaining action on display here. Sadly, while the cartoony visuals and creative power-ups are a highlight, the lack of replay value will soon put an end to your enjoyment. This is fun for an evening if you've got some buddies nearby, but without an online option and with a pretty tiring cast, you'll quickly tire of this comic book clash.
Banned Footage Vol. 2 is a mixed assortment of intriguing ideas that don't pan out or leave lasting impressions. With less depth and replay value to boot, it's harder to recommend in light of its puzzling price of entry.
A Hat in Time excels with an overwhelming charm in its writing and art direction that overcomes any missteps in these areas. Its core, smooth mechanics also benefit from promising ideas, but none of them prevent the game from being pulled into a wormhole of mediocre level design and objectives. The potential for phenomenal platforming and exploration is here, but for every positive, there seems to be a negative in A Hat in Time.
Senran Kagura Peach Beach Splash can be a romp in more ways than one. It's a decent third-person shooter with fast-paced, vertical gameplay, and there are some quirks here and there that make it stand out in its market. However, its single-player content can get noticeably repetitive and one-note amid a lot of the fluff that you'll unlock. If there's one thing the game owns with style and confidence, it's the overall presentation. We're pretty sure it's the most important part anyways.
It's an accomplishment in itself that Attack on Titan: Wings of Freedom is a robust, sensible game that does the beloved show justice, and it should be the groundwork guiding potential sequels. Commandeering any character is an absolute joy with the excellent control scheme and host of activities that fight for your attention on the battlefield, but this initial depth gives way as the title runs low on gas several hours in, failing to refuel and catch up with your sustained interest. Initially, fans will eat this one up – the story and visual presentation acting as delectable dressing – but even the best of meals lose their allure over time if that's all there is to swallow.
The cartoony, minimalist graphics and eye-catching presentation will hold your attention, but like a fanciful daydream, the breezy experience will abruptly end, leaving you sighing in disappointment as you snap back to reality and stow away its pleasant aspects at the back of your mind for a good, long while.
Rollers of the Realm strives for true innovation by fusing the pinball and RPG genres. There are some clever spins on traditional pinball gameplay, and it's bizarre yet fascinating to see how a story, characters, and RPG stats and abilities are interwoven with this. It's unfortunate, then, that irritating design faults and questionable ball physics significantly mire the ideas at work. It's certainly an unexpected journey, but it's wrought with joys and pains that you should take into consideration, whether you're a pinball connoisseur or not.
There are some good ideas in this modern interpretation of Q*Bert, and we love that the original's included as part of the package, but iffy controls undermine the experience. It's a quaint little curio for fans of arcade games, then, but it's not exactly a must have.
As a whole, We Are Doomed doesn't quite meet its asking price. While what's here can be compelling for a short while, it quickly loses appeal. However, it's certainly not doomed, as it's a solid arcade shooter with a gorgeous – if occasionally distracting – art style and fitting music. Take it all in slowly, then, and you may be able to appreciate it like a fireworks display that you're in control of.
This is The Order: 1886's downfall. It's so caught up in its orderly appearances that it fails to impress where it truly matters with gameplay and story, which is where the cracks start to show with its internal disorder.
The game does boast high production values with its show and captivating graphical effects, which are aided by a thoughtful story that tackles time travel with a logical, thematic bend. However, most of this obscures half of the boring characters and the show's focus on mostly uninteresting side characters. The audio may be great all around, but the fascinating visuals and gameplay are marred by unfortunate limitations, respectively from a technical and imaginative standpoint.
I want this franchise to excel, but just as the first game struggled to get off the ground, Catalyst struggles to soar as well. The core gameplay and artistic direction have vastly improved for this entry, and while it explores new territory with an open world and a grander narrative that act as solid foundations, they're squandered since little is built atop them to make this game tower above its peers. Despite these letdowns, DICE now has an even better framework to construct a phenomenal sequel, and I earnestly hope it will seize and run after this opportunity. I have faith in Faith's future, but her time to shine hasn't been struck just yet.