Sammy Barker's Reviews
Just because it employs the same font as a competing title doesn't mean that Professional Farmer 2017 comes anywhere close. This is a lousy, cynical game which has just one positive to its name: it's made us appreciate Farming Simulator 15 that little bit more.
Resident Evil 5 is a confounding game: it can be criticised for both mirroring its predecessor too closely and also for changing too much. When all's said and done, though, it's a decent romp that's brilliant when it's not bewildering – and when you consider the sheer amount of content included for the asking price, it's worth a punt. Plus, you get to punch a boulder.
Unless Lassie's got our back, then we'd never normally want to get lost down a well – but Downwell is a strong exception. This fun little freefallin' title ties you up in its gun-boot antics, and is difficult to put down once you casually drop in. The action's perhaps better suited to vertical screens, and it can be a bit obtuse – but for the price of a Big Mac, this is one deadly descent that deserves your tuppence.
A fitting end for one of PlayStation's most famous franchises, Uncharted 4: A Thief's End sits alongside The Last of Us at the apex of cinematic action experiences. Naughty Dog's ability to tell engaging tales is unmatched, with Nate's final chapter expertly balancing bombast against genuinely relatable themes. It won't redefine the genre quite like Uncharted 2, but the developer's boundless ambition means that this is a bigger, better, and more beautiful adventure than ever before.
A valiant attempt at creating a touch screen-based action experience with real depth, Severed struts confidently for four or five hours – before ultimately devolving into the same old swipe-fest that it seems to detest. Still, this is a wonderfully presented experience, with a mystifying world and some intelligent level design. If you're the kind of person who appreciates tailored Vita titles, then you'll more than get your money's worth here. It's just a shame that the studio fails to cut the foray off before it gets stale.
You can't polish a turd, and Resident Evil 6 is proof. This remaster may look the part at points, but its limp collection of lacklustre campaigns will leave you feeling dead inside. A low price point means that co-op enthusiasts may get some mileage out of the solid Mercenaries mode, but make no mistake, this is still a quivering corpse of a game. Avoid like a C-Virus plague.
TrackMania: Turbo's a gaudy game that demands you excel in short bursts. A truly compelling online component and a meaty single player campaign is offset by some shaky handling that, in the case of one car in particular, is far too fiddly to be fun – but those that like a challenge will still enjoy attempting to tame the title's increasingly outlandish maps. With a clumsy but empowering track editor there's certainly no danger of this racer running out of gas – it just depends how long you're willing to keep up with the quest to be the best.
Kholat may be daunting to approach at first with its massive scale, but its eerie setting is worth exploring for its intentionally perplexing narrative and unsettling visual and aural atmosphere. The simplistic gameplay may turn some off with how tedious exploration can become with few scares and long stretches of nothing, but if you choose to remain steadfast on this trail, the sights, sounds, and story may very well be worth your effort.
The forecast was never exactly great for Heavy Rain on the PS4. This remains a ground-breaking game, and it's still possible to appreciate the areas where it innovated, but time has not been kind to the title's damp performances and dismal writing. If you're eager to go back to the release that gave life to the current spate of narrative-driven games, then this new-gen port does an admirable job of sprucing up the visuals. But while we don't want to hang this important outing out to dry, you should certainly beware of the inclement weather within.
Blockbuster brands like Hitman seldom make the transition to mobile successfully, but Hitman Go: Definitive Edition is a well-presented puzzler that we can get behind. Despite being respectful of the source material, its slide puzzle spin on the series is strongly executed – even if it can feel a teensy bit too rigid at times. This port's perhaps a little pricey, but with plenty of content and cross-buy on the cards, we'd recommend moving in and pulling the trigger if you've got the appetite for a little assassination.
Thoughtful, clever, and articulately composed, Gone Home is the sweet sort of story that games typically tend to shun. Katie's homecoming is emotionally charged, cleverly plotted, and impressively authentic. And while it may not quench the thirst of those anxious for action, it tells a tale that practically everyone will be able to identify with – as long as you give it the chance.
Layers of Fear isn't shy about its influences, but if you were impressed by the P.T. demo, then how do you fancy five or so hours more? This is a tidily presented, tantalisingly tense trip through a fractured psyche – it's dark, desperate, and depraved. Bloober Team hasn't concocted the most original slice of horror in history, but it has pulled its inspirations together shrewdly – and the results are both repulsive and rousing.
Firewatch has the embers of a great narrative-driven game, but it fails to ever ignite into a furnace. Unforgivable performance issues detract from the otherwise outstanding art direction, but it's the abrupt story and unconvincing characters that really douse the hype here. Campo Santo's inaugural outing starts incredibly strongly, but your alarm bells will be ringing long before it burns out without ever really sparking into life.
Milestone has clearly spent an age under the bonnet, and Sébastien Loeb Rally Evo has a content quota that's befitting of all of that attention. Unfortunately, the Italian outfit's indecision with regards to the racer's handling model means that it's not always at its best when out on the track. If you can look past this shortcoming, however, then you'll find a real celebration of the sport here – and the man who helped put it on the map for a whole generation.
Gravity Rush Remastered will have you purring at the potential that its sequel looks set to fulfil, but it's a fine release in its own right. The mission variety's not quite there and the plot's paper-thin, but the traversal's some of the finest that you'll find on consoles full-stop, and the audio-visual achievements are outstanding across the board. It's an excellent first attempt, then, so irrespective of the laws of gravity, the only direction for this promising property is up.
Hardware: Rivals is slow and safe – it's a far-cry from the high-octane vehicle eviscerator that we'd anticipated. Its slightest of similarities to Rocket League may have hurt it, but even if Psyonix's excellent on-wheels outing didn't exist, this would still be a pretty darn tedious title. It's a shame because it's not hard to imagine a faster iteration of the exact same game being ten times more satisfying, but ultimately Hardware's only real rival is its squandered potential.
After the dreadful Dead Kings, Ubisoft has proven that it can make decent DLC with Assassin's Creed Syndicate's Jack the Ripper add-on pack. The new fear system is a novel addition here, while the whole campaign has a compelling, creepy vibe. The story missions are strong, and we appreciate the developer's decision to lead with an aging Evie Frye. If the expansion's titular serial killer famously came from hell, then this content is very much heaven sent.
Beyond: Two Souls is strange game that isn't quite sure what it wants to be. There are moments where the title pushes boundaries and attempts things that most developers wouldn't even care to try, but the plotting is uneven and the more touching sequences are undone by prolonged periods of outright idiocy. Ellen Page is excellent throughout and the presentation is staggering on the PS4 – it's just best to know what you're getting into before venturing headfirst into the Infraworld.
Bloodborne: The Old Hunters is much more of the same from what is already an outstanding game. The new environments and boss encounters add hours to the main experience, but it's the deluge of additional equipment that will keep veterans most occupied. If you've been yearning for a reason to return to Yharnam, then this DLC practically demands your Blood Echoes. Just remember that the life of hunter is defined by death – and you're going to die a lot.
Need for Speed's got many of the parts required of a great racer, but it's lacking a mechanic to assemble them and apply a lick of paint. The cutscenes, as obnoxious as they may be, are the real stars here, which may just be an indictment of the game as a whole. Sure, the handling's good, but the events are insipid – and the visuals may sparkle, but Ventura Bay is as vanilla as open worlds come. For as pumped-up as its excitable cast of characters are, this reboot quite simply lacks energy. Now, has anybody got any Monster?