Dosa Divas isn't without some ingredients missing to create a robust RPG, but it's a well-seasoned narrative adventure that's exciting your senses. The story and characters are heartfelt and impressively written, the combat system although not expansive is fun to engage with; and the cooking minigames, whilst not perfect, are an excellent detour to round out the gameplay loop.
Easy Delivery Co. is a laid back low poly vibes based game, until it isn't. The core gameplay loop of delivering packages, whilst thinking about your resources, is a fun couple of hours. However, the gameplay becomes stagnant as no real progression is felt until you've almost beaten it. There's an iceberg to delve into post-game, probably found on message boards, but none of it is earned in-game.
Bungie are once again at the forefront of sci-fi with their extraction shooter Marathon. Whilst none of the elements are purely unique individually, Bungie have cultivated a brutal ecosystem that gives you as much as you're willing to put in. The barrier to entry is high, and the player base are already daunting, but what is on offer is an FPS with exceptional gunplay and heightened encounters, wrapped in a brilliant setting.
Death Howl is an excellent and original soulslike deckbuilder, that's only mired by its pacing. Progression is sluggish, and the combat is so unforgiving that these challenges may dissuade some players. However, if players want that challenge and love turn-based card battlers, then it doesn't get better than this.
Reanimal is a whole beast of its own from Tarsier Studios, but only vaguely beyond the surface. It's a dark yet tasteful turn into more mature horror, with a striking art style, and a tremendous level of world building. However, its gameplay doesn't quite feel like the improved pivot every other aspect Reanimal has, as it's what we've come to expect from the studio. It's still an unnerving spectacle to trudge through, but it just feels a little too familiar to be impactful.
Taking design cues from a whole spectrum of sci-fi games, The Alters has crafted a wholly unique and engaging survival management adventure. With a thought provoking narrative and an addictive gameplay loop, I couldn't help but be lost in space, just like Jan.
Heartfelt, charming and very on-brand for Keita Takahashi, to a T is a fun episodic journey of a teenager stuck in the T-pose. However, with an emphasis on narrative and cut scenes, the gameplay takes a backseat, making those fleeting moments of T-posing minigame shenaginans feel less impactful as a result.
Little Kitty, Big City delivers on putting you in the paws of what it's like to be a cat. Full of mischievous activity, good cat-like physics and an undeniable cattitude, it's hard not to recommend this to not only cat lovers, but adventure game enthusiasts too.
Doom: The Dark Ages sees id Software pivoting away from their floaty bullet hell formula and into being the hell for bullets in a new "stand and fight" approach to combat, with tremendous results. The new hefty design makes the Slayer feel like the one man army he's always been portrayed as and delivers on being a Doom for the ages. Whilst there's some slight missteps in storytelling, music, and new gameplay elements that don't fit as well into its design, the moment-to-moment hook and metal aesthetic proves why the franchise is still the gold standard of modern FPS.
Full of genre familiarity that subverts expectations, Into the Restless Ruins proposes a new challenge for those into roguelike deckbuilders. With resource management, strategic placement of your cards acting as dungeon rooms, as well as hordes of enemies to autobattle, the game has all the addicting traits to keep you hooked. It's on the shorter side, alongside being visually uniform across the levels, but the core gameplay is what kept me restless to jump back in time and time again.
Labyrinth of the Demon King is a nostalgic and pummelling entry into the survival horror/dungeon crawling genre. The Feudal Japan setting and atmospheric level design sets itself apart from its contemporaries but doesn't quite sustain its thrills in story or puzzles. Whilst the combat is rigid and slightly unfair, it's a core element to it's differing approach of retro style PS1 horror.
Lushfoil Photography Sim didn't quite end up being the photography escape I was hoping for. With a few bugs, a side step from photography to pick up collectables and a full photo album halting my progression, I couldn't help but lose my zen whilst trying to get lost in the game's stunning locations. The photography mechanics are perfect, with some particular attention to how holding a camera feels with the DualSense, as well as the levels being gorgeous themselves. However, I couldn't really get over the hurdles that took away from the photography experience.
Centum is thought provoking, unflinching and maybe a little verbose. It's a minimal point-and-click where the messaging is the importance, with the gameplay taking a slight backseat to deliver the story. A rare gem for the medium that I couldn't recommend to everyone either.
Where The First Berserker: Khazan stumbles in its crashes, surface-level narrative and overabundance of loot management, it more than makes up for with sensationally satisfying combat, wonderfully moody atmosphere, exceptional dark fantasy visuals and a gauntlet of brutal yet empowering bosses to overcome. Khazan may not be the most powerful of all Souls-like protagonists, but through sheer perseverance and rage, he's not far off joining the highest echelons.
Understated, heartfelt and relaxing; Wanderstop may be a little simple for those looking for a "cosy sim". However, for those looking for thoughtful writing, a laser focus on being laid back and a demand to play it on your terms, it doesn't get much enveloping and cosy as this.
Outside of the new, most sought after destination of Feudal Japan, Assassin's Creed Shadows never really escapes its own shadow of boilerplate gameplay systems and its tried and true open world formula the series is known for. Whilst the game is at the same high standard as every other entry, it doesn't truly excel at anything more specific.
Sorry We're Closed presents an unequal challenge in its gameplay as it flourishes in exploration and combat but slightly let down by its simplistic puzzle design. With that said, the game's story, themes, world building and style makes it one of the great nostalgic survival horrors of recent years.
Tiny Terry's Turbo Trip is a hilariously heartfelt sandbox adventure that simplifies the genre's scope to pack a mightier punch. Everything is purposeful in the search for its collectathon gameplay and the world is a joy to explore, making it a tiny but terry-fic trip.
Whilst there isn't much gameplay to get stuck into, Urban Myth Dissolution Center has an engrossing mystery worth experiencing. Hypnotic visuals and decent writing may not make the game feel any less slower but it's perfect for those wanting a macabre visual novel to get lost in.
On the surface, World Championship Boxing Manager 2 lets you get into the minutiae of managing fighters time, training and career. However, even the 32-bit pixel art can’t quell any shallow grind that’s persistent making it an unfulfilling, rewardless management sim.